Here are 100 books that Tekkonkinkreet fans have personally recommended if you like
Tekkonkinkreet.
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I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
For my money, Gipi is the best living comic book storyteller in the world right now and while it’s incredibly hard to pick a single book, I went with Garage Band, which elevates the drama of a very simple situation, teenagers escaping the turmoil of their lives through music who have to figure out what to do when their only amp dies. It reminds me of how every teenaged moment felt like an opera of life or death. In his art, in his stories, in his characters, Gipi gives simple things an impossible depth.
When Giuliano's father loans him the family garage, he and three of his friends form a band. Playing their battered secondhand instruments, the four teenagers find something they love to do, and they find in their friendship and music a refuge from difficult and turbulent home lives. But when their only amp blows a fuse, a desperate search for some new equipment lands them in more trouble than they ever saw coming. Written and painted in stunning watercolors by the renowned Italian artist Gipi, "Garage Band" is an introspective meditation on teenage life.
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This story really covered a lot of ground for me, it sorta collapsed my idea of how to present visual information, it’s “novelistic” in structure, snippets of a woman’s messy life told mostly in the equivalent of subtitles, the visuals sometimes tracking the emotions rather than a string of actions. It was also published by the publisher of Batman but there was nothing even remotely supernatural about it, it wasn’t edgy or dark beyond how any of our lives are.
COMPLETE GRAPHIC NOVEL Cranky columnist Anne Merkel is only happy when she's complaining...about her editors, about being single in New York City, about running out of Scotch. But when her long-lost sister shows up claiming to be Queen of the Leather Astro-Girls of Saturn, Anne's going to wish she'd never complained about anything... WINNER OF THE HARVEY AWARD Best Graphic Album of Original Work SPECIAL EDITION BONUS: Includes a never before published teleplay written by Kyle Baker, also a few other rarities.
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
This book spoke early to me as a kid on form and presentation, it played with visual scale and pace on a level you still very rarely see. Sienkiewicz tells a sort of elaborate impressionist visual poem through paint and graphic design. And Miller layers text almost like a melody track, playing with texture and emotion, speeding things up and then slowing them all the way down, playing with time in a way that changed the whole game for me.
Meet Elektra Natchios. This intriguing young woman has played equally intriguing roles throughout her life: Gymnast. Martial artist. Ninja. Assassin! Trained in the deadliest of arts and renowned as the world's fi nest killer, Elektra remains an enigma even to herself. Now, relive her fi rst solo adventure, an epic crafted by two of comics' greatest innovators - Frank Miller and Bill Sienkiewicz! An unconscious woman washes ashore off the coast of a small Central American country. Two policemen are strangled. A diplomat is assassinated. A S.H.I.E.L.D. agent is brutally dismembered. Unrelated events? Hardly. Elektra has returned - and she's…
I grew up in the weird world of a nerdy immigrant single mother, surrounded by comics and stories of every kind. I was attracted to writing (and drawing) from a really young age. Like a lot of 80s kids I was a latchkey, so there wasn’t really anyone around to tell me what was age-appropriate. I just grabbed books at random. Most of all what appealed to me were unique voices, when the books surprised me I didn’t care what they were about. When I finally started writing comics I got obsessed with trying not to repeat myself, keeping myself surprised. These books really helped me see the freedom I had in making comics.
The Hernandez Brothers burned down almost anything I thought about comics. As a young Latin kid I hadn’t seen stories that referenced Latin characters in anything but a really heavy-handed way, the idea that we were allowed to be these flawed weird characters seemed impossible to me. I connected pretty heavily with Jaime’s work especially and when I’m stuck on almost anything I revisit these pages as a sort of hard reset on whatever I think my process is.
This oversized art book collects the comics series’ iconic covers sans title or logo.
Five women stand in a police lineup; four of them are garishly dressed, impressively endowed superwomen ― perfectly normal, because this is, after all, the cover of a comic book. A closer look, however, reveals a fifth woman who seems thoroughly out of place ― mousy, in bathrobe and curlers, smoking a cigarette, she appears to have been suddenly yanked from her breakfast table. Surely, this diminutive, dowdy woman is here by mistake ― or is she? From the very first cover of the very first…
My name is Stephen McCranie and I'm currently working on Space Boy, a slow-burning high school romance that asks the question, "How do we bridge the gap between us?" I love working in this particular genre because high school is such a formative period for all of us. Also, when a romance burns slowly, the audience gets time to explore the world of the story, which can often be dynamic and lush with detail. And then, when our lovers find each other at long last, it is all the more sweet for having waited.
