Here are 100 books that Pnin fans have personally recommended if you like
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As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
What’s amazing about this book is that it’s told through recommendation letters written for students and colleagues by the main character, Professor Jason Fitger.
Each letter reveals more and more about his life, his failing romances, his dismal work environment, and his floundering creative efforts. In other words, topics that are completely inappropriate for these types of letters, which makes them all the more hysterical.
Finally a novel that puts the "pissed" back into "epistolary."
Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
Also super funny while pointing out the absurdity of academia. Written from the perspective of the chair of the English Department, Henry Deveraux grapples with being the underachieving son of the man who is the father of American Literary Theory.
An excerpt of Straight Mantitled Dog appeared in the New Yorker many years ago, and it’s possibly the best excerpt I’ve ever read. It taught me so much about writing while keeping me riveted to every sentence, just like the overall book did.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. Soon to Be an Original Series on AMC Starring Bob Odenkirk.
William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans.
In the course of a single week, Devereaux will have…
I’m a professor myself who writes novels, so am especially drawn to novels about campus life! I really do value the life of the mind, but am also aware of just how strange a life that is within contemporary culture. At the same time, campuses are hotbeds of ideas, ranging from the deep and the true to the shallow and the crazy, and young passionate impressionable students simmer in those ideas for several years and then go on to shape our future. What could be more important than novels which bring all that to light?
We move up a generation to the next “classic,” an equally entertaining satire that now sets the American university against the British. Two professors exchange roles for an academic year, swapping not only courses but eventually also students, colleagues, and (spoiler alert!) spouses. You get to look at each place through the eyes of the other—starting with the sunny American campus (based on Berkeley) against the damp British one—which is as jarring as it is revealing. Lodge beautifully melds the academic, the intellectual, and the personal, so the story grips you personally even as it stimulates and entertains. I read this as a graduate student and somehow stayed in the business anyway!
When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic. Nobody is immune to the exchange: students, colleagues, even wives are swapped as events spiral out of control. And soon both sundrenched Euphoric State university and rain-kissed university of Rummidge are a hotbed of intrigue, lawlessness and broken vows...
As a reader and writer, I am drawn to stories that have implications for the wider world. I love characters who are put in a box by others—whether based on race, religion, gender, or societal norms—yet they fight against those constraints, proving they have value beyond anyone’s expectations. I write historical fiction because I am an unabashed history nerd. I write Jewish (or Jewish adjacent) stories because I believe it is essential for every reader to find themselves in a book. I also believe it is essential that that same book opens a world of understanding to others.
Ruta Sepetys writes historical fiction like no one else. All her books are wonderful, however, this one is my favorite. Not only does she write about a little-known event in history, she does it masterfully with short chapters told from four distinct points of view, doling out backstory as if it is a treat rather than something a reader must endure. Yes, the story is fascinating, but it is her craft that makes me reread it with a highlighter in hand.
It's early 1945 and a group of people trek across Germany, bound together by their desperation to reach the ship that can take them away from the war-ravaged land. Four young people, each haunted by their own dark secret, narrate their unforgettable stories. Fans of The Book Thief or Helen Dunmore's The Siege will be totally absorbed.
This inspirational novel is based on a true story from the Second World War. When the German ship the Wilhelm Gustloff was sunk in port in early 1945 it had over 9000 civilian refugees, including children,…
Simo Laakkonen is director of Degree Program in Digital Culture, Landscape and Cultural Heritage, University of Turku, Finland. He is an environmental historian who has specialized among other things on the global environmental history of warfare during Industrial Age. He has coedited on this theme two special issues and three books, the latest one is The Resilient City in World War II: Urban Environmental Histories. He has selected five books that cover some main phases of the long environmental history of wars and mass violence.
Historiography of the Second World War has traditionally focused on European powers and/or the United States while such major actors as the Soviet Union and China have been largely neglected.
Dr. Muscolino’s book approaches the long Second World War in China by examiningthe interplay between landscapes, rural society, and “hydraulic warfare” in Henan Province in the central part of the country.
Here the Nationalist government in 1938 deliberately destroyed a dam in the Yellow River, which caused a catastrophic flood and famine that had long socioenvironmental percussions in Chinese society until Mao’s era.
This book explores the interplay between war and environment in Henan Province, a hotly contested frontline territory that endured massive environmental destruction and human disruption during the conflict between China and Japan during World War II. In a desperate attempt to block Japan's military advance, Chinese Nationalist armies under Chiang Kai-shek broke the Yellow River's dikes in Henan in June 1938, resulting in devastating floods that persisted until after the war's end. Greater catastrophe struck Henan in 1942-3, when famine took some two million lives and displaced millions more. Focusing on these war-induced disasters and their aftermath, this book conceptualizes…
Sam Dagher is a Lebanese-American journalist and author with more than 15 years of experience reporting on the Middle East and its people. He has lived in Baghdad, Beirut, and Damascus and worked throughout the region. Sam has been committed to telling the region’s stories from the ground up and in the process shedding new light on the root causes of war, extremism, and migration.
