Here are 63 books that Mend! fans have personally recommended if you like
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My dad was an adventure traveler, so I floated down the Amazon, rode chicken busses in rural Guatemala, and stepped on the Russian Steppes before I ever saw Big Ben. All that adventure as a kid engendered an insatiable curiosity about the amazing diversity of people and cultures in this world. Sadly, when I was growing up, most children’s books didn’t reflect this diversity. Not only should all children be able to see themselves on the pages of the books they read, it’s equally important that kids see children who aren’t just like they are. Consequently, adding cultural and ethnic diversity into kids' lit has become a passion for me.
Suki is a treasure. She’s courageous and irrepressible and a perfect role model for every young girl of any nationality. Suki decides to wear a kimono to school on her first day of first grade. The kimono, a gift from her grandmother, is full of warm memories. As you can imagine, some of the other kids initially laugh at her—including her own sisters. But in the end, she wins her classmates over with an impromptu dance that captures the joy of a summer festival with her grandmother. I love how this spirited story teaches kids of any culture to embrace who they are. Stephane Jorisch’s playful watercolor and ink illustrations capture the spirit of the book perfectly.
Suki's favorite possession is her blue cotton kimono. A gift from her obachan, it holds special memories of her grandmother's visit last summer. And Suki is going to wear it on her first day back to school --- no matter what anyone says.When it's Suki's turn to share with her classmates what she did during the summer, she tells them about the street festival she attended with her obachan and the circle dance that they took part in. In fact, she gets so carried away reminiscing that she's soon humming the music and dancing away, much to the delight of…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
This is a brilliantly researched book which allowed me to accompany Sofi Thanhauser as she travelled across continents to unearth the origin and the fate of fabric production. It made me realise the terrible damage done to our environment and to communities through colonialisation, exploitation, industrialisation, and our throw-away economy. Tracking how craft is being replaced with slave labour, how traditions are being eroded, and local economies destroyed in the pursuit of cheaper and greater textile production, Worn is not a comfortable read, but it is, for me, a reminder of the human cost involved in most of what I wear.
A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet.
“We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post
In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Maria Hayward is my go-to author for all things clothing and fashion in Tudor England. In this book, she focuses on dress during Henry VIII’s reign, and the sumptuary legislation that regulated what people could wear. However, this is more than just a study of legislation. Hayward also uses wills, portraits, inventories and letters to describe and analyse the actual clothes owned by people from across the social spectrum. Of particular use to newcomers to the history of fashion is the information she provides about the different types of fabric and accessories, and her glossary.
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's…
I’ve always wanted to know why people acquire the things they choose, how they get them, and what they do with them. For years, too, I’ve been fascinated by the period when modernity was being born, a time full of worldwide exploration, the founding of new nations and societies, and the invention of new ways of making, transporting, and distributing all sorts of goods and services. I discovered that studying consumers, consumer goods, and trade from the mid-seventeenth to the late eighteenth century was the perfect way to satisfy my curiosity. The Material Atlantic is my report about what I’ve learned.
Luxury is not usually associated with slavery. But in the colonial Americas, it could be. Sometimes, because some enslaved men and women were tailors and seamstresses, and some of the clothing they created was costly. More often, however, because some enslaved people got their hands on expensive, fashionable clothing.
Historians have begun to tell this story, and few do it better than the young scholar Tamara Walker. In this superb study, Walker tracks down all sorts of sources, written and pictorial, to describe the many ways that enslaved individuals acquired fine clothing in Lima, Peru, a Spanish-American colonial capital renowned for its residents’ opulent apparel.
Exquisite Slaves adds a fresh dimension to the exciting scholarship that is revealing how marginalized groups have obtained goods usually forbidden to them.
In Exquisite Slaves, Tamara J. Walker examines how slaves used elegant clothing as a language for expressing attitudes about gender and status in the wealthy urban center of eighteenth- and nineteenth-century Lima, Peru. Drawing on traditional historical research methods, visual studies, feminist theory, and material culture scholarship, Walker argues that clothing was an emblem of not only the reach but also the limits of slaveholders' power and racial domination. Even as it acknowledges the significant limits imposed on slaves' access to elegant clothing, Exquisite Slaves also showcases the insistence and ingenuity with which slaves dressed to convey their own sense…
Fashion has been the love of my life since I was a little kid pouring over magazines and watching shows on fashion TV in the middle of the night. But I’ve always known fashion is not about clothing, its about feeling and it’s about people. That’s why I love to read the stories about people who work in fashion, who have been impacted by fashion and those who love it just as much as I do.
If you prefer something more visual when it comes to books about style, Worn in New York is certainly that.
It’s a fun look at specific pieces of clothing that were, well, worn in New York by influential people. Each one is a first-person account of a specific item and it corresponds to a photo of the piece. One of my favorites is the story and image of actress Aubrey Plaza’s page uniform that she apparently stole when she worked at NBC.
