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I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
Here is a book that takes the family of Hannibal, the Barcids, as they were known and looks at their role in the formation of the western Mediterranean in the 3rd century BCE. This is an accessible and well-written deep dive into the identity and ideas behind the family that created Hannibal by one of the best-known scholars of the topic.
Accessible and enlightening, Hannibal's Dynasty provides the full story of Carthage's achievement, going beyond the usual focus on Hannibal and military matters alone to look at a wide range of political and diplomatic issues too.
Dexter Hoyos shows how the aristocratic Barcid family won dominance in the free republic of Carthage, and how they exploited family connections to lead Carthage to greatness at home and abroad.
For students of Hannibal, his dynasty and his legacy - this is the book to read.
Ever since I spent a day wandering the Roman forum, imagining Caesar’s funeral at the site of his pyre, standing on the Palatine imagining living in palatial Palatine splendor, and looking down on Senators, plebeians, public baths, the Colisseum, temples, statues, basilicae, patricians, slaves, street vendors, centurions, courtesans, ladies, gladiators, urchins, schoolboys, pickpockets, and priests, I knew I wanted to write about it. I have done intensive research, with skills honed earning a Ph.D. in English from Lehigh University (specialty: literary-historical). I seek out literary historical novels, novels with distinctive style, artful plotting, engaging characterization, and historical fidelity.
Bryher's historical novels, once acclaimed, are out of print. I think Bryher deserves re-discovery. I like how The Coin of Carthage, set during ancient Rome’s war against Carthage, concerns everyday people: traders, farmers, common soldiers. And no Rome. Rome is a glimpse from a hill. I like this ̶ a true peasant’s sense of distance, where very near is still far. We follow the workaday lives of Italian-Greek traders Zonas and Dasius, from Naples docks to Carthage streets, to bucolic Tivoli, farms, markets, courtyards, piers, ships, mule-trains. Setting Italia, characters commoners, heroes Italian-Greeks, the periphery, usually silenced, is given voice. A curiously moving book.
Dr. Jeanne Reames is a professional historian, college professor, and specialist in ancient Macedonia and Alexander the Great. She also earned a degree in creative writing and has published fiction and poetry. She’s been collecting fiction about Alexander the Great for almost 35 years, and previously managed the website Beyond Renault: Alexander the Great in Fiction since WW I, until retiring it after over ten years. She has (almost) every professionally published English-language novel about Alexander, and has penned several articles on Alexander in fiction, including “Alexander the Great and Hephaistion in Fiction after Stonewall,” for The Routledge Companion to the Reception of Ancient Greek and Roman Sexuality (forthcoming).
Melissa Scott has written the best “What would’ve happened if Alexander didn’t die?” alternate history. It’s a popular question among historians, but usually assumes he survived his final illness. Scott takes a different tack, choosing instead to diverge some years before his death. Here, he returns from Asia to put down a revolt in Greece. After that, he goes west, against first Rome, then Carthage. Although the characters aren’t as fleshed out as in some of her later military SF (this was an early work), her grasp of military maneuvers and politics, for which she would later earn attention, is on full display. It’s a viable tale of what might have happened, had Alexander decided to take on Rome, or Carthage, at that point in their histories.
I have a lifelong fascination for history and archaeology. Following a degree in Ancient History and Archaeology (University of Edinburgh), and a brief period as a field archaeologist, I undertook a PhD (University of Newcastle) researching the history of Greek settlement in southern Italy. My subsequent career has been devoted to the study of ancient Italy and Sicily, with a specific focus on the development of ethnic and cultural identities, and the formation of urban societies. I have held posts at several UK universities, including research fellowships at UCL, a lectureship at the University of Newcastle, and I am currently a part-time lecturer and Honorary Fellow at the University of Durham.
Carthage, founded by the Phoenicians in the late 9th century BC, was one of the major powers of the western Mediterranean, establishing domination in North Africa, western Sicily and the Mediterranean islands, and Spain. Its struggle with the Greeks for domination of Sicily in the 4th century and wars with Rome in the 3rd-2nd centuries were seminal events in Mediterranean history. This book offers an excellent introduction to the Carthaginians and their culture. It traces the development of the city from its foundation to its destruction by Rome in 146 BC, presenting a wealth of archaeological and written evidence and explaining many of the complexities of Carthage’s history and society.
Although aimed at an academic readership, it presents this material in a manner that is accessible to anyone with an interest in the ancient Mediterranean.
The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain.
