Here are 62 books that Suki's Kimono fans have personally recommended if you like
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My dad was an adventure traveler, so I floated down the Amazon, rode chicken busses in rural Guatemala, and stepped on the Russian Steppes before I ever saw Big Ben. All that adventure as a kid engendered an insatiable curiosity about the amazing diversity of people and cultures in this world. Sadly, when I was growing up, most children’s books didn’t reflect this diversity. Not only should all children be able to see themselves on the pages of the books they read, it’s equally important that kids see children who aren’t just like they are. Consequently, adding cultural and ethnic diversity into kids' lit has become a passion for me.
I know, the title sounds like a downer, especially for kids, but the book is full of new learning, acceptance, and even dealing with revenge. I loved it. And since the title already gives away the scary moment, your young reader doesn’t have to feel nervous.
The story, which takes place in Africa, is simple and powerful and even though the moment of loss is alarming and sad, the story doesn’t slide into sentimentality. In the end, Pedru, the main character, is able to put away his need for revenge and ultimately embrace lion conservation. The book transported me to Africa and lion country. It made me think, too, about hard forgiveness. The best kids’ books are ones that intrigue us as adults. Nailed.
A child, a wild animal - and a life-changing encounter. An exciting new range of books in which children find solutions to problems through conservation rather than killing.
On his way home from a fishing trip Pedru is attacked by a lion who takes his arm. As Pedru gradually adapts to his altered circumstances, at home and at school, he vows to get his revenge. So when his father, the finest hunter in the village, agrees to hunt the lion with him, Pedru is thrilled. But father and son track and kill the wrong lion - and find it's wearing…
My dad was an adventure traveler, so I floated down the Amazon, rode chicken busses in rural Guatemala, and stepped on the Russian Steppes before I ever saw Big Ben. All that adventure as a kid engendered an insatiable curiosity about the amazing diversity of people and cultures in this world. Sadly, when I was growing up, most children’s books didn’t reflect this diversity. Not only should all children be able to see themselves on the pages of the books they read, it’s equally important that kids see children who aren’t just like they are. Consequently, adding cultural and ethnic diversity into kids' lit has become a passion for me.
Mercy stole my heart from the very first page. Although more accurately, it’s Mercy’s eccentric foster aunts who did the initial stealing. Their quirky excuse notes—one says Mercy has “the collywobbles,” another that she can’t participate in inter-house cross-country because she “has a bone in her leg”—is just a taste of the humor to come. The story in this gem from South Africa is complex and surprisingly powerful with its focus on Gandhi’s response to discrimination as he traveled through South Africa and how he lived the Sanskrit word satyagraha, which means truth and polite insistence. I was fascinated by South Africa’s complicated ethnic diversity, not unlike America’s complicated diversity, which made the message of satyagraha even more potent for me.
Named a Best Middle-Grade Book of 2020 by Kirkus Reviews 2021 Outstanding International Books List, United States Board on Books for Young People Mercy lives in modern-day Pietermaritzburg, South Africa with her eccentric foster aunts-two elderly sisters so poor, they can only afford one lightbulb. A nasty housing developer is eying their house. And that same house suddenly starts falling apart-just as Aunt Flora starts falling apart. She's forgetting words, names, and even how to behave in public. Mercy tries to keep her head down at school so nobody notices her. But when a classmate frames her for stealing the…
My dad was an adventure traveler, so I floated down the Amazon, rode chicken busses in rural Guatemala, and stepped on the Russian Steppes before I ever saw Big Ben. All that adventure as a kid engendered an insatiable curiosity about the amazing diversity of people and cultures in this world. Sadly, when I was growing up, most children’s books didn’t reflect this diversity. Not only should all children be able to see themselves on the pages of the books they read, it’s equally important that kids see children who aren’t just like they are. Consequently, adding cultural and ethnic diversity into kids' lit has become a passion for me.
In the second book in this endearing series, Lauren, whohas ASD (Autism Spectrum Disorder) travels with her family so Lauren can be the flower girl in her auntie’s wedding. It takes Lauren’s family “two days, eight movies, four chapter books, and three throw-ups” to get to their destination. The book is filled with gentle humor, which helps me appreciate Lauren’s perspective while at the same time it doesn’t sugarcoat life with a child with ASD. Leach artfully balances it all: here’s the raw reality and it can be exhausting; yes, we get frazzled but we have a few strategies; and we still love our daughter. Trust me, you’ll laugh and you’ll sigh with this window into what it’s like with ASD.
Lauren and her family drive to a farm in North Dakota to visit relatives and celebrate her Aunt Jossie's wedding. But Lauren finds to her dismay that she is expected to do more than meet adults who hug her and invade her personal space. Lauren is going to be-horror of all horrors-a flower girl.
