Here are 100 books that Japanization fans have personally recommended if you like
Japanization.
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Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.
This is a thoughtful and well-written account of Japan's history since the Meiji restoration. The book is enlivened by multiple narrative themes, from feminism to socialism, most of which run counter to the official government version of the nation's history.
This is a fresh and surprising account of Japan's culture from the 'opening up' of the country in the mid-nineteenth century to the present.
'How much I admired it, what a lot I learned from it and, above all, how very much I enjoyed it ... Masterly.' Neil MacGregor
It is told through the eyes of people who greeted this change not with the confidence and grasping ambition of Japan's modernizers and nationalists, but with resistance, conflict, distress.
We encounter writers of dramas, ghost stories and crime novels where modernity itself is the tragedy, the ghoul and the bad guy;…
I write about Asia, where I have spent a chunk of my life. My non-fiction reporting has centered on Beijing's territorial ambitions, including its ongoing takeover of the South China Sea, which in a sense was prefigured by the plot of my novel Performance Anomalies. The main character, Cono 7Q, has been pecking at my brain for many years, abetted by my brushes with spooks in the underbelly of Central Asia and China. I use a pen name so my travel in certain countries can be less encumbered.
Soviet master spy Richard Sorge's high-level infiltration of the Japanese government and German embassy in Tokyo during WW2 enabled him to warn Stalin that Hitler was going to invade Russia (ignored) and that Japan would not invade Siberia (believed). The latter intel allowed Stalin to call his Eastern army to reinforce Moscow and reverse Hitler's march. As remarkable as these feats of espionage were, perhaps Sorge's greatest achievement originated years earlier in Shanghai, where he captivated and recruited Ursula Kuczynski (who became Agent Sonya) to spy for the Soviets, which ultimately brought them The Bomb. Sorge had a penchant for drunken high-speed motorcycle rides across Tokyo and almost killed himself. In the end, the Kempetai took care of that; he was unmasked and hanged in Sugamo Prison in 1944, abandoned by the Soviets.
SHORTLISTED FOR THE PUSHKIN HOUSE PRIZE
'The most formidable spy in history' Ian Fleming
'A superb biography ... More than a hundred books have been written about him and this is undoubtedly the best' Ben Macintyre
Richard Sorge was a man with two homelands. Born of a German father and a Russian mother in Baku in 1895, he moved in a world of shifting alliances and infinite possibility. A member of the angry and deluded generation who found new, radical faiths after their experiences on the battlefields of the First World War, Sorge became a fanatical communist - and the…
Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.
Buruma compares how the Japanese and Germans view their World War II behaviour and actions, with particular attention given to memories of Auschwitz, Hiroshima, and Nanking. While Germany was preoccupied after the war with atoning for its past sins, Japan swept them under the carpet. Buruma explains how, why and what this means for today's younger generation.
In this highly original and now classic text, Ian Buruma explores and compares how Germany and Japan have attempted to come to terms with their violent pasts, and investigates the painful realities of living with guilt, and with its denial.
As Buruma travels through both countries, he encounters people whose honesty in confronting their past is strikingly brave, and others who astonish by the ingenuity of their evasions of responsibility. In Auschwitz, Berlin, Hiroshima and Tokyo he explores the contradictory attitudes of scholars, politicians and survivors towards World War II and visits the contrasting monuments that commemorate the atrocities of…
Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.
Many British, Australians, Canadians, Dutch, and Americans have written about their appalling treatment by the Japanese as POWs during World War II. Urquhart's account is one of the more compelling, all the more so because he waited for more than 60 years to tell this harrowing, anecdote-rich story.
Alistair Urquhart was a soldier in the Gordon Highlanders captured by the Japanese in Singapore. He not only survived working on the notorious Bridge on the River Kwai , but he was subsequently taken on one of the Japanese 'hellships' which was torpedoed. Nearly everyone else on board died and Urquhart spent 5 days alone on a raft in the South China Sea before being rescued by a whaling ship. He was taken to Japan and then forced to work in a mine near Nagasaki. Two months later a nuclear bomb dropped just ten miles away ...This is the extraordinary…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Though potentially incomplete (some scholars argue we're missing one or two chapters, or that the story was never meant to end), The Tale of Genji manages to paint a vivid picture of the life of a lost age, with its own array of traditions, values, and fashions; a world where one's skill with poetry was just as valuable as political acumen and their outlook is so different from a modern perspective. At the same time, it presents the timeless complexity of relationships between men and women, and the social expectations and norms that impact those connections.
Written centuries before the time of Shakespeare and even Chaucer, The Tale of Genji marks the birth of the novel and after more than a millennium, this seminal work continues to enchant readers throughout the world. Lady Murasaki Shikibu and her tale's hero, Prince Genji, have had an unmatched influence on Japanese culture. Prince Genji manifests what was to become an image of the ideal Heian era courtier: gentle and passionate. Genji is also a master poet, dancer, musician and painter. The Tale of Genji follows Prince Genji through his many loves, and varied passions. This book has influenced not…
As an undergraduate at the University of Leeds in the 1960s the principal influence on my life and thinking was Trevor Ling an Anglican Priest and Buddhist who eventually became a Professor of comparative religion at the University of Manchester. He was the start of my research on Islam and Asia and my peripatetic career having lived in Scotland, Germany, Holland, America, Australia and Singapore. I became a professor of the sociology of religion in the Asia Research Center at the National University of Singapore. I have published two books on Singapore, a handbook of religions in Asia, and several works on the body, medicine, ageing and human vulnerability.
