Here are 100 books that The Flowers of War fans have personally recommended if you like
The Flowers of War.
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Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I first listened to this book about 20 years ago, and to write this article, I revisited it. In 20 years, many things have changed. Yet, my love for this book remains as strong as ever. I love its simple opening sentence and foreshadowing closing sentence. I love the details—the vivid, realistic descriptions of the characters, emotions, setting, culture, customs, and language. I felt immersed in the scenes, right alongside the characters. Using a Chinese expression, the book flows smoothly and naturally, like clouds and water. I believe this book represents the pinnacle of Pearl S. Buck’s career, not just because it won the Nobel Prize for Literature but because the quality of the writing is truly extraordinary.
I must also mention that Anthony Heald narrates this audiobook. His voice is captivating and mesmerizing; I believe he’s one of the best narrators in the world. I recently watched a short…
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I love the book because of its spectacular opening, among other merits. As the sequel to Lisa See’s Shanghai Girls, this book focuses on the next generation—Joy. The book opens with a powerful twist: Joy discovers that her mother is actually her aunt, and her aunt is her biological mother. Additionally, her father, unrelated by blood, committed suicide because of her, while her real father is an artist in China. Angry and guilt-ridden, the rebellious and naïve college student from San Francisco's Chinatown runs away to communist China to find her real father and help build the country.
Her adoptive mother, Pearl, follows to rescue her. In China, Joy marries the wrong man, nearly dies of starvation, and learns the harsh realities of the new regime. I also love the book for its character development, conflicts, and complex relationships among the main characters, as well as its historically accurate depiction…
#1 NEW YORK TIMES BESTSELLER • “Astonishing . . . one of those hard-to-put-down-until-four-in-the morning books . . . a story with characters who enter a reader’s life, take up residence, and illuminate the myriad decisions and stories that make up human history.”—Los Angeles Times
In her most powerful novel yet, acclaimed author Lisa See returns to the story of sisters Pearl and May from Shanghai Girls, and Pearl’s strong-willed nineteen-year-old daughter, Joy. Reeling from newly uncovered family secrets, Joy runs away to Shanghai in early 1957 to find her birth father—the artist Z.G. Li, with whom both May and…
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I love this book for its epic structure, character development, intricate and complex plotlines, rich imagination, poetic language, and use of magical realism.
The book spans several decades, covering significant events in 20th-century China from the 1920s to the 1990s across four generations. Through this multi-generational lens, Mo Yan explores themes of family, identity, and the impact of historical events on individual lives. Each character is so unique that after reading the book, I wrote a group of poems, two to four lines for each of the fifteen main and supporting characters. For protagonist Jin Tong, I wrote, “You are the hope of the Shangguan family, yet you live so pathetically.”
For his mother, I wrote, “The old cow eats grass, but what it gives is milk; the mother swallows tears, but what flows out is blood.” Mo Yan's sharp insights, profound reflections, and vivid prose reveal the harsh realities…
Each of the seven chapters represents a different time period, from the end of the Quing dynasty, up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. This novel is the author's vision of the 20th century.
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
Like most readers, I love a story with intense conflict, high stakes, dilemmas, and tension. In this book, the clever setup allows the author to weave them seamlessly into the narrative.
The story is set during the late Qing Dynasty in China. The heroine, Sun Meiniang, is compelled to marry the imbecile Zhao Xiaojia due to her large feet. Her father, Sun Bing, remarries, but tragedy strikes when German soldiers kill his new wife and their young children before his eyes. Driven by revenge, Sun Bing leads the townspeople in sabotaging the Germans' railroad and ambushing their soldiers.
Simultaneously, Sun Meiniang falls in love with the county magistrate, a married man, Qian Ding, who is forced to arrest her father. Adding to the conflict, her father-in-law, the notorious executioner Zhao Jia, returns and takes pride in executing Sun Bing using the torturous sandalwood death. This means both her father-in-law and…
This powerful novel by Mo Yan - one of contemporary China's most famous and prolific writers - is both a stirring love story and an unsparing critique of political corruption during the final years of the Qing Dynasty, China's last imperial epoch.
Sandalwood Death is set during the Boxer Rebellion (1898-1901) - an anti-imperialist struggle waged by North China's farmers and craftsmen in opposition to Western influence. Against a broad historical canvas, the novel centers on the interplay between its female protagonist, Sun Meiniang, and the three paternal figures in her life. One of these men is her biological father,…
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
Janie Chang is a master writer who weaves the power of myth into her story of a 1937 escape of Chinese university students as Japanese bombs drop on their city. Charged with protecting an irreplaceable trove of ancient books, the students face air raids, a ragged life on the road, and a growing fear of traitors from within. The Library of Legends is an evocative tale of love, war, and survival, beautifully written.
"The Library of Legends is a gorgeous, poetic journey threaded with mist and magic about a group from a Chinese university who take to the road to escape the Japanese invasion of 1937 - only to discover that danger stalks them from within. Janie Chang pens pure enchantment!" -Kate Quinn, New York Times and USA Today bestselling author of The Alice Network and The Huntress
From the author of Three Souls and Dragon Springs Road comes a captivating historical novel-the third in a loosely-connected trilogy-in which a young woman travels across China with a convoy of student refugees, fleeing the…
My background is in journalism, and I have traveled widely in China, including visits to Fengyang, Anhui Province, and other sites important to the Ming founding, though I currently reside in Wisconsin. The Lacquered Talisman is the first in a planned series on the Ming founding, one of the most thrilling and dramatic dynastic transitions in China’s long history. I became addicted long ago to this 14th-century tale, in part because it is such a key moment in Chinese history and yet is so unknown in the English-speaking world. Since I write historical fiction, I have curated a list of both history and fiction about imperial China for you to enjoy.
