Here are 100 books that Nearer My Freedom fans have personally recommended if you like
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I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
I was a stubborn teenager, and growing up, I vocally declared I would never set foot in Spain. The Spanish Empire was oppressive! It was full of religious fanatics! Yet… in college I took a course on Spain’s Golden Age, and for the first time I saw a different side of history, full of paradoxes and contradictions, Inquisitors and female mystics, bumbling priests and powerful nuns, decadence and poverty, emperors, tricksters, artists, pirates, scientists, and everything in between. Spain of the sixteenth through eighteenth centuries was extraordinarily complex and far from one-dimensional. Now, years later, I have travelled to Spain over twenty times, lived in Pamplona, and I am a historian of early modern Spain at Penn State University.
This brand-new, prize-winning book is a gorgeous synthesis of some of the most important trends in current Iberian studies. Early modern empire-building, missionary efforts, and the African slave trade fostered a new cult of black saints, which Rowe documents through stunning photography from tiny and forgotten churches across the peninsula. In focusing on black saints and their devotees—a largely understudied part of early modern Catholic culture—Rowe not only centers and elevates the diverse and often marginalized individuals who shaped global Catholicism, but also emphasizes important conversations about race and inclusion in early modern society.
From the sixteenth to the eighteenth centuries, Spanish and Portuguese monarchs launched global campaigns for territory and trade. This process spurred two efforts that reshaped the world: missions to spread Christianity to the four corners of the globe, and the horrors of the transatlantic slave trade. These efforts joined in unexpected ways to give rise to black saints. Erin Kathleen Rowe presents the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. By exploring race, the Atlantic slave trade, and global Christianity, she provides new ways of thinking about blackness,…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In the introduction, dated July 1978, Mattoso writes. … my purpose in writing this book was to discover what life was really like for the slaves in Brazil … This book is addressed to an audience of general readers. I have therefore felt free to dispense with the usual scholarly apparatus of extensive footnotes and bibliography … Its title … signals my intention to adopt the standpoint of the slaves themselves … to trace the various stages in the lives of the slaves as individuals and of the slave group as a community.
The book has the great advantage of placing the slave in the center of the history not simply as a type of labor, but as an actor whose culture, actions and decisions influenced the operation of the system... written with verve and grace for a general readership.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Growing up in New England, I discovered a passion for the historical landmarks around me. My grandmother’s home in Andover, MA, had a plaque on the front door, declaring Lafayette made a speech from its front steps. In my grandmother’s journal, I discovered the story of the Lovells: Master John Lovell, Loyalist, of the Boston Latin School, and his son James Lovell, teacher at the school and patriot. Imagining the conflicts that must have brewed between them, I knew I had to write The Remarkable Cause: A Novel of James Lovell and the Crucible of the Revolution.An English and history teacher, I wove historical background into study of literature.
Laurie Halse Anderson masterfully helps us see the dilemmas of those who endured the Revolutionary years, from a young runaway slave to soldiers at General Washington’s winter camp at Valley Forge. For younger readers, Forge gives the experience of surviving the bitter cold and hunger of the winter camp for both the fearful runaway slave, Curzon, posing as a freedman and soldier in Washington’s army, and his friend Isabel. You can feel the cold seeping into your rag-bound feet and taste the sand in your rock-baked flatbread, hunger pangs tormenting you as you read.
“One of the best novels they have ever read.” —Kirkus Reviews
Curzon navigates the dangers of being a runaway slave in this keenly felt second novel in in the historical middle grade The Seeds of America trilogy from acclaimed author Laurie Halse Anderson.
Blistering winds. Bitter cold. And the hope of a new future.
The Patriot Army was shaped and strengthened by the desperate circumstances of the Valley Forge winter. This is where Curzon the boy becomes Curzon the young man. In addition to the hardships of soldiering, he lives with the fear of discovery, for he is an escaped…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Voices of the Enslavedis a beautifully written and masterfully researched book (also award-winning) on the French period in colonial Louisiana. White traces the fleeting appearances of enslaved Africans in Louisiana court records to illuminate how they were able to achieve legal recognition where their enslavers tried to give them none. Out of the many fragments of legal documents, White creates a collage of Black lives in French Louisiana that really illuminates the Black contributions to the region.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded.
Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial…
I like thinking about the people who misbehaved in the 1700s. As a teenager, I was initially drawn to journalism as a medium for telling stories, but in college, I was entranced by the stories I could tell with early American sources. Years ago, Jan Lewis noted that many readers want “bedtime stories” about how great the American Revolution was, but there’s much more to the Revolution’s history. Now, I’m a history professor at Brooklyn College and the Graduate Center of the City of New York. Having lived in the Boston area and New York City, it’s been a thrill to write books about the American Revolution in both places.
I couldn’t put down the story of Isabel, a fictional Black teenager who lived through the American Revolution in New York City.
The book covers everything from the assassination plot against George Washington to the fire that burned much of the city in September 1776, along with the everyday injustices of eighteenth-century slavery. The book gives the reader a true feel for the Black experience in Revolutionary New York.
Each chapter starts with an excerpt from a real Revolutionary document. It’s geared at young adult readers, but this is not your grandmother’s Johnny Tremain. I loved this book and the remainder of the trilogy that followed it.
Isabel and her sister, Ruth, are slaves. Sold from one owner to the next, they arrive in New York as the Americans are fighting for their independence, and the English are struggling to maintain control. Soon Isabel is struggling too. Struggling to keep herself and her sister safe in a world in which they have no control. With a rare and compelling voice, this haunting novel tells not only the story of a remarkable girl and her incredible strength, but also of a time and place in which slavery was the order of the day and lives were valued like…
Benghazi! A New History of the Fiasco that Pushed America and its World to the Brink
by
Ethan Chorin,
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.
It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery.
Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest…
As an undergraduate History student, I was told by one of my professors that I thought too much like an anthropologist; as a postgraduate Anthropology student, I was told by another professor that I wrote too much like a historian! At that point, I finally gave up and turned to journalism and fiction writing…though my love for history figures largely in much of what I continue to write and read today.
This is another one that comes down to voice for me: hearing the story of one of the last African slaves to experience the Middle Passage in his own words. It’s moving, thought-provoking, and refocuses the vast and familiar history of the American slave experience to a disarmingly—and powerfully—human scale.
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
Having grown up visiting lots of historic sites – and hearing my father sing old Civil War tunes (frequently off-key!) on long car trips – I gravitated pretty quickly to studying the Civil War, and its aftermath, when I was in college and then in graduate school. I was particularly interested in the way Americans experienced the Civil War after it was over: the sentimental novels they read; the romantic movies they watched; the reconstructed battlefields they visited. In my work as a professor at Boston University, I try to get students to think about the stories that do, and do not, get told about the Civil War and other events from the past. I suppose the question that always piqued my interest was why people might find the often wildly inaccurate versions of the past so appealing.
In this brief and powerful book, esteemed historian Annette Gordon-Reed focuses on “Juneteenth”, the day (June 19, 1865) when enslaved workers in Texas were declared free by the Union Army following the conclusion of the Civil War. For Gordon-Reed, a black Texas woman, Juneteenth, recently declared a federal holiday, offers a starting point for pondering the legacy of slavery and emancipation for Afro-Texans and for thinking more broadly about the tension between history and myth. In the course of all this, Gordon-Reed tells her own personal story about navigating the often fraught terrain of her state’s legacy of racial exploitation.
Interweaving American history, dramatic family chronicle and searing episodes of memoir, On Juneteenth recounts the origins of the holiday that celebrates the emancipation of those who had been enslaved in the United States. A descendant of enslaved people brought to Texas in the 1850s, Annette Gordon-Reed, explores the legacies of the holiday.
From the earliest presence of black people in Texas-in the 1500s, well before enslaved Africans arrived in Jamestown-to the day in Galveston on 19 June 1865, when General Gordon Granger announced the end of slavery, Gordon-Reed's insightful and inspiring essays present the saga of a "frontier" peopled by…
We Had Fun and Nobody Died
by
Amy T. Waldman,
Peter Jest,
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