As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans - even Cato, otherwise notorious for insisting that 'Carthage must be destroyed'. Carthage matched the great city-state of Syracuse…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
The Battle of Cannae is one of the most famous of the ancient world. This is such an amazing read – it is helpful to understand and get background for Hannibal and the battle of Cannae itself, what it might have felt like to be in it. Also, the whole context of the key battle of the Second Punic War is deeply researched and perfect if you want more about these key factors.
On a hot and dusty summer's day in 216 BC, the forces of the Carthaginian general Hannibal faced the Roman army in a dramatic encounter at Cannae. Massively outnumbered, the Carthaginians nevertheless won an astonishing victory - one that left more than 50,000 men dead. Gregory Daly's enthralling study considers the reasons that led the two armies to the field of battle, and why each followed the course that they did when they got there. It explores in detail the composition of the armies, and the tactics and leadership methods of the opposing generals. Finally, by focusing on the experiences…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
This is one of the best books ever written about the Phoenicians. These are the people who founded Carthage and were so influential in the early Mediterranean west. They founded some of the oldest cities in Europe (places like Cadiz) and are essential to Mediterranean history, yet they have been forgotten too. This book brings the context and story of the Phoenicians and the early Mediterranean to life.
Who were the ancient Phoenicians-and did they actually exist?
The Phoenicians traveled the Mediterranean long before the Greeks and Romans, trading, establishing settlements, and refining the art of navigation. But who these legendary sailors really were has long remained a mystery. In Search of the Phoenicians makes the startling claim that the "Phoenicians" never actually existed as such. Taking readers from the ancient world to today, this book argues that the notion of these sailors as a coherent people with a shared identity, history, and culture is a product of modern nationalist ideologies-and a notion very much at odds with…
I am a retired university professor. My research, in which I am still actively engaged, deals with decision-making under deep uncertainty: how to make a decision, or design a project, or plan an operation when major relevant factors are unknown or highly uncertain. I developed a decision theory called info-gap theory that grapples with this challenge, and is applied around the world in many fields, including engineering design, economics, medicine, national security, biological conservation, and more.
This is a very readable account of Hannibal and his exploits, though it’s perhaps a somewhat idealized, romantic, and heroic portrayal of the man. Nonetheless it’s a great read.
The book follows Hannibal’s many military exploits in Carthage, Sicily, Spain, and many more, up to Cannae, Rome, and his ultimate fall from power and exile.
One sees the continual tension between three factors: Hannibal’s military genius in making military decisions despite deep uncertainty about his own capabilities and about the adversary's intentions, the military genius of his opponents, and the ruthless hand of uncertainty in human history. Hannibal’s life illustrates all three factors.
Telling the story of a man who stood against the overwhelming power of the mighty Roman empire, Hannibal is the biography of a man who, against all odds, dared to change the course of history.
Over two thousand years ago one of the greatest military leaders in history almost destroyed Rome. Hannibal, a daring African general from the city of Carthage, led an army of warriors and battle elephants over the snowy Alps to invade the very heart of Rome's growing empire. But what kind of person would dare to face the most relentless imperial power of the ancient world?…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
A great read that will take you through the whole story of Carthage from its Phoenician beginnings to the destruction by Rome and beyond. Context and details on the whole story of Hannibal and also the history of one of the most important cities from the Ancient Mediterranean.
The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist )
Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.
Rome in the archaic age was a minor satellite between the Etruscan and Greek world. This book traces the expansion of Roman influence first within Italy, then around the Mediterranean world and finally, at breakneck speed, deep into Europe, out to the Atlantic, along the edge of the Sahara and down the Red Sea. But there had been other empires that had expanded rapidily: what made Rome remarkable was that it managed to sustain its position for so long. Rome's Fall poses less of a mystery than its survival. Understanding how this happens involves understanding the building blocks of imperial…
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
Art history also knows a Romantic movement, as does music history. Brown’s book has 250 color plates, mostly of painting from Constable, Turner, Blake, Friedrich, Delacroix, Goya, and many others, but also of some architectural wonders. Brown makes continual connections to the poetry and philosophy of the time, and to political events, as he organizes his chapters by theme: the cult of the artist, the religion of nature, the sense of the past, orientalism, and the exotic, and so on. There are several fine books on Romantic painting, but this is probably the best place to begin.
Romanticism was a way of feeling rather than a style in art. In the period c.1775-1830 - against the background of the French Revolution and the Napoleonic Wars - European artists, poets and composers initiated their own rebellion against the dominant political, religious and social ethos of the day. Their quest was for personal expression and individual liberation and, in the process, the Romantics transformed the idea of art, seeing it as an instrument of social and psychological change.
In this comprehensive volume, David Blayney Brown takes a thematic approach to Romanticism, relating it to the concurrent, more stylistic movements…
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