100 books like It's All Good

I tried to do something different with this list than the usual photography books people often cite, however, there is just no avoiding how important Robert Frank’s The Americans has been on the medium. In 1955, Frank departed for a two-year road trip to document the people of the United States, which coincided with the evolution of new post-war classes – namely, the working poor and those who would eventually become the beatniks of the ‘60s. Focusing on the racial and socio-geographic divide, Frank was a pioneer, as his work defiantly contradicted the popular romanticized propaganda of Life Magazine, opening the doors to the gritty documentary and street photography genres we know today.

Larry Clark is most well known for his controversial 1995 motion picture Kids, but decades before refashioning himself into a filmmaker, Clark got his start as a shutterbug. His first and most critically acclaimed photo essay, Tulsa, was on the heroin habits of friends from the fringes of his Oklahoman hometown throughout the 1960s. His follow-up book, 1983’s Teenage Lust, is a much more accomplished and focused collection; Clark dials up to 11 his intrigue for rebellious children, paralleling the graphic imagery with anecdotes of his own wayward youth. Out of print for decades, good luck finding an affordable copy.

Manhattanite David Godlis took up street photography in the 1970s, spending after dark at the now-notorious Bowery punk-rock bar, CBGB. However, few others could have predicted that the bands he was capturing in their infancy would go on to become some of the most iconic musicians of the era: Blondie, the Ramones, the Talking Heads, the Cramps... Godlis’ lens is grainy and gauzy, using only the scant natural light available to document these dark personalities on and off stage. History Is Made At Night is equal parts talent and perfect timing, as only a true historian would have had the foresight to hang out with who other photographers then considered just a bunch of unwashed miscreants.

Veteran photographer Larry Fink once called my own book of photography “boring”, which I wear as a badge of honor, as I would have to be on the street-beat for as long as he has – 50 years! – before I could ever measure up to his skill and accomplishments. Fink specializes in juxtapositions, and in this touching series from the early-‘80s, he spends time among the working class of rural Pennsylvania as well as nouveau-riche socialites of New York, then couples the imagery into a telling tale of two cities. He has an uncanny ability to get right up in his subject’s business at their most vulnerable moments, and in that regard, among Fink’s large body of work, Social Graces is his most poignant.

This is quite possibly my favourite memoir ever written. It made me laugh, cry and scream. Never have I seen such a clearly dysfunctional family that didn’t even realize they were dysfunctional.

I loved them because they embraced life no matter what and hated them because they didn’t see how bad what they were doing to one another was. Full of elements and emotions from my own childhood, this book made me feel deeply and emotionally.  

Can’t Get There from Here is another stark look at the realities of kids living on the street. Strasser quickly drew me into the life of Maybe and her tribe of friends Maggot, 2Moro, Rainbow, and Tears. Their day-to-day existence is one of scrounging for food, looking for a safe place to sleep for the night, and avoiding those who would harm them. Adults have hurt these kids so many times and in so many ways that their reluctance to trust the police for help is totally understandable.

This Is All I Got: A New Mother’s Search for Home tells the story of the difficulty of finding acceptable housing for the poor in New York City. Sandler follows the story of a young, poor, unwed mother, Camila, for one year as she struggles to find safe and affordable housing for herself and her newborn son. Against all odds, red tape, and never-ending bureaucracy, Camila never gives up. I found this story inspiring as well as educational about the homelessness crisis in New York City, a new found passion after my experience trying to feed the homeless during the first year of the pandemic.

This book is a story about gangs in Chicago and one woman’s personal involvement in researching them. It is a sad book but also one full of surprises, family stories, and romance.

I learnt so much about what it means to be black and poor today. Goffman was as closely involved as was possible for a white, female grad student and pushed the boundaries of what good journalism and research needs to do today. 

Catherine Ryan Hyde does a masterful job of showing us the stark reality of teen homelessness through the eyes of Jordy and Chloe. The content of the first few chapters was hard for me to read because of what young people must do to survive on the street and what traumas lead them there in the first place. As the story unfolded, though, Hyde took me on a warm and loving journey as Jordy set out to show Chloe that there truly is a lot of beauty in the world. 

This work came out in the Roaring Twenties, but the gangsters of that decade had nothing on the 19th-century outfits like the Dead Rabbits and the Gas House Gang.

When the dive bars have names like the Tub of Blood and they’re kept in business by the likes of Razor Riley, One-Lung Curran, and Stumpy Malarkey, you can’t go wrong. But to me the most compelling part was Asbury’s account of New York’s horrendous Civil War draft riots.

The Molly Maguires of Pennsylvania were born in opposition to that same draft, after a Protestant Republican allied with the coal industry used conscription to try to rid the coal fields of Irish Catholic Democrats and mine labor activists before a crucial election.