Here are 100 books that Mr. Pottermack's Oversight fans have personally recommended if you like
Mr. Pottermack's Oversight.
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I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
This is one of those books with three novellas that add up to a novel. The first introduces our intrepid wizard, a man happy with a beer and his laboratory tucked deep inside his castle. He does not wish to be bothered by quests, adventures, or distressed maidens.
The stories are fun and funny, and there’s enough suspense to keep me eagerly turning the pages. The main character is a bit of a bumbling fantasy version of “Columbo.” He is a wizard who can’t use violence to win, so he must use his brains.
The romantasy is told from the male POV and doesn’t occur until the last, longest story of the set. I loved all three stories and also love Frank Tuttle’s Markhat series.
All three of Wistril's magical misadventures are included in this complete compilation of cantrips and catastrophes!
Wistril Besieged --
Wizard Wistril's wants are simple -- four meals a day, a steady supply of honey-gold Upland beer, and above all else, peace and quiet.
All but the latter are in plentiful supply at Castle Kauph. Despite secreting himself on the edge of the Wild, Wistril finds himself battling an army of relentless mercenaries while the entire population of the nearest village takes refuge in his home. Even Kern, Wistril's long-suffering, sharp-tongued apprentice, isn't sure whether the army or the houseguests will…
We almost said “quirky” instead of off-kilter in this title. But quirky is becoming synonymous with cozy, which is weird because it doesn’t mean the same thing at all. So, off-kilter it is. Done well, playing with expectations makes for an especially engaging read. We’ve attempted that trick in our own Shady Hollow Mysteries, which uses the form of a traditional murder mystery, but in a world of anthropomorphic animals. So naturally we love when other authors play with the form. These five books all fit the description of “off-kilter,” and we hope you can find fun and joy in reading them.
Now here’s a fun flip on so-called “cosy” crime. Remember the twist of Columbo, the way the show started with us viewers seeing the murderer commit the crime and then allowing us to watch Columbo slowly assembled his case against them? This book by Helene Tursten and translated to English by Marlaine Delargy offers a similar vibe. Our protagonist Maud has more than one notch on her proverbial belt, and we get to hear about each killing, along with the justification for them all. All the grit you’d expect from Scandinavian crime, but with the delightful slant of this outwardly fragile old lady being the center of it all. From Sweden to South Africa, Maud makes her mark! Plus there are cookie recipes, with a distinctly Scandi-noir flavor.
Don’t let her age fool you. Maud may be nearly ninety, but if you cross her, this elderly lady is more sinister than sweet.
Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her, little old lady that she is. The truth is, ever since Maud was a girl, death has seemed to follow…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
Growing up with the German Tatort (Crime Scene) and also with Columbo and Kojak, I always wanted to revisit these entertaining crime dramas from today’s perspective. How do they fare amidst the continuing proliferation of single white men as lead detectives on network and streaming platforms (Sugar, Lincoln Lawyer, etc.) and when compared to the more diverse representation in Dark Winds, Luther, and True Detective?
Hastie’s book provided rich fodder for my lingering curiosity in covering behind-the-scenes aspects, exploring what made Columbo resonate with network viewers trained on Dragnet, and why Peter Falk’s character became such an archetypical detective figure for global television.
For decades, generations of television fans have been enraptured by Lt. Columbo, played by Peter Falk, as he unravels clues to catch killers who believe they are above the law. In her investigation of the 1970s series cocreated by Richard Levinson and William Link, Amelie Hastie explores television history through an emphasis on issues of stardom, authorship, and its interconnections with classical and New Hollywood cinema. Through close textual analysis, attentive to issues of class relations and connections to other work by Falk as well as Levinson and Link, Columbo: Make Me a Perfect Murder sees American television as an…
I’m an historian who writes novels, and an avid reader of historical murder mysteries—especially ones whose characters are affected by social, religious, and political change. Lately, I’ve been fascinated by the breakup of rural British estates between 1880 and 1925, when, in a single generation, the amount of British land owned by the aristocracy fell from 66% to perhaps 15%. I thought it might be interesting to set a “country house” mystery on one of the failing estates, with a narrator influenced by the other great change of the period: from horses to automobiles. “Interesting” was an understatement; writing it was eye-opening.
Jane and the Unpleasantness at Scargrave Manoris the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth. The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb.
For everyone who loves Jane Austen...a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth!
On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid…
I was seeking a direction for the third novel in the Bluebird series and my dates led me to Malta. Even as an avid reader of history, I knew shockingly little about the island’s tortuous punishment at the hands of Axis air forces. After much reading I was compelled to visit Malta myself, to tour the locations I would use, and ensure my fiction reflected the character of the landscape and the nature of the people that defended it so doggedly. Standing at Ta’Qali, where an airfield received in one single raid the same tonnage of bombs that crippled Coventry, I felt I’d been given permission.
