100 books like Pictures from the Water Trade

This travelogue brilliantly narrates Alan Booth’s southward trek across Japan, end to end, from Cape Soya in Hokkaido to Cape Sata in Kyushu. The book’s subtitle, A 2,000 Mile Walk Through Japan, speaks volumes. The journey, which some would call masochistic, is practically measured in blisters. We see Booth, fluent in Japanese, trudge through rain and shine along backcountry roads, from greasy spoons to lonesome karaoke bars, collapsing into countless futons along the way. His journey comes to life with colorful characters, boozy local festivals, and pithy realizations about his adopted homeland, at turns entertaining, illuminating, and hilarious. For me, this book captures the joy of discovering the salty, unexpected side of Japan. It also cements Booth’s status as one of the (unsung) travel writing greats.  

After walking the length of Japan, I still wasn’t satisfied. I still needed to find more of ‘the real Japan’. Shikoku was the natural next step, and Statler enthralled me with the story of his personal search for enlightenment on the 88 Sacred Temples of Shikoku pilgrimage. Not only that, his book tells you how to undertake the pilgrimage in a traditional manner, delving into its history and ‘pilgrimage culture’. This book is entertaining, enlightening, and extremely inspiring – so much so, that after reading this, you might be heading off to Japan and Shikoku on your own search for enlightenment.    

After 40 years of bathing in onsen (hot springs), our local sento (public bathhouse), and all sorts of equivalents, I’ve come to understand that bathing in Japan is a lot more than a way of keeping clean – it’s an immersion in culture as well as hot water. I found Clark’s book fascinating and often found myself muttering “ah, yes, he’s right” to myself, as I looked back on my bathing experiences in Japan. Historically, bathing is not something to be undertaken alone, but in groups, be they family, friends, or workmates. Some of my best experiences in Japan have been the daily ritual of taking my children to our local sento and becoming friends with locals in our neighborhood. “Hadaka no tsukiai” – friends in nakedness – nothing is hidden! 

Matsuo Bashō is considered the most influential figure in the history of hokku (or haiku) poems and this book brings them to life with excellent English translations and commentary. I particularly enjoy Bashō because he was a traveller. He didn’t just sit and write poems in comfy surroundings. He hit the road and wrote about his experiences, be they good or bad. In many ways, they are the humorous, spontaneous, gritty writings of a fatigued experiencer of life. One of my favourites - “My summer robe, there are still some lice, I have not caught”. Ueda’s book is brilliant and allows English speakers to glimpse Bashō’s true thoughts as he rambled about the countryside in 17th century Japan.

The best way to start one’s reading about Japanese history is to pick a short overview written by an expert who writes well. This decades-old book is a splendid example of that and still the best in my opinion. Hall was an American who grew up in prewar Japan and spent his later years as a distinguished scholar of premodern Japanese history at Yale University. The book is a joy to read and identifies the main historic events from prehistoric time up through the American occupation that ended in 1952.

Junji Ito is the master of the unsettling.

His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us. 

Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything. 

For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.

Most of us probably grew up with the idea that above all Buddhism rejects the body to attain spiritualty. It is actually the reverse. This study looks at the idea of the materiality of Buddhist texts (sutras) and the narratives and sermons that accompany them (setsuwa). Both body and book are corruptible , and hence great efforts are made to protect these ancient texts. Eubanks argues that there is an intimate connection between book and body as matter. The human body (especially the brain) is thus a container of Buddhist teaching. Scroll and stupa are critical for protecting this precious wisdom of the Buddha. Body and book are the witnesses to our suffering and impermanence. The stupa may contain the relics of past buddhas (and ash) just as the scroll contains the wisdom of buddha teaching.

Both the Italians and the Japanese are obsessed with food, and I’m an Italian living in Japan. You do the math. My first shocking encounter with sushi notwithstanding (I mistook wasabi for some kind of green mayonnaise) I love Japanese cuisine, and anime stories are full of people eating all kinds of food. 

If you have found yourself watching an anime and wishing that you could taste a particular dish, with this book you can go one step further: you can make it yourself. Here you will find simple but detailed instructions on how to make lots of Japanese dishes, and their connections with a particular anime title. I wish I owned this book when I first entered Otakudom. 

Written by the 20th century’s leading interpreter of things Japanese, this travel memoir has a timeless, elegiac quality. Donald Richie lived in Tokyo, but he based this work on a series of trips through the waterways and fishing villages of the glittering Inland Sea. Beyond his beautiful sketches of the seascape itself, his warm, human interactions with fishermen, aunties, merchants, and monks give voice to a disappearing side of Japan. They also serve as a mirror into the metaphorical inland sea within himself––the good, bad, and ugly––which he freely reveals. Seeing the world Richie describes vanish evermore in the decades since, the book’s resonance only grows with age. This is why I find myself diving back into it again and again.