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I Came as a Shadow.
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Iâm a narrative nonfiction writer whose subjects range from politics to professional football, from racial conflict to environmental destruction, from inner-city public education to social justice to spinal cord injury. The settings for my books range from the Galapagos Islands to the swamps of rural Florida, to Arctic Alaska. I typically live with and among my subjects for months at a time, portraying their lives in an intimately personal way.
This book is similar to mine, following a team of high school basketball players through a season, but itâs set in an urban environment: Brooklynâs Coney Island. The boys it focuses on are African-American, the off-court struggles they and their community face (crime, violence, drug use, the lure of the streets, and the corruption of college basketball recruiters) differ from those that challenge the kids in remote Alaska, but the joy and solace they find in the game itself are the same. The writing is terrificâlucidly and intimately bringing to life the four boys whose lives it focuses on.
Darcy Frey chronicles the aspirations of four young men as they navigate the NCAA recruitment process, their only hope of escape from a life of crime, poverty, and despair.
It ought to be just a game, but basketball on the playgrounds of Coney Island is much more than that. In The Last Shot, the aspirations of a few of the neighborhood's most promising players reveal that what they have going for them (athletic talent, grace, and years of dedication) may not be enough to defeat what's working against them: woefully inadequate schooling, family circumstances that are often desperate, and theâŚ
I am a professor of American Jewish history who has written extensively on how sports have impacted the lives of American Jews. I have been especially interested in how the acceptance or rejection of Jews in the sports arena has underscored that groupâs place within this countryâs society. I have been likewise intrigued by how the call of athleticism has challenged their ethnic and religious identity. The saga of Marty Glickman, a story of adversity and triumph, speaks boldly to critical issues that this minority group has faced.
Tragically, in 1951, players on the City College basketball team â Jews and African Americans â were caught up in a point-shaving scandal that rocked the city and the Jewish community.
Goodman tells this sad story comprehensively and unsparingly, and took me back into the neighborhoods where these athletes grew up and detailed how organized crime figures seduced them. He also notes importantly how this corruption of basketball which was then seen as a âJewish sportâ fed antisemitic attitudes against Jews.
The powerful story of a college basketball team who carried an eraâs brightest hopesâracial harmony, social mobility, and the triumph of the underdogâbut whose success was soon followed by a shocking downfall
âA masterpiece of American storytelling.ââGilbert King, Pulitzer Prizeâwinning author of Devil in the Grove
NAMED ONE OF THE BEST SPORTS BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW
The unlikeliest of champions, the 1949â50 City College Beavers were extraordinary by every measure. New Yorkâs City College was a tuition-free, merit-based college in Harlem known far more for its intellectual achievements and political radicalism than itsâŚ
Basketball has always been important to me. I was never very good at playing, but watching always moved me. I grew up worshipping Michael Jordan. I still remember seeing him play at the old Chicago Stadium, a monumental moment for a kid from the South. Basketball was always something that brought my friends and family together. Later, when I grew up, the camaraderie that came with experiencing the game dissipated, but my passion for it remained. It is an urban game associated with the working class and race in a way that none of our other major sports are.
Halberstam tells the story of the 1979-1980 Portland Trailblazers season, but it does so much more. I read this book before reading George Plimpton or Gay Talese, so Halberstam's personal relationships with the team were my first exposure to that kind of sports journalism.
I love that he didnât choose the teamâs championship season but instead covered the teamâs breakdown and dissolution. It gives the book so much more character and turns it away from traditionally triumphalist sports narratives.
A New York Times bestseller, David Halberstam's The Breaks of the Game focuses on one grim season (1979-80) in the life of the Bill Walton-led Portland Trail Blazers, a team that only three years before had been NBA champions. More than six years after his death David Halberstam remains one of this country's most respected journalists and revered authorities on American life and history in the years since WWII. A Pulitzer Prize-winner for his groundbreaking reporting on the Vietnam War, Halberstam wrote more than 20 books, almost all of them bestsellers. His work has stood the test of time andâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
I am a professor of Global Studies at UNC Chapel Hill and I have written about the intersection of sports, media, and politics for many years. I am also the co-host of a podcast, Agony of Defeat, with Matt Andrews, that explores the connections between sports, politics, and history. Basketball is an especially rich topic for mining these intersections. And Iâm also a lifelong sports fan.
Scott Ellsworth's account of a legendary game that took place between the Eagles of North Carolina College for Negroes (now North Carolina Central University) and Duke University on Duke's campus in Durham, in 1944 (the Duke team comprised medical students but included several former college stars). John McClendon, a protege of the game's founder, John Naismith and coach of the Eagles is widely credited with having transformed the sport, refashioning a slow, stolid affair into a fast-paced, exhilarating game. In the process, he turned the Eagles in mid-century into a juggernaut in the Carolina Intercollegiate Athletic Association, a conference of Black colleges and universities. Jim Crow made it illegal for the Eagles to compete publicly against their intracity rivals, but both programs relished the prospect of playing one another, and a secret game was organized, widely considered the first integrated collegiate game to be played in the south. Ellsworth paintsâŚ
In 1943, at the North Carolina College for Negroes, Coach John McLendon was on the verge of changing basketball forever. His team was the highest-scoring team in America, and yet they faced danger whenever they traveled backcountry roads.
