100 books like Smoke Signals

A Moveable Feast is life-changing, with its introspective and evocative exploration of Hemingway’s early years as a struggling writer in the 1920s. It heavily inspired me to make my own move and pursue my authorship journey in Paris!

Through vivid and poetic prose, Hemingway captures the bohemian atmosphere of the era. The book delves into themes of creativity, love, loss, and pursuing one's artistic vision. Hemingway's raw and honest reflections on his own experiences and struggles offer profound insights into the nature of art, resilience, and the pursuit of a meaningful life. 

This book inspired me to uncover my passions, live the life of my dreams, embrace the beauty of the world around me, and, most importantly, savor every moment.

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

Acid Dreams: The Complete Social History of LSD, the CIA, the Sixties and Beyond is one of the best books I’ve ever read. Even though I worked in Naval intelligence while I was on active duty in Germany, during the Cold War, I was still surprised at what Acid Dreams revealed about the US government and how for example, government officials were actively searching for a drug that would make American soldiers more amenable to killing. The book details how the government set out to destroy the black culture and imprison young black leaders for mostly minor drug offenses. It further explores the ways the government secretly studied the effects of LSD on its citizens. I loved this book because it opens the reader's eyes to the radical ways some government factions tried to manipulate the masses and deceive them, using the guise of the greater good as justification.

White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.… show more.

I love anything written by Katherine Paterson. This book introduces Giladriel Hopkins (Gilly), a young girl waiting for her mom to come and rescue her from foster care.

Gilly’s horrendously disrespectful behavior is hard to take sometimes, and yet because we know her living situation, we quietly read along, offering her our sympathy. Paterson highlights a child’s ability to mentally clean up their parents and offer them undeserved trust, despite the fact they have neglected or abandoned their children.

Gilly’s plight increased my awareness about the constant pains some kids live with daily. Her longing for a mother’s love would resonate even with adults who longed for their own mother’s love.

I’ll admit that I picked up Tessa Bailey’s books strictly because of the reader raves all over TikTok. I read her It Happened One Summer first, and then immediately put Hook, Line, and Sinker on my wish list and I have to say, I loved the second book even more than the first, and that was a high bar to beat.

A riches-to-rags story about two sisters forced to move from their luxurious lives in LA to a much more sparce existence in a small fishing village populated with sexy crab fishermen, it’s part Schitt’s Creek and part Deadliest Catch—a testament to the fact this toe-tingling romance was conceived and written during the pandemic when the author was admittedly binging both shows on TV.

Dazed and Confused, Richard Linklater’s plot-light, pot-heavy 1993 film about Texas teens hanging out on the last day of school in 1976, is perhaps my favorite movie ever, so I was already inclined to love this oral history about the film’s creation and legacy. Maerz expertly weaves the voices of almost everyone involved in the project — from breakout star Matthew McConaughey to members of the crew — to create a highly entertaining, super-compelling look at a stoner cinema classic.

In my book club I’m known as Second Carl, since Carl Gottlieb has been a member far longer than I. In fact, I was still a lawyer in Washington, D.C. secretly dreaming about Hollywood but never suspecting I’d someday myself work on a Spielberg TV series, when I read this short, fast, now revered account of the filming of Spielberg’s breakout film. It proved to be a deeply accurate and comprehensive description – and warning – about what life and work on location and in Hollywood itself would be like. It’s also so engagingly readable and relevant, a Broadway musical based on the book is in tryouts as I write these words.

This book coined the maxim far and away the most quoted in Hollywood to this day: “Nobody knows anything.” I first read it the year before I broke in. My copy is heavily annotated with yellow highlighter and red pen; a black paperclip still marks the second of Goldman’s two capitalized maxims, “Screenplays are structure.” The value of this book to anyone wanting to understand – or survive in – Hollywood is that, ironically, Goldman, one of the most successful screenwriters and novelists in Hollywood history, knew almost everything, not only about screenwriting, but also the psychology, cautious care, and perilous feeding of actors, directors, executives, and the rest of the Hollywood zoo. It’s both a textbook and survival guide, illustrated with a veteran’s vivid stories about life behind the tinsel.

Leonard Maltin shot to prominence as a youth publishing the annual Leonard Maltin’s Movie Guide, with each new edition becoming an instant New York Times bestseller. Maltin also served a long stint as an on-air correspondent for Entertainment Tonight, where he earned backstage access to generations of movie stars.

His recently published memoir details his early obsession with the movies and then his slow but steady rise as one of Hollywood’s leading historians. I love this book most for its insights into the old stars that Maltin met—stars who knew him from his books and TV work and opened up about their own histories, making this book a valuable resource for film scholars.