Here are 100 books that Narcisa fans have personally recommended if you like
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Growing up in a mostly pre-Internet time, I was hungry for androgynous and queer characters and didn’t know why. Books offered an escape hatch into the heads of the people I wanted to be. As I got older, writing was how I processed this disconnect, but for a long time, my lack of clarity negatively affected many of my relationships. It was through words (mine and others’) that I learned who I am. Amongst other things, a fragile and flawed and wildly imperfect person. It’s been great to see all the wholesome, positive LGBT rep that’s come out in literature over the last years, but my heart and stories will always belong to the bad-angel queers struggling to get a foot into Heaven.
Oh man, this book! It’s everything I want: Sweet, simple, cute, nostalgic, at times, just awful. Gutterboys taught me that a book with a soul and a soundtrack and a firm jab in the gut is the type of book I want to make. Set in the 80s, Jeremy is a naïve suburban Jewish teen who falls crazy-stupid in love with a gorgeous older hustler. Colin won’t date Jeremy, but he does take him on a New York adventure that will only unhinge innocent Jeremy more and more. If you like that intoxicatingly toxic unrequited gay love, give it a go!
A twisted gay tale of unrequited love in Lower Manhattan in the early 1980s filled with scenes of humorous debauchery. Jeremy, a shy 19-year-old, falls madly in love with Colin, a disturbed yet well-read older hustler. Though Colin rejects Jeremy as a lover, he takes him on as a protégé, introducing him to the hilariously depraved world of new wave nightclubs and gay bars in the days before AIDS and the war on drugs. Innocent Jeremy, protected by the guardian spirits of his beloved dead grandmothers - one a fiery Jewish socialist, the other a proper British matron - becomes…
Growing up in a mostly pre-Internet time, I was hungry for androgynous and queer characters and didn’t know why. Books offered an escape hatch into the heads of the people I wanted to be. As I got older, writing was how I processed this disconnect, but for a long time, my lack of clarity negatively affected many of my relationships. It was through words (mine and others’) that I learned who I am. Amongst other things, a fragile and flawed and wildly imperfect person. It’s been great to see all the wholesome, positive LGBT rep that’s come out in literature over the last years, but my heart and stories will always belong to the bad-angel queers struggling to get a foot into Heaven.
The search for the self is an act of self-indulgence and that search and that act is on full display in this 60s gay classic. I adore Rechy’s prose, it’s just so different and beautiful, and although this is an old story, much of its loveliness and loneliness and promiscuity has never changed. I read City of Night and reread it for the tender, cracked characters who keep looking so patiently into every dark corner.
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara,…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
As an American artist and writer who has lived in European cities for the last decade and a half—first Berlin, now Paris—I often look for echoes of dislocation and longing in the books I read. My first published book explores the lives of people who fled other countries to arrive in a city filled with a complex and dark history.
James Baldwin is one of my favorite authors, and this book is a short, masterful look at the mechanisms behind queer shame. Two lovers, David and Giovanni, hide in a darkened room in self-imposed exile in Paris until the narrator’s sense of shame breaks their love trance.
David, an American who is engaged to a woman, cannot bear to continue his gay affair and so leaves Giovanni, prompting a confrontation with a changed reality and a tragic reckoning with the guillotine.
When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy.
United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love,…
For about five years, I became obsessed by the question of erotic possession, of the kind erotic love that would be so powerful it would be difficult to distinguish from a desire for annihilation, especially at times when one’s life seems so settled and easy. Why does this sort of love overtake a person? As I began to write my own novel addressing this theme, I read everything I could find on the subject, including many not listed here. I have become a hobbyist of the question of romantic ruination, and I am now preparing to teach a course on the subject.
Naga’s beautiful, poetic prose is pervaded with an overwhelming sense that things will end very badly.
An Arab-American woman meets a “boy from Shobrakheit,” and the two begin a damaged, damaging romance in a book that’s been described as a “postcolonial novel for the twenty-first century.”
Desire mixes up with more complicated feelings, such as pity and resentment, feelings that stem from their cultural and class differences, and their relationship, told in alternating points-of-view, is soon touched with a threat of violence—and then more than a threat—of violence.
In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a cafe in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants "returning" to a country she's never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire-for one another, for the selves they want to become through the other-takes a…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
Girl Through Glass offers readers entry into the magical and rarified world of an aspiring ballet dancer at the School of American Ballet and New York City Ballet.
For readers who love a gritty New York setting, glimpses behind the beautiful façade that ballet offers, and dark secrets, this novel has it all. Fans of My Dark Vanessa will also appreciate the #metoo elements of this story.
Long-listed for the Center for Fiction First Novel Prize
An Amazon Best Book of the Month
A Buzzfeed Most Exciting Book of the Year
A The Millions Most Anticipated Book of the Year & Bestseller
Selected as a Skimm Read
A Refinery 29 Best Book of the Year
Chosen as a Rumpus Book Club Selection
Chosen as a Bustle Best Literary Debut Novel Written By Women in the Last 5 Years
An enthralling literary debut that tells the story of a young girl’s coming of age in the cutthroat world of New York City ballet—a story of obsession and the…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
While I found Joanna Shupe from her Regency books, I heard an interview with her in which she talked about trying to write about the Gilded Age, but no publisher would take it. So to support her dream, I choose the first of her Gilded Age series—an opposites attract novel between an uptown girl and a downtown guy who works for her father and has some secrets. The spice level in this is steamy rather than erotic. I picked this because I will read a Robin Hood story with romance every time.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts.
He can solve any problem . . .
In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There's no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn't seem to understand the word danger.
She's not looking for a hero . . .
Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it-while playing a modern-day Robin Hood along the…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Let me introduce you to the wonderful world of Turano's historical romances. Playing the Part is my favorite; it is about a 19th-century New York City actress who hides away at a friend's country estate. Every character is quirky and engaging. I laughed out loud, over and over, at the myriad of crazy situations they got themselves into.
"One of the funniest voices in the inspirational genre."--Booklist
Lucetta Plum is an actress on the rise in New York City, but is forced to abandon her starring role when a fan's interest turns threatening. Lucetta's widowed friend, Abigail Hart, is delighted at the opportunity to meddle in Lucetta's life and promptly whisks her away to her grandson's estate to hide out.
Bram Haverstein may appear to simply be a somewhat eccentric gentleman of means, but a mysterious career and a secret fascination with a certain actress mean there's much more to him than society knows.
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory.
Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift?
Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.
Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . .
As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen,…
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