Here are 100 books that Of Bees and Mist fans have personally recommended if you like
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I’m a writer of epic fantasy and paranormal romance, and my obsession is writing about the fashion, food, language, and social politics of the worlds I create. World building is vital if you intend to create a lived-in backdrop for your story, but intricate, elaborate world building will only take you so far. You (the author) must have a cast of characters equally well developed. I’ve tried to take lessons away from every book I’ve read and every author I’ve interviewed and worked to balance characters to fall in love with against places that feel absolutely alive. Their joy/terror/love/hate/experience becomes the readers. It’s that combination that makes a book unforgettable.
Although The Scar is the second book in the Bas Lag series, I prefer it to Perdido Street Station (which is also glorious.) The Scar takes to the seas, a place I always prefer to be, in the form of the floating, roving city of Armada.
We come aboard (as it were) and experience life on Armada—its precincts, villages, towns, secrets, and its people—swordsmen and librarians and vampires and the mysterious pair who run the place—The Lovers (that’s the only name we get) through the eyes of Bellis Coldwine, a prickly, difficult, but fascinating woman who would literally rather be anywhere else.
I get where she’s coming from but I would absolutely book a cruise on Armada!
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
This is the story of four teenagers and their journey to cope with the anxieties of being a teenager, mixed with recovering from traumatic events.
It is such an unusual book that it defies explanation. The best thing to do is to pick it up and read it for yourself. I found it confusing in a delightful way – the mixture of reality and dreamscape is captivating and leaves you wondering what is real and what is imaginary.
This book is chaotic and intense and left me feeling a bit dizzy, but I think if I had read it when I was a teenager it would have accurately reflected how I felt and dealt with the world!
Four talented teenagers are traumatized--coping with grief, surviving date rape, facing the anxiety of standardized tests and the neglect of self-absorbed adults--and they'll do anything to escape the pressure. They'll even build an invisible helicopter, to fly far away to a place where everyone will understand them...until they learn the only way to escape reality is to face it head-on.
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
Pixel Juice is a collection of short stories, all set in the near future. Some of the stories are linked and have a continuing thread and some are standalone, but all of them are enthralling.
Jeff Noon belongs primarily to the “cyberpunk” subgenre of science fiction, and an ironic prescience runs through these stories in the manner of Dark Mirror, testing your acceptance of the advances of technology, consumer culture, and mass media.
I came away from reading this book the first time feeling quite emotional about how well he evoked the uncanny weirdness we take for granted living in a world dominated by data and screens.
"in the first shop they bought a pack of dogseed, because Doreen had always wanted to grow her own dog..."
Pixel Juice is the collected outpourings of an overactive mind. A selection of fifty stories from Jeff Noon's head, each one strange, telling, disturbing, or sometimes just plain weird.
For the breakdown zones of the mediasphere and the margins of dance culture, Jeff Noon samples the image mix. Product recalls, adverts for mad gadgets, dub cut prose remixes, urban fairytales, instructions for lost machines, almost true tales, dreary onepagers, word-dizzy roller coasters. With new stories from the Vurt cycle and…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
As a fantasy reader, you will often come across the same ideas regurgitated in a slightly different form. Not that I have anything against that – some of them are still amazing stories – but when there is a slightly different voice to the storytelling, it is very refreshing. That’s what I found with Dragon Queen, the first in The Silver Kings series.
Some have argued that this series is chaotic and focuses on too many characters, but I found it delightfully action-packed with dark plots, political scheming, and incredible world-building and scenery that played out through my imagination as I read.
Praised by the likes of Joe Abercrombie and Brent Weeks, Stephen Deas has made dragons his own.
In the years before the Dragons laid waste to man's empire, the fearsome monsters were used for war and as gifts of surpassing wealth to buy favour in the constant political battles that tore at the kingdoms.
Notorious in these battles was the Dragon Queen. And now she is a prisoner. But no one is more dangerous than when caged ...
The critics, fellow authors and readers alike are agreed - if you love dragons and epic fantasy, Stephen Deas is the writer…
As a lifelong bookworm, I have always loved curling up with a book, especially one that takes me on an emotional journey through the characters within. I especially love stories with an ensemble cast of characters linked through one common thread and always knew my first novel would be of this format. A fascination with the stories that lie beneath the surface of everyday life keeps me constantly inspired to create new characters that can bring comfort and familiarity to readers but still explore important life lessons in a gentle way.
I love how perfectly The Faraday Girls captures the dynamics of being part of a big family, in all its messy glory. It is a story that is hilariously funny in some parts and quite dark in others, but ultimately the strength of family ties is what shines through. Being part of a big family myself, there is a wonderful familiarity about The Faraday Girls that kept me engaged right until the last page.
BONUS: This edition contains excerpts from Monica McInerney's Lola's Secret, At Home with the Templetons, Family Baggage, The Alphabet Sisters, Greetings from Somewhere Else, and Upside Down Inside Out.
From internationally bestselling author Monica McInerney comes a captivating and charming new novel of family secrets, the loyalty of sisters, and the power of redemption.
As a child, Maggie Faraday grew up in a lively, unconventional household with her young mother, four very different aunts, and eccentric grandfather. With her mother often away, her aunts took turns looking after her–until, just weeks before Maggie’s sixth birthday, a shocking event changed everything.…
My mom handed me one of those little girl diaries with a lock and key when I was in third grade. I wrote my heart into those diaries until I needed more space and shifted to regular-sized notebooks. Writing is my way to know myself and make sense of my life. The journal I kept in the last months of my husband’s life helped me reassemble the trauma-blurred memories of his dying, and then, it supported my emotional rebirth during the year of intense grieving. It is with surprise and delight that I hear from readers who say I articulate their innermost emotions related to love and loss.
