65 books like New Orleans

This is a comprehensive history of the Mississippi River in general and the Flood of 1927 in particular. Beautifully written and exhaustively researched, it was incredibly insightful and full of context, especially about the relations between the ruling-class planters and their African American workers. The influx of Italian, Lebanese, and Chinese immigrants is detailed and explains much of the Delta's cultural diversity.

The book also tells the story of the government’s response to the devastating flood, ultimately propelling Secretary of Commerce Herbert Hoover to the presidency in 1928.

A memoir that haunted both of us about Broom’s love for the New Orleans house she grew up in, her family, and a neighborhood torn apart by the institutional racism embedded in banking practices, zoning laws, highway development, and other corporate and government policies and practices.

Broom’s mother purchased the house in 1961 in a then “promising” neighborhood. Over the years, the neighborhood was cut off from the city by the growth of the interstate highway, which left this largely Black area in decline from years of indifference by New Orleans elected officials. The house was eventually destroyed by Hurricane Katrina.

The book provides a harrowing description of the destructive effects of institutional racism.

Unique cultural and social traditions are a big part of what makes New Orleans a special place. 

This book helped me gain a much deeper appreciation of how these traditions build and sustain communities, serve as artistic and political expression and draw on New Orleans’ African and Caribbean connections. 

The House of Dance and Feathers is a rare and beautiful book that presents the Mardi Gras Indians, Social Aid and Pleasure Clubs, Second Line parades (and a lot more) from a practitioners’ perspective as told by Ronald W. Lewis, founder of the museum of the book’s title. 

The scores of photos by Lewis and others provide rich documentation of the arts, crafts, practices, and communities that constitute these traditions.   

I discovered and used The World That Made New Orleans as a source for my book.

Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.

He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away. 

I’m a BIG Greg Iles fan—he (in my opinion) writes a lot like Stephen King, but instead of horror, leans more into the twisty-thriller category that I find electrifying.

For those unfamiliar with Iles’ work, this book is a great place to start, as it has the right amount of everything that makes a great read: twists and turns, a likable protagonist in an awful situation, and page-turning goodness that will keep you glued to the couch. It explores the dark side of obsession, giving this story that "erotic" label that pushed me toward my new genre.

Kimberly Hanger’s Bounded Lives, Bounded Places establishes the role of free people of color in Spanish New Orleans. She traces families and individuals of color throughout the Spanish decades and weaves a rich tapestry of their world in the Crescent City. Women play an important role in her work, and she teases out the way that free people of color sought to fit in the colonial society of Louisiana. While never able to become equal to white people, they created a space above enslaved people that enabled them to participate as ‘almost free’ in New Orleans’s society.

Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.

Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.

When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.

I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.

As the name implies, Midnight Bayou is another romantic ghost story set in New Orleans—a place I’ve now been fortunate enough to visit!

Sometimes called the “City of the Dead”, NOLA makes a perfect location for this haunting mystery. I literally could not put this book down, despite having young children when I read it! Once again, the past and present intertwine as a sassy Cajun heroine and a hunky carpenter unravel the dark secrets of Manet Hall in a passionate journey.  

In a complete departure from the previous book, Gods of New Orleans is a dieselpunk science fiction adventure. Emma Farnsworth, her saxophone-playing boyfriend Eddie Collins, and the Conroy family have escaped from Chicago City and are going to start life again in New Orleans. However, everything they think they know about New Orleans is turned on its ear.

People of color are in charge. White people are expected to keep their eyes averted, refer to people of color as "sir" or "ma'am" ... and mixed ethnicity couples like Emma and Eddie are eyed askance. White people are also expected to carry a little tin badge with them if they're "working out" -- which is what slaves who were allowed to "sleep out" in New Orleans during the 19th C. were required to do. In short: Sikes has turned the typical examination of racism on its ear with this book. 

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In 1967 I worked for seven months at DePaul psychiatric hospital in New Orleans, LA as an attendant during the 11 pm to 7 am shift. During that time period, there was often nothing to do but stay awake, because schizophrenics, like everybody else, usually sleep through the night. There was a tiny library in the "Seton Unit" section of the hospital where I worked that featured a dozen or more Nero Wolfe murder mysteries by Rex Stout. I read them all, some of them more than once. The books brought me back to my late childhood years when I read all of the Arthur Conan Doyle Sherlock Holmes stories. What fascinated me about both these sets of books later when I became a writer was the relationships between the storytellers (John Watson/Archie Goodwin) and the larger-than-life detectives (Sherlock Holmes/Nero Wolfe). They acted like bickering but loving married couples while… show more.