Fans pick 100 books like So Done

This pick has the distinguished honor of convincing me to try cricket flour. It also manages to present a layered storyline, one that combines an almost classic mystery plot with a traumatized character’s journey of self-healing. This book serves as a powerful reminder that we are more than the incidents that victimized us. And yes, even an insect hater like me enjoyed learning so much about the many uses of crickets! 

This lyrical novel-in-verse tells the story of fifth-grader, Tori, whose uncle does something bad to her on the couch in the basement of her house. The story begins immediately after the incident, which is described very obliquely, and beautifully captures Tori’s shock, shame, anger, and profound sense of brokenness. Adults who should listen to her and help her don’t always come through, and Tori’s shame also causes her to pull away from her closest friends. But slowly, with the help of her mom, her little sister, and her teacher, Tori begins to speak up. I thought Sonja Solter beautifully captured Tori’s grief, her retreat to silence and smallness, and her gradual, incremental healing process. I especially loved Tori’s relationship with her little sister and how it evolves.

This heartbreaking and powerful novel tells the story of fifth-grader Rowan, who isn’t a girl even though everyone thinks he is, but also isn’t the “right kind” of boy. At night, his dad comes into his room and does things Rowan can’t talk about with anyone. Silenced or ignored by everyone around him, Rowan writes letters expressing his thoughts, feelings, and dreams; he attaches them to balloons and sends them out into the universe. When he befriends a classmate who is as much of an outsider as he is, Rowan slowly begins to open his heart, and to speak up. I loved this novel both because of Rowan’s determination to be who he knows he is and because of the unexpected support he finds on his journey.

Lydia knows her mom’s boyfriend, Jeremy, makes her mom happy. But sometimes Jeremy makes Lydia really uncomfortable, especially when his hugs go on too long. She already dresses in baggy clothing so the boys in her school will stop saying things about her body. What more can Lyddie do? When her mom buys a run-down house, and Lyddie finds a book of magic spells inside, she thinks she has a solution: the right combination of magic spells will keep her safe. But when Lyddie’s spells don’t work against the boys, or Jeremy, she has to use her voice and her courage instead. I loved the way this wonderful coming-of-age novel confronts and challenges the culture of toxic masculinity that too often is used as a cover for bullying.

I was on lunch break one day in 2010 walking through Union Station in DC when I saw a very tall, elderly Black man seated at a table in the B. Dalton bookstore with a stack of books in front of him.

I smiled at him and he back and me, and then the man with him said, “Do you know who this is?” I said no. The man said “It’s Earl Lloyd, the first African American to play in the NBA.” It occurred to me then, as it has many times since, that most Americans know about Jackie Robinson breaking the color line in professional baseball, but until that moment I didn’t know who did the same in basketball.

And it wasn’t until 10 years later, when I finally read the book that Mr. Lloyd graciously signed for me, that I wished I’d talked with him about his remarkable… show more.

OK, I’m stretching a bit to include this on my list.

John Thompson made his mark on basketball as a college coach, not from his two years as Bill Russell’s back-up with the Celtics. But I’ve got a personal interest here: I was a student sportswriter at Georgetown from Coach Thompson’s second year as coach, and as a junior and senior got to attend his weekly press conferences with the student press. I’ve often said I learned more about life from those meetings in Coach’s office than I did from any other class at Georgetown.

I feel the same about this book, written with Andscape senior writer Jesse Washington. If you read this book you probably won’t agree with all of it, but I have no doubt that you’ll learn from it. 

The National Basketball Association’s color barrier was not as long-lasting as Major League Baseball’s, but it was in place in 1950 when the more enlightened white owners and talented Black players shattered it.

Author Thomas recalls the economic justification for racism, with how one owner warned another owner that his “players will be 75% Black in five years and you’re not going to draw people.” Fears that racial fairness would ruin the NBA were ridiculous, of course. The first Black player drafted and the first to sign a contract were Harlem Globetrotters. Through deep research and interviews, Thomas explains in an engaging manner how the NBA was integrated.

As someone who spends most of his professional life studying Black history, the story of the Negro Leagues of professional basketball has been so important to me. Unlike the Negro Leagues of professional baseball, people don’t pay as much attention to basketball teams.

I love learning more about them. They often played games in nightclubs, bringing the stories into the heart of the Harlem Renaissance and tying them to the interwar culture of jazz and prohibition.

This book describes the history of African Americans in professional basketball from the early years of racially segregated barnstorming teams, to the partial integration in the early pro leagues, to the slow acceptance of Blacks in the NBA in the 1950s, to the modern day.

But while Ron Thomas relates the personal stories of the main actors, Douglas Stark, who has spent his career in positions with sports museums including the Naismith Memorial Basketball Hall of Fame, offers an historian’s perspective and examines the social and historical context behind each step in the evolution. Bit by bit, we see the game and our society change as we learn how we got to where we are today. 

Here in Harlem pays homage to the people of Harlem in the first half of the 20th century. I loved how the rhythmic, musical verse brings the setting to life. It’s modeled on Spoon River Anthology by Edgar Lee Masters, but in a completely unique way that will really speak to YA readers.

The voices depicted in this poetry collection—especially Clara Brown’s recurring testimonies—make the book feel like a fully alive story rather than simple moments captured in time.