Here are 60 books that On the Run fans have personally recommended if you like
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I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
I met Matthew Desmond before he became one of the youngest Professors with his own center at Princeton University. He was visiting London, had just published his first book, and was still finishing the research for this book.
Desmond did an enormous amount of field research; he spent months living in a trailer park, on top of thousands of hours in archives and courtrooms where eviction cases are decided. The result is the best book I have ever read about poverty.
What happens when ‘normal people’ get evicted? Desmond’s story is rich and personal, and that is what we need: we need to understand the lives of poor people better in order to finally decide that we must change the systems that put them there.
*WINNER OF THE 2017 PULITZER PRIZE FOR NON-FICTION* 'Beautifully written, thought-provoking, and unforgettable ... If you want a good understanding of how the issues that cause poverty are intertwined, you should read this book' Bill Gates, Best Books of 2017
Arleen spends nearly all her money on rent but is kicked out with her kids in Milwaukee's coldest winter for years. Doreen's home is so filthy her family call it 'the rat hole'. Lamar, a wheelchair-bound ex-soldier, tries to work his way out of debt for his boys. Scott, a nurse turned addict, lives in a gutted-out trailer. This is…
My father’s side of our family is from North Carolina, and I’ve always felt the magic of these mountains, especially within the Great Smoky Mountains National Park. I yearned to understand how the people lived and raised children, created an entire community, lived off the land, and handled sickness, despair, and celebrations. I wanted to bring their stories to life and honor and preserve their unique history. We can all learn something from these brave men and women who staked out the land, built, grew, and hunted everything they needed, and created a community full of family, resilience, and perseverance. I proudly honor their stories within my historical fiction novels.
I wanted a totally different perspective of Appalachia, and this book delivers on that completely. I love the heartwarming and sometimes tragic stories of pioneering people who settled in these mountains in the 1800s. But this tale shoved me right into modern-day Appalachia, with its poverty, drug abuse, and violence.
This book definitely made me think about life’s choices; how would I have handled such obstacles as the characters faced? What options did they really have, and did they truly make the best choices? Whether I agreed, disagreed, yelled at these characters, or cried with them, it was a very well-written and immersive reading experience.
Afterward, I closed the book and thought about my own life’s decisions.
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
Bourgois’ and Schonberg’s accounts opened up the ‘parallel world’ of homelessness for me and inspired me to do my own research on homelessness.
They spent years trying to understand people experiencing homelessness in San Francisco, following them on their daily journeys through institutions and city landscapes; they intimately understood their struggles, from mental health and addiction to systematic exclusion.
Their long, in-depth, and grassroots accounts of people on the street made me grasp their varied experiences for the first time.
This powerful study immerses the reader in the world of homelessness and drug addiction in the contemporary United States. For over a decade Philippe Bourgois and Jeff Schonberg followed a social network of two dozen heroin injectors and crack smokers on the streets of San Francisco, accompanying them as they scrambled to generate income through burglary, panhandling, recycling, and day labor. "Righteous Dopefiend" interweaves stunning black-and-white photographs with vivid dialogue, detailed field notes, and critical theoretical analysis. Its gripping narrative develops a cast of characters around the themes of violence, race relations, sexuality, family trauma, embodied suffering, social inequality, and…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
When I moved to London, I started noticing the ‘underground economy’ that happens on the big city’s sidewalks. When I read Venkatesh’s account of exactly this economy of sellers, hustlers, buskers, and people who beg in New York, I was hooked.
Right there, where we walk and shop ourselves, there are people living a parallel life. Sometimes, our lives overlap, but mostly we stay unconnected. This separation, our ‘looking away,’ is where the problems start.
In this revelatory book, Sudhir Venkatesh takes us into Maquis Park, a poor black neighbourhood on Chicago's Southside, to explore the desperate, dangerous and remarkable ways in which a community survives. We find there an entire world of unregulated, unreported, and untaxed work, a system of living off the books that is daily life in the ghetto. From women who clean houses and prepare lunches for the local hospital to small-scale entrepreneurs like the mechanic who works in an alley; from the preacher who provides mediation services to the salon owner who rents her store out for gambling parties; and…
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
This beautiful book opens with the line, “Every day Mr. McInnis tells us to imagine our future.” Unfortunately, for Brittany, she can’t envision a future that holds anything good. Her mother is in an abusive and controlling relationship and her grandmother suffers from dementia. I love that this book shows a positive teacher, a mom who, despite her own bad choices, truly loves her children, and a family willing to go to bat for one another. Extra points for the intergenerational storyline of a grandmother who lives with the family.
A girl wishes for a better life for herself, her mom, and her baby brother and musters the courage to make it happen in this moving and emotionally satisfying story for readers of Kate DiCamillo and Lynda Mullaly Hunt.
