Here are 35 books that Parnassus on Wheels fans have personally recommended if you like
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My life is, in many ways, centered around bookstores. It all began at Three Lives & Co., a magical indie in the West Village of Manhattan. My girlfriend, now wife, worked there as a bookseller, and it was through her experience (and me hanging around the shop) that I developed an appreciation for how vital and wondrous bookstores can be. I was so enamored that I spent years researching the history of bookstores, visiting as many bookstores as I could, and talking to as many booksellers as possible. The result is my book.
I love this book because it captures the magic of bookstores. Told through a series of letters, the book made me want to hop on a plane (and time machine) and travel to what seems to be one of the most charming bookstores, full of charming booksellers. It’s the people, after all, that make a great bookstore great.
"Those who have read The Guernsey Literary and Potato Peel Pie Society, a novel comprised of only letters between the characters, will see how much that best-seller owes 84, Charing Cross Road." -- Medium.com
A heartwarming love story about people who love books for readers who love books
This funny, poignant, classic love story unfolds through a series of letters between Helene Hanff, a freelance writer living in New York City, and a used-book dealer in London at 84, Charing Cross Road. Through the years, though never meeting and separated both geographically and culturally, they share a charming, sentimental friendship…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
A reader begins a book only to discover that the same sixteen pages are printed over and over—so begins a journey across the beginning of novels and through continents. This is a book that breaks rules and taught me how to read it page by page—and I love that feeling.
Though first published in 1979, Calvino’s novel is remarkably timely with respect to the impact of data science and artificial intelligence on literature, as well as the “author’s position with regard to Trends of Contemporary Thought and Problems That Demand a Solution.”
Some might not consider this detective fiction, but I think—like The Aspern Papers (James) and The Savage Detectives (Bolaño)—the quest to find an obscure or missing text (or artist) fits within the genre and, indeed, is one of my favorite kinds of detective stories.
"You are about to begin reading Italo Calvino's new novel...Relax. Concentrate. Dispel every other thought. Let the world around you fade." —from If On A Winter's Night a Traveler
Italo Calvino's stunning classic imagines a novel capable of endless possibilities in an intricately crafted, spellbinding story about writing and reading.
If on a Winter's Night a Traveler is a feat of striking ingenuity and intelligence, exploring how our reading choices can shape and transform our lives. Originally published in 1979, Italo Calvino's singular novel crafted a postmodern narrative like never seen before—offering not one novel but ten, each with a…
My life is, in many ways, centered around bookstores. It all began at Three Lives & Co., a magical indie in the West Village of Manhattan. My girlfriend, now wife, worked there as a bookseller, and it was through her experience (and me hanging around the shop) that I developed an appreciation for how vital and wondrous bookstores can be. I was so enamored that I spent years researching the history of bookstores, visiting as many bookstores as I could, and talking to as many booksellers as possible. The result is my book.
I delighted in Deutsch’s meditation on bookstores. His unique perspective, gained from years of running the Seminary Co-Op in Chicago, shines through the pages of this book. I especially loved his insights about why we so enjoy a good browse. I also appreciated the book's frankness—an honest assessment of just how hard running a bookstore can be.
From a devoted reader and lifelong bookseller, an eloquent and charming reflection on the singular importance of bookstores
Do we need bookstores in the twenty-first century? If so, what makes a good one? In this beautifully written book, Jeff Deutsch-the former director of Chicago's Seminary Co-op Bookstores, one of the finest bookstores in the world-pays loving tribute to one of our most important and endangered civic institutions. He considers how qualities like space, time, abundance, and community find expression in a good bookstore. Along the way, he also predicts-perhaps audaciously-a future in which the bookstore not only endures, but realizes…
My life is, in many ways, centered around bookstores. It all began at Three Lives & Co., a magical indie in the West Village of Manhattan. My girlfriend, now wife, worked there as a bookseller, and it was through her experience (and me hanging around the shop) that I developed an appreciation for how vital and wondrous bookstores can be. I was so enamored that I spent years researching the history of bookstores, visiting as many bookstores as I could, and talking to as many booksellers as possible. The result is my book.
Admittedly, this is a book more about reading than bookstores, but I admire Gabbert’s ability to write so eloquently about the ways that we find books, read books, and treasure books. Each essay is unique, but I was able to patch together my own narrative—and reconsider my relationship to my mind and my books—along the way.
Contagiously curious essays on reading, art, and the life of the mind, from the acclaimed author of The Unreality of Memory.
Who are we when we read? When we journal? Are we more ourselves alone or with friends? Right now or in memory? How does time transform us and the art we love?
In sixteen dazzling, expansive essays, the acclaimed essayist and poet Elisa Gabbert explores a life lived alongside books of all kinds: dog-eared and destroyed, cherished and discarded, classic and clichėd, familiar and profoundly new. She turns her witty, searching mind to the writers she admires, from Plath…
God gave me a life-long calling to help anyone affected by sexual violence. Words often fail when I try to describe the pain that results from sexual abuse and what it truly means to me to make a positive difference in the lives of survivors. My heart and soul break for those who are suffering from evil crimes, and yet I continuously see people disclosing, expressing, growing, and healing. From my many years working as a counselor and advocate, I've learned that very often people just need someone to be with them and listen. I'm committed to supporting others in this area for as long as I can be helpful.
I had the good fortune to meet Kenny Rogers at the Gaithersburg Book Festival and I was immediately struck by his kindness and gentle spirit.
Raped Black Male: A Memoir is a moving book that offers vivid details of his childhood rape, but the book is about more. Rogers also provides compelling fictional anecdotes and reflections on his internal struggles—from homelessness to what it means to be a black man in America.
