Fans pick 100 books like Space Odyssey

I’ve followed the history of space exploration since I was a kid! Although I spent decades photographing assignments in exotic international locations and co-authored visually driven books on astronomical phenomena, my dream was to photograph in NASA’s restricted space exploration work cultures. Never giving up, I achieved unprecedented access into the shuttle mission that saved the Hubble Space Telescope and, for more than a decade, with the New Horizons team that first explored the Pluto system. I’ve been published in media like Smithsonian, Nat Geo, WIRED, New Scientist, and NPR. Honored that my photographs of astronaut space tools are in the permanent collection of the Smithsonian’s National Air & Space Museum.   

I’ve followed the history of space exploration since I was a kid! Although I spent decades photographing assignments in exotic international locations and co-authored visually driven books on astronomical phenomena, my dream was to photograph in NASA’s restricted space exploration work cultures. Never giving up, I achieved unprecedented access into the shuttle mission that saved the Hubble Space Telescope and, for more than a decade, with the New Horizons team that first explored the Pluto system. I’ve been published in media like Smithsonian, Nat Geo, WIRED, New Scientist, and NPR. Honored that my photographs of astronaut space tools are in the permanent collection of the Smithsonian’s National Air & Space Museum.   

As a child, I was inspired by the feats of the first astronauts and cosmonauts, culminating with the Apollo expeditions to the Moon. As I grew up, I found that I was more of a historian than an engineer or a physicist. So, I began writing the stories of some of the people who were involved in the 1960s space race. I have since written about topics ranging from the strategic missiles that kicked off the space race to the Hubble Space Telescope, and today, I am the editor of Quest: The History of Spaceflight Quarterly. 

I’ve followed the history of space exploration since I was a kid! Although I spent decades photographing assignments in exotic international locations and co-authored visually driven books on astronomical phenomena, my dream was to photograph in NASA’s restricted space exploration work cultures. Never giving up, I achieved unprecedented access into the shuttle mission that saved the Hubble Space Telescope and, for more than a decade, with the New Horizons team that first explored the Pluto system. I’ve been published in media like Smithsonian, Nat Geo, WIRED, New Scientist, and NPR. Honored that my photographs of astronaut space tools are in the permanent collection of the Smithsonian’s National Air & Space Museum.   

Okay, so you’ve read Dune, you’ve read Starship Troopers, you’ve read 2001: A Space Odyssey, and maybe you’ve even read From Earth to the Moon and The First Men in the Moon. Seen the movies, too (or maybe you cheat and say you’ve read the books when you’ve only seen the flicks). Bet you think that makes you an expert on science fiction about space, right? Not even close! If you want to read more than just the well-known classics everyone else has, find these books. Some have become obscure and are now out of print, but they’re not hard to find; try ABE, eBay, and local second-hand bookstores. They’re worth searching for, and then you’ll really have something to talk about.

I’m fascinated by both evolution and sentience. The debates ranging about them, endless research, personal suppositions, all of it. I view Sci-Fi written in the same vein as the works below as a means for scientists/writers to draft their own thoughts about evolution and sentience, almost philosophically and not wholly restrained by pieces of information (just or far) beyond our grasp. My own writing often focuses on both topics too, especially the standalone Siouca Remembers – in which two species, one just having evolved to sentience, intermingle for the first time. Amongst many other books, Sapiens, by Yuval Noah Harari, is a wonderful non-fiction complement to this.

Kubrick has fascinated me since I watched Paths of Glory at MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable. 

Kubrick has fascinated me since I watched Paths of Glory at MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable. 

Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.

Kubrick has fascinated me since I watched Paths of Glory at MoMA, one of Stanley’s old haunts, in the early 1960s. I first saw 2001 in London and then once a year after that back home in New York. I taught courses devoted to Kubrick, and when I taught the course online at the University of Virginia, welcomed his brother-in-law, Jan Harlan, to talk to us long distance. With each move, I drew closer and closer to our subject. I visited the Manor at Childwickbury and had lunch with Kubrick’s wife, Christiane. I studied documents in the Kubrick Archive in London. There became a point of recognizing myself in Kubrick himself and his films. A biography was inevitable.