Here are 100 books that Porkopolis fans have personally recommended if you like
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As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
In Sigrid Nunez’s The Friend a terrible event (a dear friend and mentor’s suicide) results in the unnamed narrator’s acceptance, out of a sense of responsibility, of an unwanted burden (the heartbroken Great Dane, Apollo−the narrator admitting she is more of a cat person).
I love that by book’s end, that obligation turns out to be a precious gift that assuages both their griefs, serving to connect them to the departed one they both loved. Along the way we, lucky readers, get to eavesdrop on the literary discourse of an agile mind attempting to parse the unparsable as the narrator, a writer herself, addresses both the lost (her mentor) and the found (the dog).
Life really is stranger than fiction, and some of the stuff served up by evolution is outrageously bizarre. There are one-celled creatures that make rats want to cozy up to cats, a parasitic worm that turns snails into “disco zombies” and an ape that communicates across continents by pushing keys to create rows and columns of pixels. I’m fascinated by all of these creatures and love writing books for children about evolutionary biology, especially the evolution of intelligence. Besides authoring How to Build a Human, I’ve written about the evolution of intelligence in dolphins (The Dolphins of Shark Bay) and crows (Crow Smarts: Inside the Brain of the World’s Brightest Bird).
This superb picture book for children aged 6 to 9 begins by asking children to wonder why dolphins and sharks look superficially similar, yet are less closely related than dolphins and hippos. It covers the emergence of life, evolution in the seas, the appearance of land animals, and the “return to the blue” by dolphins and whales. The illustrations are terrific: bright, simple, and kid-friendly while retaining scientific details.
Graceful, succinct prose and engaging illustrations trace the evolution of life on Earth out of the blue and back again.
Clear and inviting nonfiction prose, vetted by scientists—together with lively illustrations and a time line—narrate how life on Earth emerged “out of the blue.” It began in the vast, empty sea when Earth was young. Single-celled microbes too small to see held the promise of all life-forms to come. Those microbes survived billions of years in restless seas until they began to change, to convert sunlight into energy, to produce oxygen until one day—Gulp!—one cell swallowed another, and the race…
I’m a sociologist and professor. I’ve written several books about human and animal intersections. From bees to horseshoe crabs to spider goats, I’ve channeled my childhood fascination with animals, both vertebrates and invertebrates, into research projects. Over the past two decades, I use qualitative research methods that put me in direct contact with multiple different species, gently handling the animals as a way to get to know them and understand them. I’m particularly interested in how humans make animals meaningful as companions, research subjects, raw materials, and living factories. I believe we must move past our own speciesism, or our biases that reify human superiority, to fully embrace living in a multispecies world.
As an artist, disabled activist, and advocate with arthrogryposis, Sunaura Taylor has experienced firsthand our cultural and economic biases that surround the disability community. She explains how just as we have placed human animals into categories of being “fit” or “unfit,” “valuable” or “unworthy,” we have applied the same logic to nonhuman animals by objectifying them and trying to find endless reasons to explain why we are so different. In the book, Taylor introduces her service dog, Bailey and describes his aging where he becomes “inefficient” and “dependent” on Taylor due to his disability.
A beautifully written, deeply provocative inquiry into the intersection of animal and disability liberation and the debut of an important new social critic
How much of what we understand of ourselves as "human" depends on our physical and mental abilities how we move (or cannot move) in and interact with the world? And how much of our definition of "human" depends on its difference from "animal"?
Drawing on her own experiences as a disabled person, a disability activist, and an animal advocate, author Sunaura Taylor persuades us to think deeply, and sometimes uncomfortably, about what divides the human from the…
I’m a sociologist and professor. I’ve written several books about human and animal intersections. From bees to horseshoe crabs to spider goats, I’ve channeled my childhood fascination with animals, both vertebrates and invertebrates, into research projects. Over the past two decades, I use qualitative research methods that put me in direct contact with multiple different species, gently handling the animals as a way to get to know them and understand them. I’m particularly interested in how humans make animals meaningful as companions, research subjects, raw materials, and living factories. I believe we must move past our own speciesism, or our biases that reify human superiority, to fully embrace living in a multispecies world.
