Here are 100 books that Stone Fruit fans have personally recommended if you like
Stone Fruit.
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I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
The visual world Bishakh Som creates has so much personality that I could forget everything around me while I read it. Her main character is a queer goth punk, which is one of the reasons why I had wanted to read it because I love anything punk and queer. She navigates the relationship to her family as a Bengali American, the relationship to herself, to being an artist and all the while also exploring her trans identity. Bishakh Som takes the reader in and out of the fiction, weaving in both herself and her fictional character. It meant a lot to me that by doing this she poises transitioning as a deeply human process of flaws, personal growth, and beauty.
The meticulous artwork of transgender artist Bishakh Som gives us the rare opportunity to see the world through another lens.
This exquisite graphic novel memoir by a transgender artist, explores the concept of identity by inviting the reader to view the author moving through life as she would have us see her, that is, as she sees herself. Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author's daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
I love this brightly colored collection of short stories, Gumballs. The author Erin Nations writes about situations and scenarios that explain a lot of the daily troubles in a trans person's life. The comics are in part autobiographical about his current life, in part about his childhood experience of being a triplet, and in part about fictional characters. The many different stories that range from serious to very funny, never get boring and are easy and fun to read. I recommend it for queer people to relate to and people who want to learn about being queer while also having a good laugh. As a trans person, reading the comic shows me I am not alone with those daily problems.
Gumballs dispenses an array of bright, candy-colored short comics about Erin's gender transition, anecdotal tales of growing up as a triplet, and fictional stories of a socially inept love-struck teenager named Tobias. The wide-ranging series is filled with single-page gag cartoons, visual diaries of everyday life, funny faux personal ads, and real-life horror stories from customers at his day job. Gumballs offers a variety of flavors that will surely delight anyone with a taste for candid self-reflection and observations of humanity. This book collects Gumballs #1-4, plus 32 pages of brand-new content! Gumballs tips its hat to the classic alt-comic…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
This book impressed me because it doesn't shy away from its subject matter. The author tells about her journey and the struggles that pile up when she seeks professional help to transition but meets instead with a therapist who quickly becomes overwhelmed as they unpack trauma and dissociative identity disorder. With a whopping 904 pages, it's intense, but never gets dense. Entry is low-threshold and the quirky characters drew me in in no time. So much so that even when I didn't know who to believe, I was ready to believe anyone. This book perfectly illustrates the problems around gatekeeping of transgender healthcare and its complex intersections with mental health.
A boldly drawn, unforgettable memoir about trauma and the barriers to gender affirming health care. In the winter of 2004, a shy woman named Emma sits in Toby s office. She wants to share this wonderful new book she s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
Body Music is a lyrical compilation of short stories that play in the city life of Montreal. Each story is a small insight into the intimacy shared between two or more people. Very tenderly the author shows how love and connection are as unique and personal as people are different. It was heart-warming to read trans characters who were just one more way in the myriad of ways of being human.
Julie Maroh's first book, Blue Is the Warmest Color, was a graphic novel phenomenon; it was a New York Times bestseller and the controversial film adaptation by French director Abdellatif Kechiche won the Palme d'Or at the Cannes Film Festival in 2013. Maroh's latest book, Body Music, marks her return to the kind of soft, warm palette and impressionistic sensibility that made her debut book so sensational.
Set in the languid, European-like neighborhoods of Montreal, Body Music is a beautiful and moving meditation on love and desire as expressed in their many different forms?between women, men, and gender non-conformists alike,…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
The ship in this book (a submarine, in this case) features in unsettling flashbacks.
Miri’s wife, Leah, is a marine biologist, and on a routine trip to the bottom of the ocean, a malfunction on the sub means she and the crew remain down there much longer than anticipated. When she returns, she’s not the same. Armfield’s writing is stunning, perfectly encapsulating the strangeness of life at the bottom of the ocean.
This is an eerie but incredibly moving book about relationships and grief.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I’m struck by the narrative elegance of a premise-based novel. Here’s the premise, now what happens? These stories succeed when the premise catches your attention and leads plausibly and compellingly to what the characters think, feel, and do next. Apocalyptic novels are premise-based (apocalypse!) but not all premise-based novels are apocalyptic, e.g., Elevation, Mystic River, and own Ghosts on the Red Line. My experience writing Ghosts on the Red Line has provided me with a good sense of how authors Perrotta, King, Lehane, Miller, and St. John Mandel went about building on their inspired premises to create their unforgettable stories.
