Fans pick 100 books like Naruto, Vol. 1

I love how Lyra’s world is so different from ours, yet doesn’t require a huge leap of faith to believe. The science-like attention to detail somehow makes it sensible. Are there talking polar bears who shape metal with their paws and claws? Yes. Are my objections to that bizarre idea addressed so well that I accept it as normal? Also yes. 

The amount of thought put into the world makes the unreal feel very real, in other words. Yes, there are subtle magical forces, witches, and humans tethered to literal spirit animals…but scientists have studied and invented machines to work with all of it the same way we work with forces in our own world that we don’t understand. This series respects its readers' intelligence, regardless of age.

I debated which of Cosmere’s many books to put here but settled on this one because it was my introduction to Sanderson. The main attraction of his books for me is always the unique and scientific hard magic systems and how they relate to every aspect of his stories, from characters to worldbuilding.

My favorite part was how the characters had to study the magic system and uncover its specific functions to “solve” the problem that was plaguing them. This is a pretty common narrative force behind many of Sanderson’s books, but I also enjoyed this one because of its religious and sociopolitical commentary. I found the high priest’s arc especially compelling, as he found his views on faith challenged by another character.

My mother introduced me to the Bhagavad Gita at a young age, but this particular translation and commentary was my most recent read.

One of my favorite concepts is the idea that our lives are moral battlegrounds for self-betterment and that our soul reincarnates through various lives to improve upon itself; and of course, karma yoga (the theory of karma), which is intrinsically linked with the concept of reincarnation.

I find it difficult to speak further about this book because I really cannot do the Gita or its themes justice in my own words. Those interested should try it out for themselves and understand it in their own way.

My favorite aspect of this book was the concept of a crime coefficient: a numerical measure of how likely a person is to commit a crime. Punishments are meted out preemptively based on this. I found it a fascinating concept, especially in the context of karma, which also explores the idea of violence at a thought level (it does not delve into karma, but it is a personal interest of mine).

Overall, this had some solid and unique themes around ethics and justice—as well as really interesting worldbuilding, centered around this idea of a non-human (and thus ‘unbiased’) system judging humanity for their sins. I should note that this manga came after the anime—so the anime is the original work.

This was the first book I read twice. It was groundbreaking back in the ’80s. A mixture of cultures, assassins, adventure, thrills, love, sex, and passion. A huge bestseller at the time. His detail of Japanese philosophy, fighting styles, honor, and code in a modern-day world is beyond captivating.

While he went on to a huge success with dozens of bestsellers, nothing topped this. It was a lifetime of daydreaming and research that he poured out onto the page.

I read it in two days on the beach under the sun and stars. Five days later, I read it again. I couldn’t get the story out of my head.

This book, the first in the rollicking The Tales of the Otori series, has been called “Shogun meets The Lord of the Rings.” The first book centers on a young man with some special abilities who is groomed to become an assassin due to one special talent — the ability to walk silently across a special floor composed of boards that chitter like birds when stepped on, which warlords sleep in the middle of as an alarm system. The series is one of the most gripping, wildly entertaining, and moving fantasies I’ve ever read. It is proof that it is possible for an artist to come to understand a culture deeply enough to honor its spirit, even if they weren’t born into that culture.

Stephen Turnbull is one of the foremost authorities on the samurai and this book covers all of their military history. Beautifully illustrated and full of intriguing facts about the samurai and their world, this was my go-to book when writing the Young Samurai series. A fascinating read, this makes a beautiful gift for anyone with an interest in samurai or Japan.

Every good book requires research, and in the case of my book, I feel that the best source for information concerning the legendary Ninja of Japan, and their shadowy Art, comes to us by way of Stephen K. Hayes, who introduced this subject to the West through his many books. The Mystic Arts of the Ninja not only showcases the weapons and the martial arts of the Ninja (which was vital in building my character, Ms. Adelaide DeMarcy) but provides a valuable insight into their mystical practices.

This historical biography reads like an adventure story. A brilliantly researched and wonderfully written book on William Adams, one of the few foreign samurai to have ever been bestowed such an honour. This figure is not only the starting point for my series (with William Adams re-imagined as a boy in Japan) but also the template for the most classic samurai novels of all time, Shogun by James Clavell. There is so much in this book by Giles Milton that I can’t recommend it highly enough!

A classic of the ages and essential reading for any martial artist, The Book of Five Rings is a guide to self-discipline and learning. But you have to read between the lines, listen to the silences, and practice the way of the warrior yourself in order to get the most from it. The legendary swordmaster Miyamoto Musashi is the blueprint for Jack’s sensei and guardian Masamoto in my Young Samurai book.