Pearlman expertly, delicately and lovingly assembles elements from the stories and journeys of close to 90 Syrians into a mosaic “mapped onto Syria’s historical trajectory from authoritarianism to revolution, war, and exile” as she explains in the introduction. For me there are echoes of Maalouf’s Origins in this book: More than a hundred years later and Syrians and Levantines are still having to flee their homelands because of tyranny, conflict and political and social upheaval. Pearlman is an accomplished professor at Northwestern University who speaks Arabic and has spent more than 20 years studying and living in the Middle East. Her expertise and empathy shine through in a book that gives us a chance “to listen to actual Syrians, as human beings,” as she says.
Reminiscent of the work of Nobel Prize winner Svetlana Alexievich, an astonishing collection of intimate wartime testimonies and poetic fragments from a cross-section of Syrians whose lives have been transformed by revolution, war, and flight.
Against the backdrop of the wave of demonstrations known as the Arab Spring, in 2011 hundreds of thousands of Syrians took to the streets demanding freedom, democracy and human rights. The government's ferocious response, and the refusal of the demonstrators to back down, sparked a brutal civil war that over the past five years has escalated into the worst humanitarian…
We teamed up about fifteen years ago around a common interest in the political economy of North Korea; Haggard is a political scientist, Noland an economist. Both of us had spent our careers focused on Asia but looking largely at the capitalist successes: Japan and the newly industrializing countries of Korea, Taiwan, and Southeast Asia. But what about the anomalous cases in the region that did not get on the growth train? The “Asian miracle” was hardly ubiquitous…what had gone wrong? North Korea was clearly the biggest puzzle, and we ended up researching and writing on the famine, refugees, and the complexities of international sanctions.
Economics does not always make easy reading, so stories are best told by listening to how privation is felt in everyday life. Sandra Fahy’s book is a terrific recent addition. An anthropologist, Fahy interviews famine refugees, who tell their tales. A common theme was that they worked hard and many believed at least to some extent in the regime. But they became disillusioned and defected not only because of economic conditions but for professional reasons; that they were prevented from putting their expertise and skills to use.
Marching Through Suffering is a deeply personal portrait of the ravages of famine and totalitarian politics in modern North Korea since the 1990s. Featuring interviews with more than thirty North Koreans who defected to Seoul and Tokyo, the book explores the subjective experience of the nation's famine and its citizens' social and psychological strategies for coping with the regime.
These oral testimonies show how ordinary North Koreans, from farmers and soldiers to students and diplomats, framed the mounting struggles and deaths surrounding them as the famine progressed. Following the development of the disaster, North Koreans deployed complex discursive strategies to…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
The book is a dizzying mix: the grim realities of displacement are intertwined with speculative fiction – fantasy even.
A love story of two migrants, Saeed and Nadia, who traverse the globe to escape conflict and try and find a way to be together. Oftentimes, they find their way across borders through a series of ‘doors’ – a device reminiscent of CS Lewis (in The Lion, The Witch and The Wardrobe) and one which takes the protagonists across the world. Elegant, spare prose; brutal realities, and electrifying flights of fancy – Exit West has it all.
One reason I like the book is that the author, Mohsin Hamid, has found a way to bring the desperate, timely topic of refugees out to a wider audience. His previous book, The Reluctant Fundamentalist, was made into a film and Exit West is being adapted for Netflix.
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
There has been a revival of the study of the Russian experience in World War I over the last twenty-five years. Much of this can be explained by the opening of archives after 1991 and by the centennial of the war in 2014-2018. But the publication of this book was also enormously important. It recast the impact of the war by focusing on the experience of regular individuals rather than Petrograd elites and labor leaders. It also highlighted the massive scale of social dislocation – more than six million uprooted Russian subjects in all.
". . . a signal contribution to a growing literature on a phenomenon that has become tragically pervasive in the 20th century. . . . This highly original account combines exemplary empirical research with the judicious application of diverse methods to explore the far-reaching ramifications of 'a whole empire walking.'" -Vucinich Prize citation
"An important contribution not only to modern Russian history but also to an ongoing repositioning of Russia in broader European and world historical processes. . . . elegantly written . . . highly innovative." -Europe-Asia Studies
Drawing on previously unused archival material in Russia, Latvia, and Armenia…
