100 books like The Bin Ladens

I love how this book takes a familiar story and twists it in unexpected ways. In this classic of nonfiction on the Middle East, Scott Anderson tells the real story of Lawrence of Arabia.

I love how he does so by combining sound research with a writing style that makes the book read like a novel. Ten years after reading the book, I still remember its protagonists–T.E. Lawrence (obviously), the German agent of influence, the American oilman, and a Romanian-born Zionist agronomist. Their fates collide and unfold as the reader sees the Modern Middle East take shape.

I bought Jeremy Bowen’s book by chance as I searched for books about the Middle East. I wanted something different from the traditional (and sometimes a bit difficult to read) academic nonfiction book. This book appealed to me because it was written in a journalistic style and because it was as much a book about recent history as one about Bowen’s own travels and encounters in the Middle East. Well, I was not disappointed.

I really enjoyed reading Bowen’s recollections of his time in the Middle East and critical reflections on great powers’ involvement there. That is a book I felt gave a good sense of how the West has mismanaged its policies in the region during the past fifty years. 

I think that this is the best book about the politics of the Soviet-Afghan War. Artemy Kalinovsky writes in a vivid style and shows the intricate behind-the-scenes discussions between Soviets and Americans that led to the Soviet withdrawal from Afghanistan in the late 1980s.

Many historical books are a dull read, but this book is not. I really like how Kalinovsky helps the reader feel as if they are at the center of the story.

I liked Samuel Helfont’s book for the solidity of his research on the instrumentalization of Islam by the Saddam Hussein regime.

I personally feel that the 1980s is a key period in understanding how some of the problems that emerged during the late Cold War are still relevant today. This is certainly true for the Middle East, a region that is prone to conflicts and where the United States has been involved militarily over the past forty years.

Beyond that, I enjoyed Helfont’s writing which is strikingly dynamic.

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

I didn’t know Georgette Heyer wrote outside of Regency romances until I read The Conqueror. The period covering William the Conqueror’s life, from his accession as Duke of Normandy to his invasion and conquest of England, captivated me.

Heyer’s portrayal not only of the romances of William and Matilda of Flanders and a Norman vassal and English lady but also of the bond of friendship and loyalty between William and Raoul, the aforementioned vassal, were so plausibly written I almost believed both bond and fictional characters existed. Even better, she depicted 11th-century Normandy, England, and France in such riveting detail without sounding like an encyclopedia, often using her characters to help recreate that era. This book remains one of my favorites, and frequently re-read historical romances.

More than any other source, Geoffrey of Monmouth’s book is responsible for our modern fascination with King Arthur. I read this for the first time at school and have returned to it again and again.

Written in Latin in the twelfth century, Monmouth claimed to have access to secret books that no other author had read–I found that intriguing all by itself. When he wrote, three of his exact contemporaries were also writing works on King Arthur, and there seems to have been a literary ‘Arthur business’ in the 1130s–why? (It was a period of great disruption in England, and she may have needed a new savior!). Although he goes way beyond the realms of history, I still find Geoffrey charming and inspiring.

How many people know what happened to Marie Antoinette’s daughter? This book focuses on this tragic, formidable woman and her extraordinary life, from her birth in a crowded bedroom where they had to break the widows to provide fresh air to her fainting mother, to her three year imprisonment during the Terror, to her secret escape from France after the murder of her family. She found refuge in several European countries and married her cousin, the Duc d’Angoulême. Many historians claim that on the abdication of his father (Charles X, a brother of the executed Louis XVI), he became King for twenty minutes and his wife, thereby, became briefly the last Queen of France of the senior Bourbon line. 

A story I read so often in my childhood that I could recite it nearly verbatim. I read it frequently to my son. Then my grandchildren. Although they were inexplicably drawn to Bartholomew and the Oobleck by Dr. Seuss and, of course, their grandmother’s books, smart boys.

Here, a naughty boy, Max, runs away and enters a world of wild creatures and becomes their king. Max has a blast being king until he misses home. The transition from foe to friend to king moves quickly but is a topic worth exploring more in-depth.

Kids love the Wild Things dance scene done with rhythmic grunts and book shaking. I love its unique view on a child’s desire for independence and simultaneous need to come home. 

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.