Rogers is a powerful human being and his story is another reminder that a person can overcome the painful effects of sexual violence to live a healthy and productive life.
Raped Black Male tells my story of being homeless and struggling to overcome depression while coming to terms with being sexually assaulted by my sister at age eight. Beginning in my middle school years, the novel weaves its way through the '90s to present day, as the stress of exceeding expectations of what it means to be a black male and the crippling unspoken belief that says (without saying) - it's impossible for a man to be raped - has forced one mental breakdown after another, resulting in thoughts of suicide. This memoir is filled with depth, humor, and honesty…
Anime and manga have always been the biggest influences on my own writing, from the drastic tonal shifts and bizarre scenarios to the frenetic pacing and strange characters. Underdogs fighting tooth and nail against increasingly overwhelming foes in a perpetual struggle to take the slightest step forward—those are the characters I relate to, the stories I want to tell.
The story takes place within a 12-hour time frame, in which our protagonist—fresh out of prison—must navigate cosmic horrors and old habits on his way to the halfway house.
The whole time, we as the reader are given in-depth historical and cultural insight into the city of Baltimore. The classic “first day out” narrative is given an anime-flavored spin with the inclusion of mech battles, mysterious gimp-suited beings, and eldritch gods.
In Baltimore, Worm has just returned from a two year stretch in prison. When he finds out that his hometown is being brutally destroyed by a dangerous new chemical, Worm is reluctantly catapulted into a phantasmagoric journey filled with chaos and destruction. Can one man save the city before his 9:00 p.m. curfew at the halfway house?
…
“Ghosts of East Baltimore is like The Wire meets Bloodborne directed by Takashi Miike. The wildest time I had reading a book in recent memory.” - J. David Osborne, author of Black Gum and Our Blood…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In The Wire and Homicide: Life on the Streets, David Simon, also an author of nonfiction books about Baltimore, depicted Baltimore cops as Sisyphean figures trying to fight an endless wave of crime and failing. Baynard Woods and Brandon Soderberg tell a much less positive story about the police. They examine an elite unit called the Gun Trace Task Force which became, under its leader Wayne Jenkins, a criminal syndicate. Using their badges as weapons, these police officers robbed drug dealers of tens of thousands of dollars, planted weapons and evidence, and terrorized Black Baltimore residents.
As media pundits were wringing their hands about whether Baltimore’s people had gone out of control when they rioted after Freddie Gray’s death, we learn that these cops were literally robbing prescription drugs to sell them on the street. Even if you’re suspicious about the role of police in inner-city communities, this book…
The explosive true story of America's most corrupt police unit, the Gun Trace Task Force (GTTF), which terrorized the city of Baltimore for half a decade.
When Baltimore police sergeant Wayne Jenkins said he had a monster, he meant he had found a big-time drug dealer―one that he wanted to rob. This is the story of Jenkins and the Gun Trace Task Force (GTTF), a super group of dirty detectives who exploited some of America’s greatest problems: guns, drugs, toxic masculinity, and hypersegregation.
In the upside-down world of the GTTF, cops were robbers and drug dealers were the perfect victims,…
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Goldstein’s and Weiner’s history of Jews of Baltimore is an unconventional account of this border city. Jews in Baltimore were definitely located in the middle between white Christians on the one hand and Blacks on the other. The book does not flinch from uncovering just what this middle ground meant, how the antisemitism that pervaded Baltimore propelled some Jews toward conservatism (including the support of slavery) and others toward progressivism (including abolition). At the same time, the book explores the rich diversity of Jewish religious life in the city that parallels Jewish participation in building important elements of Baltimore’s economy. I loved learning about a city that was new to me.
A model of Jewish community history that will enlighten anyone interested in Baltimore and its past.
Winner of the Southern Jewish Historical Society Book Prize by the Southern Jewish Historical Society; Finalist of the American Jewish Studies Book Award by the Jewish Book Council National Jewish Book Awards
In 1938, Gustav Brunn and his family fled Nazi Germany and settled in Baltimore. Brunn found a job at McCormick's Spice Company but was fired after three days when, according to family legend, the manager discovered he was Jewish. He started his own successful business using a spice mill he brought over…
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
In this memoir, Petula talks about the light-skin privilege and pain she suffered through growing up in the 70s and 80s in Paterson, New Jersey and Baltimore, Maryland with a dark-skinned mother and a light-skinned father. Her father, Walter, raised her to be as “White” as possible by neglecting her Black heritage which caused her to have a huge identity crisis.
"She's Such A Bright Girl: An American Story" is a story of respectability politics gone very wrong. Petula Caesar is raised in the 1970s and 1980s in Paterson, New Jersey and Baltimore, Maryland. Petula's Black parents, dark-brown skinned Christine and a very light-skinned Walter – migrate north from the south to find work. Once their light-skinned daughter is born, Walter realizes her complexion could give her a great advantage in her life if used correctly. Walter raised Petula to be as "White" as possible by straightening her hair, surrounding her with White dolls, only exposing her to culture created by…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Captivating, well-drawn characters and an intriguing, twisty storyline that keeps you guessing and turning pages. There’s plenty of action and excitement, as well as lighter moments of dark humor. This story has everything I want from a cop thriller. A great opening to a new series. I am definitely a fan!
Judith Anderson’s no-nonsense attitude and confidence served her well in her climb to homicide lieutenant in the Baltimore County PD, but that confidence is shaken when she finds herself one step behind a serial killer—just eight days into her new job as Chief of Police in a small Florida city.
The first victim, a female college student, may be a case of wrong place, wrong time. But the bodies keep coming, with a mishmash of MOs, and the murders may be linked to various cases in nearby Jacksonville.
While Judith assumed the CoP job would be challenging, she’s finding it…
