100 books like The Eaves of Heaven

This is an autobiographical novel that will change your perspective on the Vietnam War. The protagonist of the story, Kien, leaves Hanoi to join the ranks of those going south to liberate the country from the Americans and their South Vietnam allies.

It’s 1965. The Americans are invading. Scores of young men and women like Kien march off in a great patriotic wave from the North to save the South. The patriotic groundswell doesn’t last long though, as Bao Ninh plunges us into the brutality of the Vietnam War.

Through Kien, we discover for the first time what the experience of war was for the other side without the patriotic glitz. It’s not pretty, and yet Bao Ninh succeeds in humanizing the North Vietnamese soldier before our eyes.

It makes for a very powerful read. And like so many other soldiers making it home alive, the return to civilian life… show more.

This riveting memoir will take you into the world of a young non-communist nationalist, Nguyen Cong Luan, whose father joined Ho Chi Minh in 1945 to fight the French colonialists despite distrusting Ho’s communist core.

Luan’s father dies in a communist prison shortly thereafter, leaving his son to grow up largely on his own in dangerous areas contested by the French, the communists, and the non-communists. What makes Luan’s account so eye-opening is that he shows that the communists led by Ho Chi Minh were not the only nationalists to fight during some thirty years of war. The non-communists did, too, as his own journey into adulthood and the army of South Vietnam reveals.

At a deeper level, Nguyen Cong Luan reminds us that though the struggle for Vietnam was a French and American one, at its core, it was a civil war among the Vietnamese. 

Women participated in the Vietnam War, and Duong Thu Huong was among them. In 1965, she joined the Communist Youth Brigade in Hanoi and found herself within months serving in it on the frontlines in South Vietnam.

Like Bao Ninh, she experienced the horrors of the Vietnam War close-up. In her Novel Without a Name, however, Duong Thu Huong tells her story through the eyes of a young male soldier, Quan. We don’t go into battle with him; rather, we follow him behind the lines, on visits home, in meetings with friends and former lovers, and even into his dreams, where he begins to question the war he is fighting.

It’s a journey into disillusionment, convincingly told by someone who knew what she was talking about. 

If you like graphic memoirs and want one on the Vietnam War, Marcelino Truong’s Such a Lovely Little War is for you.

It’s an autobiographical tale of Truong’s life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.

The dialogue and the graphics are superb. The juxtaposition between his family and this “lovely little war” turning around it makes this memoir of the Vietnam War a highly original one. 

This is a superb personal memoir about the Vietnam War and its impact on four generations of one South Vietnamese family. Unlike the legion of memoirs told from the U.S. perspective, Vietnam-born American author Thi Bui gives us the harrowing local view. By compressing her sprawling story into a tight, gripping, intimate tale, she demonstrates the storytelling power of the graphic-novel form. Here hope triumphs and tragedy is merely a runner-up. 

I love how hard-working and dedicated this immigrant father is in feeding his family. When the child joins their father early one morning to go fishing for breakfast, hardships from the past are revealed while consistently making the best of today. The resilience of this family gives me strength and hope.

Lê Thi Diem Thúy’s novel tells the story of a young refugee girl in San Diego. The novel is a lyrical accounting, full of disjointed narrative and poetic language, that captures her thoughts and feelings as a Vietnamese immigrant to San Diego in 1978. Early on in the war, most of the literature was written by soldiers and correspondents and dealt strictly with the military side of the war. Later in the eighties and nineties, the scope and quality of the writing about Vietnam has vastly improved, as different perspectives are brought to bear on the war. Lê Thi Diem Thúy writes about refugees whose experiences were much more traumatic compared to the American soldiers who never actually saw combat. Originally published in 2003, it is imminently relevant today.

Espiritu’s book is a foundational text in critical refugee studies, an interdisciplinary field of academic inquiry that underscores the agency and resilience of refugees rather than their status as objects of rescue.

Histories of refugee policy often downplay the role resettlement nations have played in the displacement of the populations they resettle. Espiritu reminds us that US militarism in southeast Asia contributed to the forced migration of hundreds of thousands of people, many of whom were then forced to seek refuge in the United States and its territories. Their “rescue” cannot ever legitimize or justify the militarism that produced their displacement.

Espiritu’s examination of Vietnamese displacement is especially important for its discussion of the politics of memory and the commemoration of the Vietnam War.

Le Li Hayslip’s wrenching memoir traces the arc of the Vietnam War as she experienced it, first as a 12-year-old, then through her teens and twenties, and finally as an American returning to her homeland.

Her tranquil childhood in a rural village explodes into smithereens with the arrival of American troops, followed by warring between the trifecta of government, Viet Cong, and the US military. This being war, children and civilians were viewed as battleground assets and recruited as spies, agitators, and saboteurs.

Le Li was one of the recruits and suffered every imaginable horror of war except death. Her resilience as a child, teenager, and woman as she endured the seemingly unendurable and unspeakable is a testament to faith and hope in humanity. Le Li Hayslip’s body was a container and reliquary for the atrocities of the Vietnam War. That she outlived her sorrow and suffering is nothing short… show more.

Jana Lipman examines the Vietnamese refugee camps in Guam, Malaysia, the Philippines, and Hong Kong in the decades after the fall of Saigon. She asks us to consider how camps function as liminal social and legal spaces where refugees forfeit rights with the hope of eventually securing membership (and rights) in a resettlement society. It is in the camps that refugees try to prove their ‘worthiness’ for admission to society, and where they navigate a cumbersome—and often hostile—bureaucracy that ignores their humanity, often with dire consequences. 

The book examines the implementation of refugee policy at the local level by local actors, as well as the role of Vietnamese activism—in the camps and in the diaspora—in asserting refugee rights.