Across town, the best squad on Duke University's campus wasn't the Blue Devils, but an all-white team from the medical school. They were prepared to take on anyone -- until an audacious invitation arrived.
THE SECRET GAME is the story of a long-buried moment in the nation's sporting past. A riveting account of a barrier-shattering game, the evolution of modern basketball -âŚ
Race has always been a primary issue in American lifeâand a test of how well our ideals as a nation sync up with reality. Because sports are a national passion, they have long put questions of inclusion on full display. Itâs a fascinating, illuminating clash: the meritocracy of sports vs. the injustice of racism.
The National Basketball Associationâs color barrier was not as long-lasting as Major League Baseballâs, but it was in place in 1950 when the more enlightened white owners and talented Black players shattered it.
Author Thomas recalls the economic justification for racism, with how one owner warned another owner that his âplayers will be 75% Black in five years and youâre not going to draw people.â Fears that racial fairness would ruin the NBA were ridiculous, of course. The first Black player drafted and the first to sign a contract were Harlem Globetrotters. Through deep research and interviews, Thomas explains in an engaging manner how the NBA was integrated.
Today, black players comprise more than eighty percent of the National Basketball Association's rosters, providing a strong and valued contribution to professional basketball. In the first half of the twentieth century, however, pro basketball was tainted by racism, as gifted African Americans were denied the opportunity to display their talents. A few managed to eke out a living playing for the New York Renaissance and Harlem Globetrotters, black professional teams that barnstormed widely, playing local teams or in short-lived leagues. Also, a sprinkling of black players were on integrated teams. Modern professional basketball began to take shape in the lateâŚ
When Jay Rosenstein and I started writing Boxed Out of the NBA, we thought we were writing a light collection of mostly humorous anecdotes from old ballplayers about playing in the minor league. But as we interviewed the old Eastern Leaguers and understood how the league gave a home to players who couldnât make the NBA in large part because of race, we realized we had a much more important and socially significant story. Itâs been our privilege to get to know these gentlemen, and feel like they have entrusted us to tell their story. We want to help them get the respect and recognition they deserve while they are still here to appreciate it.
I was on lunch break one day in 2010 walking through Union Station in DC when I saw a very tall, elderly Black man seated at a table in the B. Dalton bookstore with a stack of books in front of him.
I smiled at him and he back and me, and then the man with him said, âDo you know who this is?â I said no. The man said âItâs Earl Lloyd, the first African American to play in the NBA.â It occurred to me then, as it has many times since, that most Americans know about Jackie Robinson breaking the color line in professional baseball, but until that moment I didnât know who did the same in basketball.
And it wasnât until 10 years later, when I finally read the book that Mr. Lloyd graciously signed for me, that I wished Iâd talked with him about his remarkableâŚ
In 1950, future Hall of Famer Earl Lloyd became the first African American to play in a National Basketball Association game. Nicknamed ""Moonfixer"" in college, Lloyd led West Virginia State to two CIAA Conference and Tournament Championships and was named All-American twice. One of three African Americans to enter the NBA at that time, Lloyd played for the Washington Capitals, Syracuse Nationals, and Detroit Pistons before he retired in 1961.
Throughout his career, he quietly endured the overwhelming slights and exclusions that went with being black in America. Yet he has also lived to see basketball - a demonstration ofâŚ
NORVEL: An American Hero chronicles the remarkable life of Norvel Lee, a civil rights pioneer and Olympic athlete who challenged segregation in 1948 Virginia. Born in the Blue Ridge Mountains to working-class parents who valued education, Lee overcame Jim Crow laws and a speech impediment to achieve extraordinary success.
When Jay Rosenstein and I started writing Boxed Out of the NBA, we thought we were writing a light collection of mostly humorous anecdotes from old ballplayers about playing in the minor league. But as we interviewed the old Eastern Leaguers and understood how the league gave a home to players who couldnât make the NBA in large part because of race, we realized we had a much more important and socially significant story. Itâs been our privilege to get to know these gentlemen, and feel like they have entrusted us to tell their story. We want to help them get the respect and recognition they deserve while they are still here to appreciate it.
Ray Scott is a living bridge from the first generation of Black players in the NBA to the modern NBA that emerged in the 1970s.
Through high school in Philadelphia where he played against Wilt Chamberlain, to college in Portland where he first competed against Elgin Baylor, to his formative professional years in the Eastern League where his contemporaries were the leagueâs all-time stars like Sherman White, Wally Choice, and Hal âKingâ Lear, to his early years in the NBA where his mentor was Earl Lloyd, to succeeding Lloyd as an NBA coach and becoming the first African American named NBA Coach of the Year, Scott has soldiered through numerous affronts yet always emerged with grace, dignity, and hope.