A homeless high school girl is taken in by a mysterious family, whose members are possessed by the 13 animals of the Zodiac. As she lives with the family, she slowly uncovers hidden wounds, which she heals with her generous spirit. Eventually, she falls in love with one of the two brothers her age, but which one will it be? Usually, with love triangles like this, I can figure out almost immediately who will end up together, but this one took me a while, which made the story all the more interesting.
After a family tragedy turns her life upside down, plucky high schooler Tohru Honda takes matters into her own hands and moves out...into a tent! Unfortunately for her, she pitches her new home on private land belonging to the mysterious Sohma clan, and it isn't long before the owners discover her secret. But, as Tohru quickly finds out when the family offers to take her in, the Sohmas have a secret of their own--when touched by the opposite sex, they turn into the animals of the Chinese Zodiac!A perennial favorite of fans and librarians alike, Natsuki Takaya's beloved bestselling Fruits…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Mushishi is possibly my favorite comic of all time. It doesn’t just use the environment as storyteller, but tells stories about environments in a way you wouldn’t expect. Though it’s a series of stories about people and their relationships, neither are divorced from the world itself. I cannot recommend this series enough and it is a huge influence on my own work.
Some live in the deep darkness behind your eyelids. Some eat silence. Some thoughtlessly kill. Some simply drive men mad. Shortly after life emerged from the primordial ooze, these deadly creatures, mushi, came into terrifying being. And they still exist and wreak havoc in the world today. Ginko, a young man with a sardonic smile, has the knowledge and skill to save those plagued by mushi . . . perhaps.
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure.
But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.
Nausicaa, a young princess who has an empathic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.
I am a long-time manga teacher and a pop-culture researcher, as well as a comic illustrator and a Youtuber, presenting under the "Mistiqarts" pseudonym. Since manga was something that inspired me early on to dedicate my life to the art style and pop culture, I was constantly looking for new ways to bring this lifestyle and art to other people interested in drawing manga.
This is an art book that showcases the masterful craft of an artist who knows how to weave souls into their characters and worlds. Her titles made me laugh, cry, jump up from my seat, and the characters and concepts in the pages of this book make me re-live these moments again and again. She uses a very unusual gouache technique, unlike any other manga artist I know of. The precision and determination in every stroke are stunning, and a book I believe any aspiring artist should have in their library.
Original art from series creator, Hiromu Arakawa; Somewhere between science, magic and art lies Fullmetal Alchemist!
Translated faithfully from the Japanese edition, this coffee table book contains all the Fullmetal Alchemist color artwork by manga artist Hiromu Arakawa from 2001 to 2003. The Art of Fullmetal Alchemist contains over 90 pages of gorgeous painted illustrations, including all the title pages as printed in color in the Japanese magazine Shonen Gangan; Japanese tankobon (graphic novel) and promotional artwork, with source listings; portraits of the main characters; and character designs from the PS2 game Fullmetal Alchemist and the Broken Angel.
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.
The essential early work by the modern master of Japanese literary comics
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view.
“Chirpy” is a simple domestic drama about expectations,…
E. L. Shen is a writer and editor living in New York City. Her debut middle-grade novel, The Comeback (Farrar Straus Giroux Books for Young Readers) is a Junior Library Guild Selection, received two starred reviews, and was praised for its “fast-paced prose, big emotions, and authentic dialogue” in The New York Times. Her forthcoming young adult novel, The Queens of New York (Quill Tree Books) was won in a six-figure preempt and is scheduled to publish in Summer 2023.
I was
absolutely delighted by this young adult graphic novel which details three
Asian girls’ lives as they live and study in Japan. One is from America, one
from Korea, and one from Singapore, and each has such a profound story to tell
about their path to self-acceptance and personal freedom.
A young adult graphic novel about three foreign exchange students and the pleasures, and difficulties, of adjusting to living in Japan.
Living in a new country is no walk in the park-Nao, Hyejung, and Tina can all attest to that. The three of them became fast friends through living together in the Himawari House in Tokyo and attending the same Japanese cram school. Nao came to Japan to reconnect with her Japanese heritage, while Hyejung and Tina came to find freedom and their own paths. Though each of them has her own motivations and challenges, they all deal with language…
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