George Taylor, young and Scottish, a private in the Royal Army Medical Corps, arrived in Malta in 1940, naïve to what the future held for him. Four years later he left as a cynical sergeant (and incidentally, a Master Freemason). In the interim, while letters home were heavily censored, he kept his own truths in an extensive secret diary. His candid narrative documenting the siege of Malta and the daily, pounding attacks from Axis air forces is shot through with his real anxieties for the survival of his relationship with Nettie, his fiancée back home. This is both a war story and a love story from a private world into which we have been invited by George and Nettie’s own daughter.
Four years: 3 million bombs: Zero Hour Food approaching ’The diary was kept secret because it had to be. Taylor knew he would be in trouble if it were found. There is no censor in the diary.' The Scottish Association for the Teachers of History 'Based on words and feelings recorded at the time it is probably unique.' Don Marshall, Military History Enthusiast The true story of WW2 Malta from an eye-witness account written at the time in a secret diary, a diary too dangerous to show anyone, and too precious to destroy. Four years, 3 million bombs, one small…
Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.
I am captivated by Gabby’s witty internal monologue and her unwanted contributions to investigations. Her refusal to back down from threats proves her strength and resilience.
Gabby St. Clair longs to complete her degree in forensic science, and while working as a crime scene cleaner, she uncovers clues. Fluent in sarcasm, Gabby says half of what she wants to say and adds a touch of humor and relatability to her underdog character. She yearns to complete her degree to become a licensed investigator. I am especially pleased the story has no porn or profanity.
Gabby St. Claire dropped out of school on her way to completing a degree in forensic science. Instead, she did the next best thing: she started her own crime scene cleaning business. When a routine cleaning job uncovers a murder weapon the police overlooked, she realizes that the wrong person is in jail. But the owner of the weapon is willing to do anything to keep Gabby quiet. With the help of her neighbor, Riley Thomas, Gabby plays detective. But can Riley help her before another murder occurs?
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
My career path led through tenure as a police detective working multiple death investigations and into forensic medicine, where I worked with the late Dr. Joseph Burton (a person I sensed was the smartest I had ever met) and Dr. Jan Garavaglia of “Dr. G: Medical Examiner” fame. A case of a homeless person’s murder triggered my interest in writing crime thrillers. I was hooked. To date, I have three published novels, received a contract for one, due for release in early 2025, and other manuscripts ready for submission likened to the five novels on my list.
The way Author Dornbush shares authenticity through her reflection-of-life characters and premise based on her background in the world of forensic science and medicine resonated with me.
I appreciated the way she portrayed Dr. Emily Hartford’s background (similar to the author’s), the character’s resolve for answers, and how life turned for the lone survivor of a murdered family. This one kept me involved and turning pages.
Dr. Emily Hartford is back in Chicago, ready to move forward and leave the past behind, until an unexpected request for help sends her deep into an investigation—and into the path of a killer.
Seventeen months after the Parkman case, Dr. Hartford has returned to Chicago to finish her surgical residency. But when she is contacted out of the blue by Solange McClelland, the only survivor of a decade-old triple homicide, Emily is compelled to dig deeper. She doesn’t know the details of the event but remembers it as one of the few cases her deceased father never solved.
I’m Steve R Dunn, a naval historian and author of twelve books of naval history, with two more commissioned for 2024 and 2025. As a child I used to invent naval fleets and have always loved the water. Now, I write about little-known aspects of the First World War at sea, and try to demonstrate that, despite the mass slaughter and ultimate victory on the Western Front, if Britain had lost command of the sea, the war would have been lost. The combination of recognisably modern weapons with Nelsonian command and control systems renders the naval side of WW1 endlessly fascinating to me.
This is the book that got me into naval history and made me want to be a naval historian.
Bennett was a serving officer in the RN and the son of a naval officer. He writes with pace, experience, and clarity about the major naval encounters of the First World War. It is a book that would be a good primer for anyone wanting to start the WW1 at sea journey. I purchased it in a second-hand bookshop in Cambridge and never looked back.
With the call to action stations in August 1914, the Royal Navy faced its greatest test since the time of Nelson.
This classic history of the Great War at sea combines graphic and stirring accounts of all the principal naval engagements -- battles overseas, in home waters and, for the first time, under the sea--with analysis of the strategy and tactics of both sides. Geoffrey Bennett brings these sea battles dramatically to life, and confirms the Allied navies' vital contribution to victory.
I am a Professor of modern European history at the University of San Francisco. I have written or co-edited three major books and many articles and reviews, as well as serving as a correspondent for a German newspaper. My areas of expertise are intellectual, political, military, and cultural history. I also work on the history of espionage and served as a consultant to the CIA on my last book about student radicals in Germany.
I was riveted by this revisionist history of how America got into World War I and changed American society and politics. He shows how much of American collective memory about why WWI was fought, and the perception of Germany in America was fashioned, to a large extent, by British propaganda. He also shows why Germany had no choice but to engage in unrestricted submarine warfare, which eventually brought the United States into the war.
Had the British modified the naval blockade on Germany, which starved the German population in a horrific manner, the United States might never have become involved. But Great Britain was determined to make sure Germany would never again pose a threat to its colonial overseas empire. President Wilson at first understood that American neutrality was the means by which he could have brokered peace, but British and French recalcitrance, and eventually the deaths of relatively few…
A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period
After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United…