âCoach,â as he is called, in this memoir written with prolific basketball writer and former Eastern League player Charley Rosen, demonstrates why he is respected and beloved as both a leaderâŚ
A memoir of hard lessons learned in the racially segregated and sometimes outright racist NBA of the early â60s by celebrated NBA player and the first Black Coach of the Year, Ray Scott. Introduced by Earl "the Pearl" Monroe.
âThereâs a basic insecurity with Black guys my size,â Scott writes. âWe canât hide and everybody turns to stare when we walk down the street. ⌠Whites believe that their culture is superior to African-American culture. ... We donât accept many of [their] answers, but we have to live with them.â
When Jay Rosenstein and I started writing Boxed Out of the NBA, we thought we were writing a light collection of mostly humorous anecdotes from old ballplayers about playing in the minor league. But as we interviewed the old Eastern Leaguers and understood how the league gave a home to players who couldnât make the NBA in large part because of race, we realized we had a much more important and socially significant story. Itâs been our privilege to get to know these gentlemen, and feel like they have entrusted us to tell their story. We want to help them get the respect and recognition they deserve while they are still here to appreciate it.
This book describes the history of African Americans in professional basketball from the early years of racially segregated barnstorming teams, to the partial integration in the early pro leagues, to the slow acceptance of Blacks in the NBA in the 1950s, to the modern day.
But while Ron Thomas relates the personal stories of the main actors, Douglas Stark, who has spent his career in positions with sports museums including the Naismith Memorial Basketball Hall of Fame, offers an historianâs perspective and examines the social and historical context behind each step in the evolution. Bit by bit, we see the game and our society change as we learn how we got to where we are today.
Today, it is nearly impossible to talk about the best basketball players in America without acknowledging the accomplishments of incredibly talented black athletes like Magic Johnson, Michael Jordan, and Kobe Bryant. A little more than a century ago, however, the game was completely dominated by white players playing on segregated courts and teams.
In Breaking Barriers: A History of Integration in Professional Basketball, Douglas Stark details the major moments that led to the sport opening its doors to black players. He charts the progress of integration from Bucky Lew-the first black professional basketball player in 1902-to the modern game playedâŚ
In Thatâs What Friends Do, the #MeToo experience that Sammieâs mom shares with Sammie is my story. I was thirteen. I never told anyone. Even as I started writing my novel, it didnât occur to me to share with my husband, or my teenage children, my experience. But one evening, as the #MeToo movement was exploding in the media, I was sitting around a dinner table with several other couples. All of the women had had a #MeToo experience. Most of us were young teens when it happened. Shame and guilt had kept us silent for far too long. My novel â and the others on my list â are working to break through that silence.
When Taiâs useless, always-high dad touches her best friend, Mila, where he shouldnât, the girlsâ friendship is challenged and changed. Tai, already ashamed of her father, wants to pretend the moment never happened. But, Mila canât pretend because she lives every day with the fear and shame of that moment. After a summer apart, the two friends struggle to reconnect while also competing for acceptance into the same gifted-and-talented arts program. As both work to be seen for who they want to be, they must also learn to look back together at what really happened. I loved the portrayal of the girlsâ friendship and the honesty of a story in which the âhappy endingâ doesnât mean a return to the way things were.
When best friends Tai and Mila are reunited after a summer apart, their friendship threatens to combust from the pressure of secrets, middle school, and the looming dance auditions for a new talented-and-gifted program.
Fans of Renee Watson's Piecing Me Together will love this memorable story about a complex friendship between two very different African American girls-and the importance of speaking up.
Jamila Phillips and Tai Johnson have been inseparable since they were toddlers, having grown up across the street from each other in Pirates Cove, a low-income housing project. As summer comes to an end, Tai can't wait forâŚ
Radical Friend highlights the remarkable life of Amy Kirby Post, a nineteenth-century abolitionist and women's rights activist who created deep friendships across the color line to promote social justice. Her relationships with Frederick Douglass, Harriet Jacobs, Sojourner Truth, William C. Nell, and other Black activists from the 1840s to theâŚ
Basketball has always been important to me. I was never very good at playing, but watching always moved me. I grew up worshipping Michael Jordan. I still remember seeing him play at the old Chicago Stadium, a monumental moment for a kid from the South. Basketball was always something that brought my friends and family together. Later, when I grew up, the camaraderie that came with experiencing the game dissipated, but my passion for it remained. It is an urban game associated with the working class and race in a way that none of our other major sports are.
As someone who spends most of his professional life studying Black history, the story of the Negro Leagues of professional basketball has been so important to me. Unlike the Negro Leagues of professional baseball, people donât pay as much attention to basketball teams.
I love learning more about them. They often played games in nightclubs, bringing the stories into the heart of the Harlem Renaissance and tying them to the interwar culture of jazz and prohibition.
A groundbreaking, timely history of the largely unknown early days of Black basketball, bringing to life the trailblazing players, teams, and impresarios who made the game From the introduction of the game of basketball to Black communities on a wide scale in 1904 to the racial integration of the NBA in 1950, dozens of African American teams were founded and flourished. This period, known as the Black Fives Era (teams at the time were often called "fives"), was a time of pioneering players and managers. They battled discrimination and marginalization and created culturally rich, socially meaningful events. But despite headline-makingâŚ