Here are 100 books that Newsletter Ninja fans have personally recommended if you like
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I teach historical martial arts for a living. 25 years ago, one of my students asked me to write a training manual about medieval Italian longswords, so I did… it took me four years and changed everything. Teaching in person is my favourite thing, but writing books about my art is a close second. I’m always on the lookout for ways to write better and faster and sell more books. Being an effective writer means I make enough money from my books that I can spend my time researching, writing, training, and teaching historical martial arts and have plenty of time to spend with my wife and kids.
This book is absolutely clear about what makes good writing, and it really helped me avoid needless sesquipedalianism and circumlocutory prose. Sorry. It helped me avoid using long words and to write directly and to the point.
Zinsser uses lots of examples of good writing, but the whole book is a great example of practicing what you preach. I have a tendency towards fancy words and fancy grammar, which is not good for my readers when I’m trying to teach them something. This book cured me of that more than any other resource.
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet.
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more…
I teach historical martial arts for a living. 25 years ago, one of my students asked me to write a training manual about medieval Italian longswords, so I did… it took me four years and changed everything. Teaching in person is my favourite thing, but writing books about my art is a close second. I’m always on the lookout for ways to write better and faster and sell more books. Being an effective writer means I make enough money from my books that I can spend my time researching, writing, training, and teaching historical martial arts and have plenty of time to spend with my wife and kids.
Most money books are full of get-rich-quick schemes and bad advice. This one goes to the root of why we make good or bad financial decisions.
I have a tendency to overlook the business side of writing, and this book helped me see why that might be and do something about it. Everyone has strong feelings about money: this book helped me get mine under control and in perspective, which enables me to write better and publish the books I want to publish.
Doing well with money isn't necessarily about what you know. It's about how you behave. And behavior is hard to teach, even to really smart people.
Money-investing, personal finance, and business decisions-is typically taught as a math-based field, where data and formulas tell us exactly what to do. But in the real world people don't make financial decisions on a spreadsheet. They make them at the dinner table, or in a meeting room, where personal history, your own unique view of the world, ego, pride, marketing, and odd incentives are scrambled together.
In The Psychology of Money, award-winning author Morgan…
I teach historical martial arts for a living. 25 years ago, one of my students asked me to write a training manual about medieval Italian longswords, so I did… it took me four years and changed everything. Teaching in person is my favourite thing, but writing books about my art is a close second. I’m always on the lookout for ways to write better and faster and sell more books. Being an effective writer means I make enough money from my books that I can spend my time researching, writing, training, and teaching historical martial arts and have plenty of time to spend with my wife and kids.
I hated marketing, and I was scared it would turn me into a shrill and shallow person. But I realised I needed to learn to sell my work if I was ever going to make a decent amount of money with it—enough to justify the time I was spending on writing, editing, and publishing.
This book gave me the basic tools I needed to get over my internal resistance and start helping my readers better by letting them know about books they actually wanted.
Do you want to sell more books and reach more readers? Do you want to discover how to build an author career for the long-term as well as spike your book sales right now?
If you don’t know much about marketing, don’t worry. We all start with nothing.
I’m Joanna Penn and back in 2008, I had no book sales, no audience, no website, no social media, no podcast, no email list. No nothing.
Now I’m a New York Times and USA Today bestselling author of thrillers and non-fiction. My books have sold over 600,000 copies in 162 countries, and…
I teach historical martial arts for a living. 25 years ago, one of my students asked me to write a training manual about medieval Italian longswords, so I did… it took me four years and changed everything. Teaching in person is my favourite thing, but writing books about my art is a close second. I’m always on the lookout for ways to write better and faster and sell more books. Being an effective writer means I make enough money from my books that I can spend my time researching, writing, training, and teaching historical martial arts and have plenty of time to spend with my wife and kids.
I kind of hate this book, mostly because I wish I’d written it.