On July 28, 1372, a group of high officials presented the founding emperor of the Ming Dynasty with two melons on a lacquer tray. The melons grew from the same stalk – an anomaly that was judged a lucky omen. Schneewind uses this seemingly minor matter to study the daily workings of court life and the complex relationships between rulers and subjects. I had the great luck to travel with the author to Nanjing, the first Ming capital, and visit some of the locales she analyzed for this book, including the tomb complex where the founder and his empress are buried. Schneewind’s short and readable study of two melons offers a sense of the high stakes and grand scale of imperial life, and I admire how she was able to connect so much to such a small gift of ripe fruit.
A commoner's presentation to the emperor of a lucky omen from his garden, the repercussions for his family, and several retellings of the incident provide the background for an engaging introduction to Ming society, culture, and politics, including discussions of the founding of the Ming dynasty; the character of the first emperor; the role of omens in court politics; how the central and local governments were structured, including the civil service examination system; the power of local elite families; the roles of women; filial piety; and the concept of ling or efficacy in Chinese religion.
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
I first read the book when I was at college in China, and over the years, I’ve read it several times. In China, Yu Hua is one of the few leading writers known as both a literary master and a popular writer with huge commercial success. His charm is well demonstrated in To Live, which has become a classic in modern Chinese literature. It’s a story of a common Chinese man named Fugui living through one after another social and political changes. The story is dramatic, sad, humorous, and sarcastic at times yet never sentimental and judgmental, and it draws you in with a simple but compelling question: after you lose everything dear to you, can you still go on to live?
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant.
“A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress
From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
The definitive sociological examination of prostitution in contemporary Hong Kong, Yeeshan Yang spent one year – out of plain curiosity – alongside the city’s sex workers, listening to their stories of how they arrived there, how they spend their days/nights, and what becomes of them when they leave the trade. These humanizing case studies provide separate yet occasionally intersecting profiles of female streetwalkers and club hostesses, as well as male prossies and pimps, and their sometimes sad, sometimes funny, tales of the world’s oldest profession in the Orient. Whispers and Moans was also adapted (by Yang) into a 2007 film by the famed Cat-III Hong Kong director Herman Yau.
With glitzy nightclubs, saunas, karaoke lounges and brothels, Hong Kong's sex business is booming. But how do local prostitutes compete with an endless supply of girls from China? To find out, Yang spent a year with the city's hookers. The result is an eye-opening book which shows the human side of sex for sale - easy money, financial ruin and hopeless relationships - and first-hand insights into the huge but hidden sex industry.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Whilst studying in the U.S. in the early-2000s, Tiantian Zheng decided to return to her home city of Dalian, in northeast China, to embed herself for over two years with sex workers at local karaoke parlors. There, she witnessed, and at times personally endured, all manner of customer abuse, police crackdowns, government corruption, and catty relationships between hostesses, while somehow managing to keep copious secret notes for her ethnographic fieldwork (which eventually became Red Lights). It is an eye-opening but purely academic text, not a mass-market page-turner, which will primarily be of interest only to those of us researching socioeconomic conditions in China.
In China today, sex work cannot be untangled from the phenomenon of rural-urban migration, the entertainment industry, and state power. In Red Lights, Tiantian Zheng highlights the urban karaoke bar as the locus at which these three factors intersect and provides a rich account of the lives of karaoke hostesses-a career whose name disguises the sex work and minimizes the surprising influence these women often have as power brokers.
Zheng embarked on two years of intensely embedded ethnographic fieldwork in her birthplace, Dalian, a large northeastern Chinese seaport of over six million people. During this time, Zheng lived and worked…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
I really enjoyed this bracing and saucy novel as a cheery counterpoint to the many much bleaker artistic works about migrant life. It charts the life and times of the young women who journeyed to the economic heartlands of South China in search of work during the 1990s and early 2000s.
The protagonist is Xiaohong, a young woman so mesmerizingly voluptuous that everyone in the novel, from its narrator down to the most incidental character, is hopelessly distracted by her bosom. At times, I did find this metaphor for personal capital in a precarious era a bit overblown.
But as Xiaohong moves from job to job – hair salon, toy factory, hotel, hospital – I realized that the fixation with her body is a way of marking both her vulnerability and her resilience as a woman on the move, if not necessarily on the up, in a society that has…
Qian Xiaohong is born in a sleepy Hunan village, where the new China rush toward development is a distant rumor. A buxom, naïve 16-year-old, she joins the mass migration to the boomtown of Shenzhen where she navigates dangerous encounters with ruthless bosses, jealous wives, sympathetic hookers and corrupt policemen. Moving through a grinding succession of dead end jobs, Xiaohong finds solace in her close ties with her fellow "northern girls," who quickly learn to rely on each other for humor and the enjoyment of life's simple pleasures. This coming-of-age novel explores the inner lives of a generation of young, rural…
