Here are 57 books that Skinwalkers fans have personally recommended if you like
Skinwalkers.
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
Although I grew up in New York City, from a young age I was drawn to the natural world, particularly through gardening and camping trips. Eventually I studied biology in college and earned a Master’s researching stream ecology. I also always imagined myself a writer. For years my writing was solely in letters and journals, but during my Master’s I started a novel featuring an immature mayfly in the stream (it was somewhat autobiographical). Ecology is all about the connection of organisms to their environment and to one another, and I think this perspective of connectedness has embedded itself deeply in my writing and my life.
First of all, this sprawling novel is funny and entertaining, and those qualities would be reason enough that I would recommend it. Yet beyond those qualities, it created a strong sense of place and a real social and political conflict without ever becoming preachy or heavy handed—not an easy feat as I have learned.
The storyline, a conflict over land use and water rights, is repeated again and again throughout the West and Southwest in particular—in this case pitting real estate developers against impoverished locals. But the story is also about a conflict of cultures and how those cultures perceive and connect to the land. Exposing such conflicts is a boon of literature.
The Milagro Beanfield War is the first book in John Nichols's New Mexico Trilogy (“Gentle, funny, transcendent.” ―The New York Times Book Review)
Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories.…
I was born and raised in New Mexico and it’s a part of me. New Mexicans will tell you that it’s impossible to describe its uniqueness, that you must experience it for yourself. That may be partially true, but writers have done a great job incorporating the majesty of the landscape, the earthiness of the people, the eclectic nature of its values, and ultimately the spell it casts. I’ve set quite a few books in New Mexico and have tried to show how these layers fit together for me. Ultimately, it’s called The Land of Enchantment for many reasons and we do our best to share them with our readers.
I was a fan of Anaya’s well-known novel, Bless Me, Ultima, and was intrigued that this title’s spelling itself was significant, returning the first ‘r’ to the city name a century after it was dropped by a white station owner. Anaya blends fantasy with history, examining the myth of racial purity and offering a different take on being a New Mexican and our connection to the land. He also departs from a familiar depiction of Albuquerque as a sleepy western town and paints it as a vibrant metropolis with all the associated political machinations. Mostly though, I felt a strong connection with the protagonist, an up-and-coming boxer who learns he was adopted and questions the definition of identity.
This book is a winner of PEN Center West Award for Fiction. Abran Gonzalez is a homeboy from the barrio, a young boxer whose world is shattered forever the night he is summoned to his mother's deathbed. He learns he is the son of an unknown Mexican man - a man he is desperately compelled to find. His quest will bring him in contact with many unpleasant characters.
I was born and raised in New Mexico and it’s a part of me. New Mexicans will tell you that it’s impossible to describe its uniqueness, that you must experience it for yourself. That may be partially true, but writers have done a great job incorporating the majesty of the landscape, the earthiness of the people, the eclectic nature of its values, and ultimately the spell it casts. I’ve set quite a few books in New Mexico and have tried to show how these layers fit together for me. Ultimately, it’s called The Land of Enchantment for many reasons and we do our best to share them with our readers.
This is a nonfiction book and typical of New Mexico, as there are whole chapters of its history nobody really knows about. The (probably) first white American woman to come into the territory was a Jewish woman who accompanied her merchant husband and brothers. Even more interesting, merchants and traders weren’t even the first Jewish people - “Crypto-Jews” who were fleeing the inquisition came to New Mexico long before it was part of the US and kept their identity secret to assimilate. This is depicted with a character in Alburquerque and that perfectly encapsulates one of the overriding things about New Mexico and its tales – a deep sense of connectedness, across people, across the land.
In this first history of the Jews in New Mexico--from the colonial period to the present day--the author continuously ties the Jewish experience to the evolution of the societies in which they lived and worked. The book begins with one of the least known but most fascinating aspects of New Mexico Jewry--the crypto-Jews who came north to escape the Mexican Inquisition. In the nineteenth and twentieth centuries, the story is more familiar: German merchants settling in Las Vegas and Santa Fe and then coming to Albuquerque after the railroad arrived. To these accounts the author adds considerable nuance and detail,…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
R. Allen Chappell’s novel resonates with me from the reality of his depiction of life among the Navajo, reflecting his personal familiarity with the people. His protagonists portray diverse, very human characters with all their inherent weaknesses and strengths, tested by the hard life on the Rez. In Magpie Speaks, Charlie Yazzie’s unflappably grounded outlook balances Paul T’Sosi ’s immersive belief in the old ways, a traditional way of thinking that permits the existence of witches who can cause him harm with their supernatural powers. His depiction of Harley Ponyboy, a sometime drunk (“just because I’m drinking now doesn’t make me a drunk”) is both sympathetic and alarming to me. Chappell’s characters are real.
