100 books like The Complete Short Stories

Set in 1917, during an era that I have always been particularly drawn to, The Toymakers is one of those rare books that manages to capture magic in a way that feels both whimsical as well as deeply poignant – it truly reads like a fairy tale for adults set against the tragic backdrop of the First World War. Reading this book was like reading the first Harry Potter book – I was totally captivated and transported back in time to London and the Emporium (a wonderful magical toy shop). This book had me spellbound – both in terms of the enchanting forms of magic employed by the toy-makers as well as the darker aspects of their lives and the secrets uncovered.

Another story from my childhood, this tells the tale of the Bastable children, sweet siblings who are searching for treasure to help the father who recently lost everything. Stories about siblings have always piqued my interest as I myself have 3 siblings :) and stories about siblings who treat each other good are often my absolute favorites!

Why only settle for one unearthly lover when you can have 3? Especially when the female protagonist turns out to be somewhat monstrous herself? This book features 3 completely different male monster protagonists that will stop at nothing to protect the female protagonist. You’ll find it difficult to choose your favourite book boyfriend in this exceptionally entertaining monster reverse harem.

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

I just discovered this book and want to teach it in every one of my classes! Folk is a series of stories about the villagers in a tiny, closed-off island filled with strange rituals and a cacophony of alliances and grudges. Her language is simply thrilling, and the fairy tales are shocking in all different ways. We hear a different perspective in each story, so the book results in a fairy tale about how small communities work and what the ‘folk’ in them must do—and believe—in order to get along.  

This graphic novel collection of horror stories is the perfect companion to ease you through the final stages of autumn and into winter. I’ve been a huge fan of author/artist Emily Carroll since her earliest webcomics, and this book perfectly captures how her gorgeous art and inventive use of space combine with poetic prose to invoke the feeling of the creepiest fairytales and fables. Carroll has a real mastery of the horror of the unknown and unexplained, and her stories provide no easy answers or cheap twists but instead linger long after the end. Even years later, I still get a shiver from my favorite, “His Face All Red”! The settings and moods capture the slow creep of autumn into winter’s chill and the darkness beyond. 

This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion.  I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy… show more.

Bizarre, misshapen, and sweet, this is the Roald Dahl book I find most alluring. A much-beloved tale, the plot sounds phantasmagoric in distillation: a house-sized peach sprouts overnight from a tree outside the shack where young James is essentially kept imprisoned by two cruel aunts; the boy tunnels into the fruit’s pit, befriends the band of enormous talking insects within, and the whole gang embarks on an adventure where the peach bobs out to sea, is carried through the air by hundreds of seagulls, is attacked by creatures who live on clouds, and eventually comes to rest on the spire of the Empire State Building. Intrigue, humor, and rambunctious versifying abound—and the once-forlorn James is not only unvanquished but happy. Nice ending.

This book's heightened literary consciousness suggests a lifetime of practice, but it is, in fact, Gwendolyn Kiste's debut (she has quickly become one of contemporary dark fiction’s most celebrated, leading figures). Throughout Untether, the author examines both societal and individual forms of suffering (e.g. depression, dissociation, and the dangers of socially imposed normativities). My favorite piece is “Skin Like Honey and Lace,” which depicts a group of women who achieve social induction by taking skin from strangers and applying it to their own bodies. A staggeringly accomplished collection. 

Napoli is a master at rewriting fairy tales and other classic stories, and Zel might just be my favorite of her works. A young adult retelling of Rapunzel from three perspectives, it sticks to the original tale’s basic plot points but deeply expands the reader’s understanding of each character, particularly Rapunzel’s mother, whose feelings and motivations are written with exquisite nuance. Though it’s written for a YA audience, I still enjoy this story as much now as I did when I first read it at age 13, and now that I’m a mother myself, I experience it on an entirely different level. This is a deceptively simple book that really has layers upon layers to unwrap.