Lauren has Autism Spectrum Disorder, and she sees the world a little differently from other kids. What makes her comfortable are her routines and her coping mechanisms for her anxiety, which can get out of control in no time.…
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.
Third-grader J.D. has the entrepreneurial and problem-solving spirit I adore. Great at cutting hair, he starts a barbershop in his bedroom! But when the town barbershop loses business because J.D’s charging less than they do, they challenge him to a barber battle. The story made me laugh out loud and cheer for J.D.
Eight-year-old J.D. turns a tragic home haircut into a thriving barber business in this hilarious new illustrated chapter book series
J.D. has a big problem--it's the night before the start of third grade and his mom has just given him his first and worst home haircut. When the steady stream of insults from the entire student body of Douglass Elementary becomes too much for J.D., he takes matters into his own hands and discovers that, unlike his mom, he's a genius with the clippers. His work makes him the talk of the town and brings him enough hair business to…
I am a children’s book creator and a parent. Raising an anxious child can be challenging. Events that many children find fun and exciting can be overwhelming and scary for your child. Seemingly small changes in their daily routine can throw some youngsters into a swirl of emotions that is upsetting to them and to those who love them. When I was searching for picture books to help the young worrier in my life, I looked for books that acknowledged their distressing feelings while giving them some strategies with which to cope with their overwhelming emotions. That premise became the theme of my Maud the Koala book series.
Lena isn’t worried about the first day of kindergarten - but her shoes are. In this clever story we see various parts of Lena’s wardrobe taking on various personalities, possibly mirroring parts of Lena’s own personality. Her outgoing blue dress is ready for a new adventure, her friendly headband wants everyone to work together, of course, her fearful footwear wants to stay home. But when Lena threatens to wear her slippers to school, will her shoes muster the courage to march forward? A creative and witty book about facing your fears.
In the tradition of School’s First Day of School, debut author Keith Calabrese and Pura Belpré Award winner Juana Medina share a sweet, universal story about a clever little girl whose shoes are nervous about the first day of school.
Today is a big day! Today, Lena starts kindergarten. She is very excited. But there’s just one problem…
Lena’s shoes are nervous.
Lena doesn’t want to miss out on her first day of school, but she can’t go without her favorite shoes! How can she convince them to be brave?
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
The neoclassical style of dress—sheer, high-waisted muslin dresses that displayed a woman’s arms and eschewed traditional undergarments—that appeared in the late eighteenth century shaped European female fashions for nearly thirty years. Historians have often labeled the neoclassical movement associated with the Enlightenment and Age of Revolution as austere and masculine in its effects. However, Rauser effectively makes the case that women were at the center of 1790s neoclassicism in its most intense and embodied form, as creators and patrons—and that fashion, more so than other forms of art, reveals an era’s artistic and political culture.
Neoclassicism recast as a feminine, progressive movement through the lens of empire-style fashion, as well as related art and literature
The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing-often referred to as robe a la grecque, empire style, or "undress"-is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived:…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
Like my previous recommendation, How to Read a Dress is heavy on the visuals, but unlike my previous recommendation, this book gives you the language to describe and talk about what you’re seeing. If you’re ready to move beyond the basics and get a little more detailed in your study of fashion, How to Read a Dress is the perfect next step.
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries.
Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers will learn how garments were constructed and where their inspiration stemmed from at key…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
I’ve always wanted to know why people acquire the things they choose, how they get them, and what they do with them. For years, too, I’ve been fascinated by the period when modernity was being born, a time full of worldwide exploration, the founding of new nations and societies, and the invention of new ways of making, transporting, and distributing all sorts of goods and services. I discovered that studying consumers, consumer goods, and trade from the mid-seventeenth to the late eighteenth century was the perfect way to satisfy my curiosity. The Material Atlantic is my report about what I’ve learned.
When we think of fashion, we tend to envisage attention-getting, usually very expensive clothing. And because many of those pieces have been carefully preserved, most historical works also focus on costly luxury apparel.
But as John Styles, one of today’s most imaginative historians, demonstrates in this gorgeous book, fashion is not just a matter of big-name designers who show in Milan, Paris, or New York. Having discovered a wealth of new sources—fabric swatches pinned onto orphan records are just one of them—Styles reconstructs the ways in which ordinary Britons created apparel styles during the first “Consumer Revolution.”
This inventive and lucid book sheds new light on topics as diverse as crime, authority, and retailing in eighteenth-century Britain, and makes a major contribution to broader debates around consumerism, popular culture, and material life.
The material lives of ordinary English men and women were transformed in the years following the restoration of Charles II in 1660. Tea and sugar, the fruits of British mercantile and colonial expansion, altered their diets. Pendulum clocks and Staffordshire pottery, the products of British manufacturing ingenuity, enriched their homes. But it was in their clothing that ordinary people enjoyed the greatest change in their…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