Dreams tell old man Paul T’Sosi he’s dying. So why is Navajo trickster, Magpie, trying to tell him a far more terrifying secret? Hungry for revenge, Ma’iitsoh Dine’, the Navajo Wolf, is out for blood. Summoning his darkest powers, the Witch of Ganado circles tribal investigator Charlie Yazzie’s young son. Some may survive the witch’s evil vendetta, but others will die to settle an old score. The unexpected happens when a woman from the past re-emerges to take control in this fast paced thriller critics now hail as the best yet of Chappell’s sensational new southwestern mystery series.
I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
In this novel, L’Amour explores the ancient spirituality of Native Americans in a tangential way while adhering to his tried and true formula of adventure, lovely women in distress, and brave young heroes. Finding his mother in despair following the death of his father, and with financial loss looming, Sean and his mother pursue a rumor of treasure buried deep in the mountains beyond his Malibu home. L’Amour paints the mystic “Old Ones” into his story with a movement of bushes here, and a mysterious wind-borne cry there, all within an ambiance of dusky, trembling stillness. Masterful!
Captain Sean Mulkerin comes home from the sea to find his family home in jeopardy. After the death of his father, Sean’s determined mother, Eileen, took it upon herself to run the sprawling Rancho Malibu—until a fire destroyed her hard-earned profits. Now, on the edge of financial ruin, Eileen hopes Sean can help them find a way out. The rumor is that her late husband found gold in the wild and haunted California hills, but the only clue to its whereabouts lies with an ancient, enigmatic Indian.
When Sean and Eileen set forth to retrace his father’s footsteps, they know…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
This was the first Western I read when I was young. It made an impression on me, not only as a Western, but as a classic story of good and evil with sharply drawn characters that make it come alive to the reader. Grey’s writing puts the reader right in the middle of every scene. And it has an ending you don’t see coming, but one that fits perfectly.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
As a leader of mountaineering and field science programs, I learned that Mother Earth knows a thing or two about magic. When I see the magic of nature under attack, I have the same response as when witnessing a helpless person being bullied: I want to join the fight. As a writer, my most powerful weapons are my words. And the best use of my words is in the telling of riveting stories—that both entertain and educate—in defense of the wild.
I would suggest anything by Hillerman, but you might as well start with the first in the series. Without overtly advocating for activism to protect nature, Hillerman renders the desert southwest in such achingly beautiful detail that one can’t help but want to fight to protect it. In fact, Hillerman is where I got my start in reading/writing environmental thrillers.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
“Brilliant…as fascinating as it is original.”—St. Louis Post-Dispatch
From New York Times bestselling author Tony Hillerman, the first novel in his series featuring Lieutenant Joe Leaphorn & Officer Jim Chee who encounter a bizarre case that borders between the supernatural and murder
Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place—a corpse with a mouth full of sand—abandoned at a crime scene seemingly devoid of tracks or useful clues.…
As a retired psychotherapist, I love a good book with complex characters that stand up to analysis. As a moody introvert, I especially enjoy untangling a set of clues in an atmosphere of suspense. Given that I live in a remote, wild area with plenty of snow and extreme weather, I am a good judge of stories about people being pitted against the elements. Finally, I am always curious to learn more about indigenous cultures since I live near more tribal land than anywhere in the US except Alaska. And, of course, I’m a mystery writer!
His writing is as crisp and startling as the turquoise skies over the New Mexico desert. Laconic Lieutenant Joe Leaphorn quickly felt like a familiar friend.
The story haunted me, especially the scary scene at the Shalako ceremonial in a Zuni village.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
The Edgar-Award winning second novel in New York Times bestselling author Tony Hillerman’s bestselling and highly acclaimed Leaphorn and Chee series
“Hillerman is a wonderful storyteller.”—New York Times Book Review
Two Native American boys have vanished into thin air, leaving a pool of blood behind them. Lieutenant Joe Leaphorn of the Navajo Tribal Police has no choice but to suspect the very worst, since the blood that stains the parched New Mexico ground once flowed through the veins of one…