Even though the marriage in Oh William!ends in divorce while my marriage ended (without my consent) in my husband’s untimely death, the book brought me back to the unconventional nature of my marriage. Elizabeth Strout’s uncanny ability to say much in a single sentence had me traveling back in time and heart to the many moments that made our marriage. The tendernesses and fears, the deep trust and insecurities that quietly but forcefully bound us together made up the subtle mysteries of our uncommon relationship. What makes people move apart yet remain forever close, as in Lucy Barton and her ex-husband, William, or what holds two people together when there are many factors that might drive them apart, as in my marriage? These questions made reading this book a thought-provoking and enriching experience.
The Pulitzer Prize-winning, Booker-longlisted, bestselling author returns to her beloved heroine Lucy Barton in a luminous novel about love, loss, and the family secrets that can erupt and bewilder us at any point in life
Lucy Barton is a successful writer living in New York, navigating the second half of her life as a recent widow and parent to two adult daughters. A surprise encounter leads her to reconnect with William, her first husband - and longtime, on-again-off-again friend and confidante. Recalling their college years, the birth of their daughters, the painful dissolution of…
As a bullied teenager I wanted to escape and fantasy was my drug of choice. (My parents may have grounded me from the library, which by the way—not cool.) I love working within fantasy worlds and magic systems but my true passion lies in the story itself. I write character based books focusing on the inner workings of all of us. Occasionally when writing a battle scene in a gladiator arena with three levels, multiple characters with magical abilitiesm and a secondary magical system in the background, I wonder why I can’t just tell a story in freaking Chicago for goodness sake! But fantasy is where it's at for this girl!
This book took me by surprise. I thought I might like it—thus why I bought it—but from the first sentence I was hooked and in awe of the writing. Revelator is rich and dark and feels so real you can almost taste the food they're eating. But then, just when you’re feeling comfortable, you realize what this story is actually about. Revelator will blow your mind in the best way possible.
ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR • The dark, gripping tale of a 1930’s family in the remote hills of the Smoky Mountains, their secret religion, and the daughter who turns her back on their mysterious god—from the acclaimed author of Spoonbenders.
“Gods and moonshine in the Great Depression, written with a tenderness and brutality … this is as good as novels get.” —Stephen Graham Jones, author of The Only Good Indians
In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous…
I’m half-Filipino and half-Spanish. Growing up in the Philippines, I had to deal with many of the same emotions that the characters on this list go through. My identity made sense to me, but I found that I often had to explain it to other people, and I also found that outside my own house, people made their own opinions about whether I was more Filipino, more Spanish, or something else entirely. I’ve always been fascinated by how characters in fiction deal with this struggle, and I’ve always related more to characters who feel out of place.
The protagonist of Only a Monster, Joan Hunt-Chang, also feels like someone caught between two worlds. Joan isn’t just half Chinese-Malaysian and half-British, she’s also half-monster and half-human, something that she learns at the beginning of the book. The rest of the book follows Joan as she tries to save her monster family, striking a balance between doing the right thing and embracing her monstrous heritage. Joan grapples with questions of identity, heritage and morality in this gripping fantasy novel, which also features time travel and a twist I honestly did not see coming.
'Mind-bending, heart wrenching, and unputdownable!' Stephanie Garber, Sunday Times bestselling author of the Caraval series and Once Upon a Broken Heart
It should have been the perfect summer. Sent to stay with her late mother's eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.
Then a Good Samaritan attempt gone wrong sends Joan spinning through time, and her…
I was born and raised in New England, growing up along the seacoast of New Hampshire. I went to college in Massachusetts and graduated with a degree in gender and sexuality. I live in Tucson, Arizona with my sweet yellow lab and even sweeter boyfriend. I’m a hybrid author. My debut novel, Monsoon Season, was traditionally published along with A Long Thaw, which I later rereleased on my own. Finding Charlie was chosen for publication by KindleScout in 2015. My fourth book, Blood & Water launched in 2017. I write the kind of fiction I like to read: character-driven, relationship-focused, and emotionally complex.
The major drama in The Children's Crusade revolves around four adult children deciding whether it's time to sell their childhood home. Each sibling tells their own story in first-person narratives and these chapters are interwoven with omniscient narratives that describe their earlier lives. Each character is such a fascinating individual and while their adult voices are distinct from each other, they're also completely recognizable in their portrayal as children. This book explores the unique bond between people you’ve known your whole life.
From New York Times bestselling, award-winning author Ann Packer, a “tour de force family drama” (Elle) that explores the secrets and desires, the remnant wounds and saving graces of one California family, over the course of five decades.
Bill Blair finds the land by accident, three wooded acres in a rustic community south of San Francisco. The year is 1954, long before anyone will call this area Silicon Valley. Struck by a vision of his future family, Bill buys the property and proposes to Penny Greenway, a woman whose yearning attitude toward life appeals to him. In less than a…
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
This is a retelling of Antigone by Sophocles, set in contemporary UK.
Shamsie’s characters are well developed, the story deeply moving and insightful, and the writing delightful.
This is an important novel for the themes it addresses: radicalism, Islamophobia, family, identity and belonging. This is very much a book for these times.
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WINNER OF THE WOMEN'S PRIZE FOR FICTION
WINNER OF THE LONDON HELLENIC PRIZE
A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDAND AND NEW YORK TIMES
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'The book for our times' - Judges of the Women's Prize
'Elegant and evocative ... A powerful exploration of the clash between society, family and faith in the modern world' - Guardian
'Builds to one of the most memorable final scenes I've read in a novel this century' - New York Times
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Isma is free. After years spent raising her twin siblings in the wake of…
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