Here are 86 books that Land of Hills and Valleys fans have personally recommended if you like
Land of Hills and Valleys.
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Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
I read this book for the first time when I was probably nine or ten and I think this was one of the books that really started it all. It put words to what I felt about the West...the glory of the wide plains, the kind of guts it took to survive, the love of a boy and a horse, and the lengths they would go for each other. It's a perfectly wistful and beautiful western.
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
Louis L'Amour wrote dozens of novels about the West but this one I loved because of the sweet wistfulness that was contrasted with the harsh reality of frontier living. Evie Teal is a widow whose husband rode out for cattle and never came back, leaving her alone in the wilderness with two children and only guesses as to how he could have died. Conn Conagher is a poetry-loving, quiet cowboy who hasn't much but his integrity and good name. Neither thinks the other could possibly be interested in them, and the quiet, understated love story just draws you in.
As far as the eye can see is a vast, empty horizon. Evie Teale has finally accepted that her husband won’t be coming home. To make ends meet she runs a temporary stage station. But though she is diligent and careful, Evie must prepare for the day when the passengers no longer come and she must protect her children in an untamed country where’s it’s far easier to die than to live.
Miles away, another solitary soul battles for survival. Conagher is a lean, dark-eyed drifter who is not about to let a gang of rustlers push him around. While…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
This book follows a young widow traveling westward with her extended family and her journey to find love and purpose again. It takes a hard and honest look at the kind of challenges that people in that time period faced, but through hardships and staggering loss she finds hope and belonging in a beautiful and deadly landscape.
In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.
The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.
But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
This historical fiction novel features nineteen-year-old Jim Keath, born white, but rescued and adopted by the Crow when he was badly wounded by a bear. He lives as a trapper now, avoiding both sides of his life, but when his younger siblings write to him, asking for his help in staking a land claim, he can't run from his past anymore. The story deals beautifully and honestly with human nature, the harsh realities of survival in Oregon Territory, and the importance of family. And the stark western landscape plays a large part in the story.
I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.
This book of essays are meditations on her life in Wyoming. Part travelogue, part memoir, it drew me in with its gorgeous language, evocative images, and insights into a landscape and lifestyle about which I knew nothing.
Erlich is a filmmaker, and her descriptions of people and places are as vivid as any I’ve ever seen on film or read in any book.
A collection of transcendent, lyrical essays on life in the American West, the classic companion to Gretel Ehrlich's new book, Unsolaced
"Wyoming has found its Whitman." -Annie Dillard
Poet and filmmaker Gretel Ehrlich went to Wyoming in 1975 to make the first in a series of documentaries when her partner died. Ehrlich stayed on and found she couldn't leave. The Solace of Open Spaces is a chronicle of her first years on "the planet of Wyoming," a personal journey into a place, a feeling, and a way of life.
Ehrlich captures both the otherworldly beauty and cruelty of the natural…
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Jordan’s memoir strikes close to my heart: parents, like mine, who encourage their children to better their lives by leaving their homes, going to college, working at fulfilling jobs, and building loving families. But where does that leave the family ranch? As in my own family, Jordan’s parents sell it when there is no one to return and take over the hard, often unrewarding work. In this beautifully written, poignant work, Jordan explores her ancestors, neighbors, and her own time on the ranch, and she makes the reader feel just how deep her grief is over the loss of her heritage and, especially, the land. Be ready to cry.
The daughter and granddaughter of Wyoming ranchers, Teresa Jordan gives us a lyrical and superbly evocative book that is at once a family chronicle and a eulogy for the land her people helped shape and in time were forced to leave. Author readings.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.
From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.
Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the…
I was born in a little shipbuilding town in Scotland but, like everyone else in the world back then, I grew up in the American West. These were the stories we all grew up with – burned into our imaginations along with stories from the Bible or the Greek myths. Nowadays, the West is still important to me – but today it is the personal accounts of the West that interest me most – the personal diaries and eye-witness accounts of the brides, the doctors, teachers, mothers, children, who experienced the West first-hand.
The hard-drinking, cigar-smoking, cross-dressing heroine of the American West continues to keep a python grip on the imagination.“I’m a howling coyote from Bitter Creek, the further up you go the worse it gets and I’m from the headwaters,” she used to rap. Calamity fascinates because she is a self-made myth and Linda Jucovy’s biography is an informed and insightful exploration of that myth.
“Who in the world would think that Calamity Jane would get to be such a famous person?” one of the pallbearers at her funeral asked an interviewer many years later. It seemed like a reasonable question. Who else has accomplished so little by conventional standards and yet achieved such enduring fame?
But conventional standards do not apply. Calamity was poor, uneducated, and an alcoholic. For decades, she wandered through the small towns and empty spaces of the Dakotas, Wyoming, and Montana. But she also had a natural talent for self-invention. She created a story about herself and promoted it tirelessly…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
How do we overcome the most wild and unforgiving shadows of our personal and communal life together? If anyone can help us more closely understand our lack of understanding of one another, it is the Pulitzer Prize winning novelist and short story writer, Richard Ford. The spare beauty of Wildlife(Ford’s homage to the dark force of lost love), is in close attunement with his cult classic of short story lore, Rock Springs. Ford’s subtlety and power as an artist are irrevocably tied to the uncommon life-giving capacity he shapes in us when we give ourselves to the ancient wisdom of this story collection.
Ten “beautifully imagined and crafted stories” of the American West by the Pulitzer Prize–winning author of Independence Day (Joyce Carol Oates).
In these ten exquisite stories, Richard Ford explores the wind-scrubbed landscape of the American West and the guarded hopes and gnawing loneliness of the people who live there: a refugee from justice driving across Wyoming with his daughter and girlfriend in a stolen Mercedes; a boy watching his family dissolve in a night of tragicomic violence; and two men and a woman swapping hard-luck stories in a frontier bar as they try to sweeten their luck.
Two instincts drive this list, one “writerly” and one about being human: 1) all good fiction maximizes various kinds of tension, particularly between people, and unusual or unexpected character pairings offer rich tensions; 2) I think we live in times when we are in desperate need of human kindness and must recognize that people from very different backgrounds can come together in their humanity. I love novels with complex characters and in books, as in life, I like to see people grow and change, and a big part of change is letting other people into your life.
I am a sucker for stories of redemption, especially those that show even the most entrenched people are capable of change.
Make the agent of change a child, and you’ve got me for sure. Place the story in the hands of a lyrical writer and then locate it in the hard-loved, haunting beauty of my native state—Wyoming—and it’s a hopeless match.
An Unfinished Life tells of the escape from an abusive boyfriend by Jean Gilkyson and her ten-year-old daughter Griff. With nowhere left to go, they take refuge with Jean's estranged father-in-law, Einar, a more-than-reluctant host who blames Jean for the death of his son.
Griff is the transformative agent, falling in love with Einar’s sprawling ranch and quiet way of life, and eventually, with the grandfather she didn’t know she had.
Hailed by Kent Haruf as 'one of the truest and most original new voices in American letters', Mark Spragg now tells the story of a complex, prodigal homecoming. Jean Gilkyson, pregnant when her husband was killed, is raising their daughter Griff when, in an Iowa trailerhouse with yet another brutal boyfriend, she realizes this can't go on. But the only refuge available is a town in Wyoming where her loved ones are dead and her father-in-law wishes she was too. For a decade he has blamed her for his son's death, choosing to go on living himself largely because his…
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