100 books like The Art of Charlie Chan Hock Chye

I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.

I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.

Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.” 

I’ve read a handful of Warhol biographies and this is easily my favorite. It does a good job of breaking down his life experiences, his art and the philosophies behind The Factory, his purposeful creation of himself as an icon, and his adaptations to the American fine art and underground art landscapes that changed throughout his career. The book also has plenty of great party stories involving countless celeb friends. And to offset that all, peaks into his spending. The one bummer for me was that there weren’t enough pictures. But, well, I guess that’s what all my other Warhol books are for.

I read this play before I saw it, and it was great as a read. Steve Martin is obviously known as a comedic actor. But if you like the few movies he’s written, think Roxanne and LA Story, then you might want to give this one a try. It’s the fictional meeting between Pablo Picasso and Albert Einstein circa 1904. Picasso has started gaining fame for his breaking of artistic boundaries, and Einstein is a year away from releasing his theory of relativity. The two men have a chance meeting in a bar and drunkenly philosophize about art, science, society, meaning, and sex. And because it’s Steve Martin, don’t be surprised if Elvis comes along.

I love the publications of cartoonists’ sketchbooks—getting a peek into the visual culmination of ideas that eventually gets turned into comics. Farel Dalrymple is an indie comics creator whose book Pop Gun War astounded me when I first saw it. His illustrations involve cityscapes and brownstones, and very slow-feeling movements, kind of urban-ethereal. It’s quite obvious Dalrymple has a respect for the settings his comics take place in. In Delusional, we get to see his quiet yet bizarre sketches and unpublished slices of comics that take place in his Pop Gun War and Wrenchies worlds.

No one can deny that the story of Singapore is a modern-day miracle. From a third-world port city in the mid-20th century to the first-rate nation we know today, Singapore has adopted progress as a creed. Lee Kuan Yew, the very founder of modern Singapore, reflects on his achievements and the many challenges he’s faced along the way in this enticing book.

Halberstam, known for big, thick books centered around big American themes, treads the same ground as Thomas Hine’s Populuxe. Instead of concentrating on refrigerators and roadsters, Halberstam tackles the political, social, economic, and cultural change in America during the 1950s—essentially, he examined the rivets in the launching pad for the American Century. Halberstam’s great gift of teasing out stories of long-overlooked contributors is put to effortless use here as we meet Kemmons Wilson, founder of the Holiday Inn hotels, the McDonald brothers, auto designer Harley Earl, ad man Rosser Reeves and Goody Pincus, developer of the birth control pill. Other, more famous connectors are duly noted—Elvis, McCarthy, MacArthur, Ozzie Nelson, Uncle Miltie—but in the end, Halberstam’s book is an inspiration (and a template) for writers of cultural history.

Beginning with service as a military officer at the US embassy in Tripoli in 2009, Frederic Wehrey has had a long association with Libya.

This has enabled him to develop an unparalleled range of contacts inside and outside the country.

With a solid grounding in Libyan history, his analysis of socio-economic and political events has an authoritative freshness that few can equal.

In The Burning Shores, which focuses on Libya after the overthrow of the Qaddafi regime, he explores the missteps and turning points that led to the splintering of Libya, an outcome he rightly believes was not preordained.

This is an exceptional book; it is authoritative, informative, accessible, and will stand the test of time. 

This groundbreaking and wonderfully written study of two “protest” leaders during the Great Depression of the 1930s in the United States shows us what happens when truly hard times hit ordinary people, and what sort of leaders they then turn to. Brinkley brilliantly chronicles the rise of Louisiana politician Huey Long, the “Kingfish”, from obscurity in the poor Jim Crow south to becoming, by the time he was assassinated in 1935, the most significant political threat to the popular President Franklin D. Roosevelt. Long’s calls for wealth redistribution, contempt for traditional elites, and disregard for democratic institutions, make him an important historical example of so-called populist leadership, and of the power and appeal of populism in times of crisis.

Many people get involved with Africa through their concern for its’ poverty and with a genuine desire to help “develop” Africa. Ferguson’s analysis shows how counter-productive this is without an understanding of the ways in which African society differs from western society. Much social theory is generalizations based on interpretations of western development. These ideas are then projected into Africa on the basis that the more they are like us, the more developed they will be. I hope these five books help you un-learn this perspective and embrace the originality and genius of Africa.

This book is the most readable treatment I’ve encountered of a very complicated and theoretical set of ideas about how corporations have changed—not only in their legal structure but as social creatures—in the last century. Lemann makes the difficult theories of thinkers like Adolf Berle, John Kenneth Galbraith, Milton Friedman, and Michael Jensen easy to understand and fun to read about. And in the process, he explains how corporations lost their “souls”—how we reached a point where companies are finance-obsessed, detached from their communities, and fixated on short-term profits and not long-term stability.