It’s a very comprehensive look at what a sedentary life can do to your body and how you can do clerical work (like writing books or wasting time on social media) without killing yourself. I was a standing desk user long before I got this book, and as a career martial artist, I’m quite familiar with how the body works and why it needs to move.
I hate to admit it, but Dr Starrett is way better qualified than I am to write this, and despite my previous experiences, I learned a lot about how to stay healthy while spending hours at my desk. Dammit!
Sitting can wreak havoc on your health, and not just in the form of minor aches and pains. Recent studies show that too much sitting contributes to a host of diseases—from obesity and diabetes to cancer and depression. The typical seated office worker suffers from more musculoskeletal injuries than those workers who do daily manual labor. It turns out that sitting is as much an occupational risk as is lifting heavy weights on the job. The facts are in: sitting literally shortens your life. Your chair is your enemy, and it is murdering your body.
It was while on the job as an investment banker that I first heard about this new thing called Bitcoin, before the word "web3" entered the vernacular. Initially I was skeptical but curious. But I became convinced the underlying technology of blockchains was ushering in nothing short of a new internet. My father Don Tapscott and I agreed to collaborate on a major research initiative that became the international best-seller, Blockchain Revolution. Since then, I have traveled to 40 countries and seen first-hand how blockchain and now Web3 is changing the world, setting the stage for a new digital age. My new book charts a course for this coming transformation.
Papyrus is half history of the written word, half personal memoir. But it shines in its description of the early days of books, libraries, and organized information.
Vallejo talks about how Alexandria was a hotbed of innovation as the Ptolemy Greek rulers sought to burnish their image as Macedonian brutes by building the world’s greatest temple of knowledge- The Alexandria Library. Vallejo says that libraries are meant to “bridge the gaps in the archipelago of knowledge.”
Her description of Alexandria as a frontier town reminds me of the current crop of characters pioneering Web3.
The bestselling phenomenon - an enthralling 6,000-year journey through the history of books and reading
A FINANCIAL TIMES, ECONOMIST AND MAIL ON SUNDAY BOOK OF THE YEAR
'Outstanding, universal and unique' NEW YORK TIMES 'A literary phenomenon.' TLS 'Masterly.' ECONOMIST 'Mindboggling' TELEGRAPH
Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of the earth to bring them back.
In Papyrus, celebrated classicist Irene Vallejo traces the dramatic history of the book and…
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
Pulitzer Prize winner Geraldine Brooks spins a tale spanning continents and centuries as she fictionalizes the real history of the ancient Sarajevo Haggadah.
I found her writing gripping, and the story of rare book experts, intrigue, and treachery was fascinating. I loved seeing it through the eyes of her young protagonist, master art restorer Hanna Heath.
The bestselling novel that follows a rare manuscript through centuries of exile and war, from the author of The Secret Chord and of March, winner of the Pulitzer Prize.
Inspired by a true story, People of the Book is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called “a tour de force” by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century Spain. When it falls to Hanna Heath, an Australian rare-book expert, to conserve this…
In 2008, as an author who had a message that I was desperate to get out into the world, I had a decision to make… to continue to pitch my non-fiction book for new moms to traditional publishers or to create a publishing company and publish it myself. I chose to create a publishing company and publish it myself. I loved the publishing and book marketing process so much that I started to help other authors to market their books.
Once you decide how you are going to publish your book, you will have to promote it, whether self-publishing or traditional publishing, in order to sell it. Dr. Jan Yager’s book is your next step to learn book promotion and offers the details behind the next steps on your book marketing journey.
Yager has written over 50 books, both traditionally published and self-published. She has pretty much seen it all and recognized that authors needed a detailed guide for how and where to market their books. She decided to write a book dedicated to book promotion by presenting material in a logical fashion, in the order of any book launch promotion timeline.