Most of us probably grew up with the idea that above all Buddhism rejects the body to attain spiritualty. It is actually the reverse. This study looks at the idea of the materiality of Buddhist texts (sutras) and the narratives and sermons that accompany them (setsuwa). Both body and book are corruptible , and hence great efforts are made to protect these ancient texts. Eubanks argues that there is an intimate connection between book and body as matter. The human body (especially the brain) is thus a container of Buddhist teaching. Scroll and stupa are critical for protecting this precious wisdom of the Buddha. Body and book are the witnesses to our suffering and impermanence. The stupa may contain the relics of past buddhas (and ash) just as the scroll contains the wisdom of buddha teaching.
Miracles of Book and Body is the first book to explore the intersection of two key genres of sacred literature in medieval Japan: sutras, or sacred Buddhist texts, and setsuwa, or "explanatory tales," used in sermons and collected in written compilations. For most of East Asia, Buddhist sutras were written in classical Chinese and inaccessible to many devotees. How, then, did such devotees access these texts? Charlotte D. Eubanks argues that the medieval genre of "explanatory tales" illuminates the link between human body (devotee) and sacred text (sutra). Her highly original approach to understanding Buddhist textuality focuses on the sensual…
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
Both the Italians and the Japanese are obsessed with food, and I’m an Italian living in Japan. You do the math. My first shocking encounter with sushi notwithstanding (I mistook wasabi for some kind of green mayonnaise) I love Japanese cuisine, and anime stories are full of people eating all kinds of food.
If you have found yourself watching an anime and wishing that you could taste a particular dish, with this book you can go one step further: you can make it yourself. Here you will find simple but detailed instructions on how to make lots of Japanese dishes, and their connections with a particular anime title. I wish I owned this book when I first entered Otakudom.
Experience the World of Japanese Pop Culture Through a Whole New Medium-Japanese Food!
#1 New Release in Animated Humor & Entertainment
With dishes inspired by otaku culture, this cookbook brings Japanese anime and manga to chefs of all levels.
Experience Japanese culture like never before. Japan fever has taken the West by storm. Praised for its attention to detail, it's no wonder that some of the most appealing images are colorfully culinary. From beautifully animated bowls of ramen and curry to cakes and confectionery, Japanese food culture never looked so good. If only you could reach out and take a…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
Japan is full of figures from its own history that loves to villainize, and few of them stand out, like Taira no Kiyomori. This prose retelling of the original epic covers the rise and fall of the Taira Clan is full of politics, scheming, ruthlessness, and more than a few bloody battles. Kiyomori is someone I can understand the motivations of, even as I condemn him for his tactics and monstrous actions. The Heike Story is the bloodstained and muddy underbelly that emerges as the samurai warrior class rises to prominence and the power of the old aristocracy wanes.
Kyoto in the twelfth century was a magnificent city, but crime, disorder, and lust were rampant. The people were abused by the nobility, while the armed Buddhist monks terrorized court and commoner alike. In despair, the Emperor called upon the Heike and Genji clans to quell civil disturbances. Although the clans succeeded, they quarreled over the spoils of war and plunged the country into a century of warfare.This novel describes the rise to power of Kiyomori of the Heike clan during this turbulent time. From a youth sunk in poverty, Kiyomori eventually rose to become the Emperor's Chief Councillor. Although…
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
A legal scholar and a political scientist, both Americans who grew up in Japan, explain Meiji and Taisho political history from the standpoint of rational calculation by the leading politicians. This is a convincing narrative of the birth of parliamentary government and the emergence of political parties under the Meiji constitution, 1889 to 1947. The authors explain how the leaders of the various political parties were pursuing their own selfish ends—perpetuation of their own power and status. Without intending to do so, those politicians created a political structure that extremist cliques in Japan’s armed forces were able to subvert.
I especially like this book because it avoids the trap that so many others fall into of imputing benign motives to a nebulous but omnipotent entity spinning out government policies—a “development state,” or whatever you might call it, a cadre of unnamed “policy-makers” who are guided by the abstract arguments of…
In the latter-half of the nineteenth century and the first half of the twentieth century, Japan underwent two major shifts in political control. In the 1910s, the power of the oligarchy was eclipsed by that of a larger group of professional politicians; in the 1930s, the focus of power shifted again, this time to a set of independent military leaders. In this book, Ramseyer and Rosenbluth examine a key question of modern Japanese politics: why the Meiji oligarchs were unable to design institutions capable of protecting their power. The authors question why the oligarchs chose the political institutions they did,…