Elevation grabbed me from its starting premise until its last memorable scene. A flabby protagonist reveals to a doctor friend that his weight, as shown on his scale, is steadily dropping despite his unchanged appearance. In effect, he is less and less affected by gravity. Because his muscles have adapted to manage his large size, as his gravitational weight decreases he gains disproportionate agility and stamina, to the extent that he becomes a formidable marathon runner which amazes everyone who sees him. He develops close bonds with two women with whom he previously conflicted and they and his doctor friend help him to deal with his situation which becomes perilous as his weight approaches zero.
From legendary master storyteller Stephen King, a riveting story about “an ordinary man in an extraordinary condition rising above hatred” (The Washington Post) and bringing the fictional town of Castle Rock, Maine together—a “joyful, uplifting” (Entertainment Weekly) tale about finding common ground despite deep-rooted differences, “the sign of a master elevating his own legendary game yet again” (USA TODAY).
Although Scott Carey doesn’t look any different, he’s been steadily losing weight. There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This list wouldn’t be complete without a first-person memoir, a woman’s lived experience in a woman’s voice. And what better memoir to choose than Winterson's searingly honest account of how she reclaimed her childhood through the power of language.
In writing that is naked and brave, Winterson reveals a childhood that was ghastly, even Dickensian, but that was the crucible for Winterson’s incendiary talent.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
River McIntyre is a swimmer; at least that’s one element of their identity that’s safely and publicly established. But when he ends up “swimming” in the wrong place—a shark tank—it kicks off a journey of self-discovery that will change them forever. It’s such a brilliant path, taking place over the course of years and through different IDs and realizations, and I love the way everything—including River’s chosen name—always comes back to the water.
An achingly honest and frequently hilarious coming-of-age novel about an Arab American trans swimmer fighting to keep their head above water in a landlocked Midwestern town.
River McIntyre has grown up down the street from Sea Planet, an infamous marine life theme park slowly going out of business in small-town Ohio. When a chance encounter with a happy, healthy queer person on the annual field trip lands River literally in the shark tank, they must admit the truth: they don't know who they are-only what they've been told to be. This sets off a wrenching journey of self-discovery, from internalized…
When I was growing up there were no trans characters in children’s books, and partly because I had no examples I could point to, it took me until my forties to express and claim my gender truth. Now that I am a happily transitioned author, activist, and elected official, I champion middle grade novels by and about gender non-conforming humans because I want today’s trans kids to see themselves in stories. I hope to empower them to lead their best authentic lives from the beginning. I also hope to teach an often uninformed and sometimes prejudiced world to accept gender non-conforming kids as the beautiful healthy humans they are.
I particularly like the dual narration in this 2021 debut, with two characters who challenge gender norms at different levels of intensity as they bond over a secret rescue dog. Daniel is a boy who feels all his emotions intensely, and who has been told over and over that he is too sensitive. Ash cycles through genders, feeling and expressing girl sometimes and boy other times. It’s so good to see a GNC character in a lead role. I also got a hoot out of the graphic elements, which are quirky and original.
*An Indie Next List Pick and a Top Ten Rainbow Book for Young Readers!*
Jules Machias explores identity, gender fluidity, and the power of friendship and acceptance in this dual-narrative story about two kids who join forces to save a dog . . . but wind up saving each other.
Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it's a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too-of his emotions. He's been told he's…
After more than 20 years of community work and activism in LGBTQ+ spaces, I couldn’t help but turn these experiences into a novel in which Berlin becomes the world’s first gay state – Proud Pink Sky,released March 14 from Amble Press. My essays and short stories focus on the strange, the queer, and the speculative, and have been published in The Sun Magazine, Guernica, Strange Horizons, PinkNews,andNature Futures,while my campaign work for LGBTQ+ and polyamory rights has been referenced in The Mirror, Buzzfeed, and BBC News. I am also nonbinary queer, have a Ph.D. in Literature, and currently live in Berlin.
Melissa Scott takes worldbuilding to fascinating extremes in her 1995 novel, Shadow Man. Due to changes in human biology, there are five recognised sexes in Scott’s far-flung society, with man and woman joined by fem, herm, and mem – yet despite the variety in body types, the isolated and backward planet of Hara forces its residents to choose between a simple binary. With its bold depictions of gender discrimination and violence, Shadow Manis relevant to our own social battles while also indulging in a fast-paced plot and thought-provoking speculation, all while being just different enough from our own world that it scratches that escapist itch.
In the far future, human culture has developed five distinctive genders due to the effects of a drug easing sickness from faster-than-light travel. But on the planet Hara, where society is increasingly instability, caught between hard-liner traditions and the realities of life, only male and female genders are legal, and the "odd-bodied" population are forced to pass as one or the other. Warreven Stiller, a lawyer and an intersexed person, is an advocate for those who have violated Haran taboos. When Hara regains contact with the Concord worlds, Warreven finds a larger role in breaking the long-standing role society has…