The sections of her book make sense and are easy to follow for authors: The first section is about what to do before your book is published. The second section is about what to do after your book…
"Writing a great book is the easy part. Getting people to buy the book is wicked hard. Jan’s book shows you what promotion to do so you increase the possibility that your book becomes a bestseller.”
―Jeffrey Fox,bestselling author,How to Become a Rainmaker
"Being an author is 50% creative and 50% promotion. Jan Yager's comprehensive and practical book, How to Promote Your Book, tells authors exactly what they need to know and do to promote their book. I'm recommending it to all the authors I know including those whose books I share through my Bedside Reading program."
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Seven hundred years ago, someone (no one knows who) wrote a book full of mysterious letters and even more mysterious drawings of unknown plants described in unreadable paragraphs.
For centuries, people have struggled to eke some meaning from the book’s pages. Cryptologist William F. Friedman (the man who broke the Japanese code in WWII) spent his life trying to decipher the book. And all in vain.
No one knows what information the book contains. It could be anything! Simple steps for building a hydrogen bomb? Your parents’ deepest, darkest bathroom secrets? Maps of Atlantis? Maybe! This is the most dangerous book in the world!
The first authorized copy of this mysterious, much-speculated-upon, one-of-a-kind, centuries-old puzzle
"For the first time, a complete reproduction [of] The Voynich Manuscript, has been published, featuring essays exploring what is known about the book and extra-wide margins so readers can record their responses to its beguiling, beautiful strangeness."-Nina Maclaughlin, Boston Globe
"For people who like a good historical mystery, this . . . fifteenth- or sixteenth-century Voynich Manuscript will fascinate."-Rebecca Onion, Slate
Many call the fifteenth-century codex, commonly known as the "Voynich Manuscript," the world's most mysterious book. Written in an unknown script by an unknown author, the manuscript has…
As an avid reader, I'm curious about where books come from and what they do. How does a story get to be a book? How does someone become an author? What is happening to us as we read? I worked in publishing, and eventually, I started teaching other people how to become editors and publishers. As a faculty member, I had time to study and write about book history. I joined the Society for the History of Authorship, Reading, and Publishing when it was formed and became its president. The conferences helped me to learn about the history of books throughout the world and from pre-print times to the present.
As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.
Around 2000, people began to believe that books were on verge of extinction. Their obsolescence, in turn, was expected to doom the habits of mind that longform print had once prompted: the capacity to follow a demanding idea from start to finish, to look beyond the day's news, or even just to be alone. The "death of the book" is an anxiety that has spawned a thousand jeremiads about the dumbing down of American culture, the ever-shorter attention spans of our children, the collapse of civilized discourse.
All of these anxieties rely on the idea of a golden age, when…
I am a historian at the University of St Andrews, and an expert in the history of books, media, and communication. My working life has revolved around libraries: I stacked shelves at my local university library while I was an undergraduate, and have since worked as a researcher in some hundred reading rooms in twenty countries (and I am therefore the proud owner of many library cards, expired and current). I am also an avid book collector, and have a growing collection of seventeenth and eighteenth-century books, mostly printed in my native Netherlands. Writing a history of libraries was an enjoyable tribute to those fine institutions, historic and present.
Why do our libraries, those at home, at university, or in the public library network, look the way they do? Many people would agree that books are best stored upright on shelves, spine out, but how did we come to that conclusion? This delightful book offers all the answers, and incidentally reveals more than you could ever think of to ask about the manner in which we take care of, store, and display books. It might even give you some inspiration on how to arrange your own collection.
He has been called "the poet laureate of technology" and a writer who is "erudite, witty, thoughtful, and accessible." Now Henry Petroski turns to the subject of books and bookshelves, and wonders whether it was inevitable that books would come to be arranged vertically as they are today on horizontal shelves. As we learn how the ancient scroll became the codex became the volume we are used to, we explore the ways in which the housing of books evolved. Petroski takes us into the pre-Gutenberg world, where books were so scarce they were chained to lecterns for security. He explains…
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