It seems we don’t have as many opportunities to read fables as we grow up and this is a loss. That is why The Story of a Goat is such a wonderful chance to remember the power of fables and allegories. This book taught me about our human capacities for cross-species compassion and love. The simple writing style and pacing of the story can sort of sneak up on you as you develop sincere feelings for the main character, a small black goat. Additionally, the back story of why Murugan wrote this particular book is fascinating and adds such depth to the reading experience.
A farmer in India is watching the sun set over his village one quiet evening when a mysterious stranger, a giant man who seems more than human, appears on the horizon. He offers the farmer a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous.
But Poonachi's life is not destined to be a rural idyll: dangers lurk around every corner, and…
I am the daughter of a health food fanatic whose admonitions about what to eat manifested in my early attraction to all food junky. Later in life, I became a bit of a food snob, shopping regularly at the farmers’ market for the freshest and most delicious fruits and vegetables I’ve ever tasted. My love of both good food and sharp analysis came to shape my career as an academic. Food became the object of my analyses, but always with an eye toward contradiction. I’ve written several books and articles exploring how capitalism constrains needed food system transformations, bringing me to my latest fascination with the tech sector.
I am a huge fan of Freidberg’s writing. Sure, she’s an academic (so is everyone on my list), but her turns of phrase are unusually witty and—well, fresh.
I love this book because it examines our current obsession with fresh food and shows how much technology has been employed to make it so, starting with the refrigerator! But that’s not all. Freidberg provides enjoyable histories of how beef, eggs, fruit, vegetables, milk, and fish have all been engineered and marketed to give the appearance of freshness.
That rosy tomato perched on your plate in December is at the end of a great journey-not just over land and sea, but across a vast and varied cultural history. This is the territory charted in Fresh. Opening the door of an ordinary refrigerator, it tells the curious story of the quality stored inside: freshness.
We want fresh foods to keep us healthy, and to connect us to nature and community. We also want them convenient, pretty, and cheap. Fresh traces our paradoxical hunger to its roots in the rise of mass consumption, when freshness seemed both proof of and…
I am the daughter of a health food fanatic whose admonitions about what to eat manifested in my early attraction to all food junky. Later in life, I became a bit of a food snob, shopping regularly at the farmers’ market for the freshest and most delicious fruits and vegetables I’ve ever tasted. My love of both good food and sharp analysis came to shape my career as an academic. Food became the object of my analyses, but always with an eye toward contradiction. I’ve written several books and articles exploring how capitalism constrains needed food system transformations, bringing me to my latest fascination with the tech sector.
In my next pick, Romero draws on previously unexplored archives to tell stories of pesticides never told before, most notably how industrial waste was utilized to make chemicals that could kill all that got in agriculture’s way.
I love how he renders ironic the closed-looped systems so championed by environmentalists—or the use of warfare chemicals on fields that grow our foods. It is indeed strange that we use chemicals designed to kill the food that we eat to live.
The toxicity of pesticides to the environment and humans is often framed as an unfortunate effect of their benefits to agricultural production. In Economic Poisoning, Adam M. Romero upends this narrative and provides a fascinating new history of pesticides in American industrial agriculture prior to World War II. Through impeccable archival research, Romero reveals the ways in which late nineteenth- and early twentieth-century American agriculture, especially in California, functioned less as a market for novel pest-killing chemical products and more as a sink for the accumulating toxic wastes of mining, oil production, and chemical manufacturing. Connecting farming ecosystems to technology…
I am the daughter of a health food fanatic whose admonitions about what to eat manifested in my early attraction to all food junky. Later in life, I became a bit of a food snob, shopping regularly at the farmers’ market for the freshest and most delicious fruits and vegetables I’ve ever tasted. My love of both good food and sharp analysis came to shape my career as an academic. Food became the object of my analyses, but always with an eye toward contradiction. I’ve written several books and articles exploring how capitalism constrains needed food system transformations, bringing me to my latest fascination with the tech sector.
Against the backdrop of today’s obsessions with homemade, artisanal bread, Bobrow-Strain uses the most prosaic of foods—the industrially produced loaf of white fluff—to ask hard questions about race, class, gender, war, and modernity itself.
With so many food books falling into food porn mode, I can really appreciate a book that reminds me that the technologies of stripping wheat of its bran and germ were founded on ideas of racial purification. There’s plenty to chew on in this book.
