Fans pick 100 books like Lincoln and Douglas

I read a lot, and this book always shows up in my top five all-time favorites.

Lovingly written, Blight draws a compelling picture of a complex, endlessly fascinating human being. I love the power of Douglass’s words and voice. In my opinion, this is a great book about the man who arguably may be the greatest African American our country has produced. He was a voice for social justice in a time and place where speaking up brought real physical risk. 

If you can read only one book on Lincoln, this is the one I would choose. In my opinion—as well as that of many professional historians—it is the best book ever written to examine why Lincoln waited two years after becoming president to issue the Emancipation Proclamation. In this brilliant and elegantly written book, a Pulitzer Prize historian argues, entirely convincingly, that the need to keep together his pro-union coalition required Lincon to proceed very cautiously.

To be sure, Foner writes that while Lincoln’s long-held anti-slavery convictions were not in doubt, he also initially shared the racist attitudes that black people were not ready for full freedom. However, Foner emphasizes that as Lincoln grew in office, his beliefs increasingly moved towards those of Frederick Douglass—whom Lincoln came to greatly admire—and other full-fledged abolitionists.

Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.

Lincoln’s religious faith, a puzzle to many, has been a central interest of mine. As a young man Lincoln was accused of infidelity; in maturity he made no religious profession. Yet he read and reread the Bible, attended church in Washington, reflected on God’s purposes, and shared ideas with ministers. White has written several studies of Lincoln, including a fine biography, but none surpasses this bright gem of a book. He explains why Lincoln considered his second inaugural address, delivered as the war ended, to be his greatest speech—a sermon rooted in faith. Believing the war to be God’s judgment on the whole nation for its complicity in the sin of slavery, he urged postwar charity to all. Fittingly, its text is paired with the Gettysburg Address in the Lincoln Memorial.  

Nothing equals this short introduction to Lincoln’s experience in the 1850s. One gains here an understanding of what Springfield on the urban frontier of America was all about, its muddy streets and yet remarkable collection of politicians like Lincoln and Stephen Douglas. It was truly an Athens on the prairie. Fehrenbacher also masterfully traces the role of circuit riding in Lincoln’s law career throughout the decade, as well as his keen sense of the nation’s crisis over slavery, especially after 1854. The book is very readable and accessible.

Chicago is where I grew up watching the fascinating interplay between the so-called forces of law and order battle the criminal element. It wasn’t much of a battle unless the law-and-order guys and the crooks found themselves reaching for the same loot. Mike Royko’s book describes very well the interplay. On a personal note, I once worked for one of the Illinois governors who ran as a reform candidate. He ended up going to jail on a fraud scheme.

Mary Todd Lincoln has been seriously misunderstood by most observers (including her most recent biographer). She was in fact a smart, lively, well-educated woman whom Lincoln loved and to whom he was emotionally drawn. Her troubled personality led to some distance between her and her husband in the 1850s, and her post-assassination despair grew in large part from the unrelenting criticism she endured. This definitive collection of her letters, interspersed with excellent biographical information, contextualizes the documents in a highly readable volume. Mary Todd Lincoln deserves our close and sympathetic attention.

I found this book to be one of the best introductions to the endless dilemmas surrounding free speech. In the first half of the twentieth century, anxieties about free speech in the United States were triggered mostly on the left, with government attempts to stifle socialists and communists culminating in Senator Joseph McCarthy’s witch hunts, damaging and even destroying thousands of lives and careers.

Philippa Strum shows how, after the 1950s, this completely changed. The government’s increasing focus on far-right speech became an issue of burning importance when residents of a small Illinois town, home to Holocaust survivors, tried to block a Nazi march–and the courts said “No” in the name of free speech.

Lots of blood and guts in this book. It’s 1916, and Howard is learning what happened to his family back in 1861. That’s when a pair of young women stepped off a Mississippi River steamboat, and into a tiny town on the Illinois side. The townsfolk - noting the elegance of one girl, and the dark skin of the other - decide they are seeing a mistress and her slave, and go back to arguing about what really interests them: which of their boys are going to fight for the North? Which are going to fight for the South? The Pruitt family has the same concerns - and makes the same assumptions - as everybody else. But in wartime, everything can be turned upside down.

This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.