“Once You Know This reminds me of a flower blooming in the crack of a sidewalk. It’s important, and it’s special. Just read it.”—Ali Benjamin, New York Times bestselling author of The Thing About Jellyfish
Eleven-year-old Brittany knows there has to be a better world out there. Lately, though, it sure doesn’t feel like it. She and her best friend, Marisol,…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
I’ll bookend this list with what I consider to be a sort of updated take on Larry Clark’s Tulsa. Serbian photog Boogie has published similarly solemn collections on Moscow and war-torn Belgrade. With It’s All Good, he arrived in New York’s most violent neighborhoods circa 2010 to document the hard and often tragic lives of urban youth. Gangsters pointing their guns into the lens or jabbing their veins with needles might not make the most appealing coffee table book, but the photos themselves are even more sublime than anything shot by Clark, making this book a worthy successor.
“A whole lot of initiations happen every day. You hear about them on the news, but you don’t know it was an initiation. You hear about somebody getting shot somewhere in New York, and nobody knows why that person got shot; nine times out of ten it was a gang initiation. I am a three-star general in the Bloods, so I know what’s going on. The majority of crime in New York City is ’cause of gangs; drugs, killings, stabbings, robberies, even the bullshit car theft, the fucking pettiest crimes and misdemeanors are all ’cause of gangs.” —Kasino, from his…
I was born in Chicago and grew up in the suburbs. After a career at the University of Illinois, 150 miles downstate, I moved back to my hometown to recapture the urban vibe that I love. A historian, I love the stories that architecture tells me and wandering the streets of the city never stales. Having romance in my life is important and writing about how relationships can develop in the city is part of that. Everywhere I go in Chicago, I think of how my characters might interact with each other and the setting. Romance can be found in grand restaurants and in odd corners and Chicago has it all.
This isn’t romance, mystery, or suspense per se. Living Landmarks are historic places that you can still visit, and they tell us the story of Chicago. Although much was destroyed in the Great Fire of 1871, some of the early architecture remains. And what was built after defines the “city of big shoulders.” As the author says, “Chicago is the physical manifestation of dreamers, malcontents, philanthropists, and grifters.” You can read about what is, maybe, the oldest house in Chicago, Clarke House, now a museum or any other of the forty-nine sites. Places I used like the Palmer House, The Rookery, the Art Institute, Union Station, and the Civic Opera House are all represented. The stories are short but compelling and the book is a valuable resource if you want to know more about the romance and mystery that define Chicago.
From the man shipped home in a rum barrel to the most dangerous woman in America, Chicago history comes to life in these tantalizing tales. "A wonderful bible of Chicago." WGN
Living Landmarks of Chicago goes beyond the what, when, and where to tell the how and why of fifty Chicago landmarks. More than a book about architecture, these are stories of the people who made Chicago and many of its most popular tourist attractions what they are today. Each chapter is a vignette that introduces the landmark and brings it to life, and the book is organized chronologically to…
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
I love the character of VI Warshawski: tough, brave, capable, and utterly loyal to her friends. VI (as she is known) is the archetypal ‘tart noir’–a female investigator in the mold of the hardboiled noir detectives but with empathy, vulnerability, and great style. VI can pack a punch, handle a gun, and is tenacious to the point of stubbornness, often at great personal risk, yet we also see her moments of self-doubt, her humanity, and her compassion towards others.
Meeting an anonymous client on a sizzling summer night is asking for trouble. Especially when the client lies and tells V.I. Warshawski he's the prominent banker John Thayer, looking for his son's missing girlfriend. But V.I. soon discovers the real John Thayer's son - and he's dead.
As V.I. begins to question her mysterious client's motives, she sinks deeper into Chicago's darker side: a world of gangsters, insurance fraud and contract killings. And while she must concentrate on saving the life of someone she has never met, it becomes clear that she is in danger of losing her own.
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
TCE here is a virus that leaves just one woman alive. I found this quite irritating at first because the law of averages would say there HAD to be at least a handful of other survivors. The story features a woman who would take to her bed for the day if she broke a fingernail. I enjoyed seeing a female character in this role although she has a tendency to be a bit wet. She spends the first few weeks post-TCE breaking into nightclubs, drug dens, and museums and getting smashed. Set in London, it’s a great travelogue for this brilliant city. I started to warm towards her when she finally pulls herself together and we watch as she learns the skills needed to survive.
It's December 2023 and the world as we know it has ended.
The human race has been wiped out by a virus called 6DM ('Six Days Maximum' - the longest you've got before your body destroys itself).
But somehow, in London, one woman is still alive. A woman who has spent her whole life compromising what she wants, hiding how she feels and desperately trying to fit in. A woman who is entirely unprepared to face a future on her own.
Now, with only an abandoned golden retriever for company,…