The story of how white bread became white trash, this social history shows how our relationship with the love-it-or-hate-it food staple reflects our country’s changing values
In the early twentieth century, the factory-baked loaf heralded a bright new future, a world away from the hot, dusty, “dirty” bakeries run by immigrants. Fortified with vitamins, this bread was considered the original “superfood” and even marketed as patriotic—while food reformers painted white bread as a symbol of all that was wrong with America.
So how did this icon of American progress become “white trash”? In this lively history of bakers, dietary crusaders,…
I am the daughter of a health food fanatic whose admonitions about what to eat manifested in my early attraction to all food junky. Later in life, I became a bit of a food snob, shopping regularly at the farmers’ market for the freshest and most delicious fruits and vegetables I’ve ever tasted. My love of both good food and sharp analysis came to shape my career as an academic. Food became the object of my analyses, but always with an eye toward contradiction. I’ve written several books and articles exploring how capitalism constrains needed food system transformations, bringing me to my latest fascination with the tech sector.
Though out of print, I’ve returned to this book over and over again. Sure, it’s scholarly and theoretical (albeit also inclusive of some fascinating history), but no other book has helped me better understand how technology has developed around agriculture, shaping not only what farmers do but also who makes money from food and farm production.
The book is also remarkably prescient. Writing in the late 1980s, the authors were spot on in describing the new processes of food engineering that would become the dreams of today’s Silicon Valley techies. Here, I refer to those who think fabricating food out of microorganisms is the solution to the most pressing problems of the contemporary food system. I beg to differ.
This book provides an interpretation of the industrialization of agriculture, and proposes a new analytical framework for interpreting this transformation and the development of the contemporary food system. This analytical framework provides a critique of agricultural modernisation theories, while the authors introduce new concepts of "appropriationism" and "substitutionism" to propose an interpretation which overcomes the invitations of traditional approaches. The authors use this new theoretical framework to reconstruct the evolution of agricultural industrialization since the mid-19th century and to reinterpret the dynamics of social structures, the state and technology in shaping the modern food system.
I am an author and former environmental activist who dropped out of the ‘conflict industry’ in 1997 to start the Quivira Coalition, a nonprofit organization dedicated to building a radical center among ranchers, environmentalists, scientists, and others around practices that improve resilience in working landscapes. For two decades, I worked on the front lines of collaborative conservation and regenerative agriculture, sharing innovative, land-based solutions to food, water, and climate challenges. I live in Santa Fe, New Mexico.
Farmer and author Wendell Berry is a personal hero of mine. From his home in Kentucky, Berry has been writing about regenerative agriculture for decades. The Art of the Commonplace gathers together twenty of his best essays. They articulate a compelling vision for people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary life. Berry is also the author of numerous works of poetry and fiction.
"Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." ―The Washington Post Book World
The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes―an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography―these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture.
Why is agriculture becoming culturally irrelevant, and at what cost? What are the…
I’m a political economist interested in development which I’ve been studying, researching, and writing about since my undergraduate days in the early 1990s.
This short (190-page) book shows how the global food system is intrinsically connected to world region’s diverse developmental trajectories, covering the colonial era to the green revolution to the contemporary corporate-dominated food system.
Historically, agriculture has been subordinated ever more tightly to capitalist imperatives of profit – based upon increased, faster, and cheaper production. Agriculture has been transformed from a ‘closed loop system’, where soil fertility was renewed based upon locally-available resources (such as animal manure), to a through-flow system dependent upon external inputs.
This shift raised yields for a while, but at the cost of soil exhaustion and the accumulation of power and resources in the hands of agrochemical companies at the expense of the small farmer sector.
Weis suggests that we need to consider new ways of producing our food, which would also establish new forms of world development.
The Global Food Economy examines the human and ecological cost of what we eat.
The current food economy is characterized by immense contradictions. Surplus 'food mountains', bountiful supermarkets, and rising levels of obesity stand in stark contrast to widespread hunger and malnutrition. Transnational companies dominate the market in food and benefit from subsidies, whilst farmers in developing countries remain impoverished. Food miles, mounting toxicity and the 'ecological hoofprint' of livestock mean that the global food economy rests on increasingly shaky environmental foundations.
This book looks at how such a system came about, and how it is being enforced by the…