The boots a passenger had on when his plane landed on the Hudson River. The tank top Andy Warhol's assistant wore to one of their nightclub outings together. The jacket a taxi driver put on to feel safe as he worked the night shift.
These and over sixty other clothing-inspired narratives make up Worn in New York, the latest volume from New York Times bestselling author Emily Spivack. In these first-person accounts, contributors in and out of the public eye share surprising, personal, wild, poignant, and funny stories behind a piece of clothing that reminds them of a significant moment…
Fashion has been the love of my life since I was a little kid pouring over magazines and watching shows on fashion TV in the middle of the night. But I’ve always known fashion is not about clothing, its about feeling and it’s about people. That’s why I love to read the stories about people who work in fashion, who have been impacted by fashion and those who love it just as much as I do.
In Dress Code, fashion director Veronique Hyland makes the connection between clothing and our culture.
She argues that fashion is an integral part of all of our lives and explains the ways that it means so much more than the outfit hanging in our closets. The essays are great at helping the reader contextualize clothing in a world where social media and politics, inform the way we shop and style ourselves.
A New Yorker Magazine Best Book of 2022 * An Esquire Best Nonfiction Book of 2022 * A Town & Country Must-Read Book of 2022 * A Fashionista Summer Read
"Smart, funny, and impressively thorough."-The Cut
In the spirit of works by Jia Tolentino and Anne Helen Peterson, a smart and incisive essay collection centered on the fashion industry-its history, its importance, why we wear what we wear, and why it matters-from Elle Magazine's fashion features director.
Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style…
When I was a kid, I knew that my gender was different. I didn’t feel like a boy or a girl, but I didn’t know the word “nonbinary.” There were no kid’s books about people like me. I grew up with a lot of questions, which drove me to become a doctor of Women’s and Gender Studies and an expert on transgender history. Now I’m passionate about writing the kind of picture books that I needed as a child. If you want the kids in your life to understand transgender identity and feel loved whatever their gender may be, you’ll enjoy the books on my list.
When we talk about transgender pride, the voices of Native people are often nowhere to be heard. 47,000 Beads is an exception. This beautiful book tells the story of Peyton, a pow-wow dancer who has stopped feeling comfortable wearing a dress. This book helped me understand more about Indigenous children who are Two-Spirit – a pan-Native term for people whose genders are sacred in their tribal nation, but unintelligible to the white people who colonized the United States. I’m so glad I was able to read it and I hope you will be too.
Peyton loves to dance, and especially at Pow Wow, but her Auntie notices that she’s been dancing less and less. When Peyton shares that she isn't comfortable wearing a dress anymore, Auntie Eyota asks some friends for help to get Peyton what she needs.
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
The best book on mending, maintaining, and repairing clothes, ever. Beautifully written, inspirational, and easy to use, this is the definitive practical guide to all techniques related to clothing longevity.
I am nowhere near as good at mending as the author of this book, but I have found her techniques to be both practical and fairly simple, and the beautiful images make trying compelling.
Slow fashion expert Katrina Rodabaugh, bestselling author of Mending Matters, teaches readers how to mend, patch, dye, and alter clothing for an environmentally conscious, reimagined wardrobe
Slow fashion influencer Katrina Rodabaugh follows her bestselling book, Mending Matters,
with a comprehensive guide to building (and keeping) a wardrobe that
matters. Whether you want to repair your go-to jeans, refresh a favorite
garment, thrift-shop like a pro, alter or dye clothing you already
have-this book has all the know-how you'll need. Woven throughout are
stories, essays, and a slow fashion call-to-action, encouraging readers
to get involved or deepen their commitment to changing…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
I’ve long felt more powerful, confident, and chic wearing a well-cut suit. But why? Sex and Suits expressed and explained my own vague intuitions about the power of significance of clothing. Hollander explains that the suit is perhaps the most ubiquitous symbol of modernity. Discussing the evolution of fashion—particularly men’s fashion—she shows how the suit is both a practical, streamlined, and unassuming garment and the ultimate status symbol.
Since the dawn of western fashion in the Middle Ages, women's dress has never stopped evolving, yet menswear has seen far fewer style revolutions. At the centre of the male wardrobe is the suit: relatively unchanged since the 17th century, its cut and cloth suggest athleticism, seriousness, sexuality and strength - qualities which contrasted with the perceived superficiality and frivolity of female dress, and eventually led to the adoption of the suit into the female wardrobe where it remains to this day.
In Sex and Suits brilliant essayist and art critic Anne Hollander charts the development of men's and women's…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
Stylin’ tells the history of African American fashion and style. As a Black man, I have always loved the unique style of the Black community and noticed how trends that start with Black people have consistently become central to American culture. This book explains why this is; how black culture evolved in conversation and conflict with the dominant culture of white America. But it doesn’t devolve into stereotypes or typical, simplistic observations. Black style is the blues, jazz, the cakewalk but it is also refined elegance and a knowing commentary on European culture.
For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African…
