Here are 99 books that Intervention fans have personally recommended if you like
Intervention.
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Science Fiction can explore many themes, including relationships, philosophy, politics, and more. While this is common to many genres, SF is unique in that it also focuses on science-based “what ifs.” What if we could travel to distant stars? What if we could visit the past? The theme of “what if” hinges upon the forward progress of science. This explores the realm of the possible… a realm for which I am passionate.
Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.
The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!
The first novel in Kim Stanley Robinson's massively successful and lavishly praised Mars trilogy. 'The ultimate in future history' Daily Mail
Mars - the barren, forbidding planet that epitomises mankind's dreams of space conquest.
From the first pioneers who looked back at Earth and saw a small blue star, to the first colonists - hand-picked scientists with the skills necessary to create life from cold desert - Red Mars is the story of a new genesis.
It is also the story of how Man must struggle against his own self-destructive mechanisms to achieve his dreams: before he even sets foot…
There were 3.7 billion people on Earth when I was born. By November 2022, there will be 8 billion. I am fascinated and terrified by this growth. I love stories that address this issue head-on, be it colonisation of other planets, compulsory euthanasia, or uploading consciousness into machines. When I started writing, I didn’t realise how I was bringing these themes together—I was writing a book I’d love to read. Now I can see those influences, and I am grateful for the authors who have shaped my thinking and my work.
Coyote is a habitable moon orbiting Bear, a gas giant forty light years away. Earth’s first interstellar ship is hijacked by a group of engineers and scientists, usurping the post-US government loyalists who intend to make Coyote their home.
This book speaks to the aspirational me, the part that wants to evolve beyond Earth and build a new future, a better future, but inevitably the hubris of modern man threatens to destroy paradise. It’s a conceptually magnificent colonisation book built on plausible science, yet its success lies in the characters’ need to work together to conquer a seemingly benign world. I frequently revisit Coyote because it’s a great story, brilliantly told, and it makes me gaze at the stars.
Coyote marks a dramatic new turn in the career of Allen Steele, Hugo Award-winning author of Chronospace. Epic in scope, passionate in its conviction, and set against a backdrop of plausible events, it tells the brilliant story of Earth’s first interstellar colonists—and the mysterious planet that becomes their home…
There were 3.7 billion people on Earth when I was born. By November 2022, there will be 8 billion. I am fascinated and terrified by this growth. I love stories that address this issue head-on, be it colonisation of other planets, compulsory euthanasia, or uploading consciousness into machines. When I started writing, I didn’t realise how I was bringing these themes together—I was writing a book I’d love to read. Now I can see those influences, and I am grateful for the authors who have shaped my thinking and my work.
Dayworld is an elegant but dystopic solution to a possible future population crisis and one that keeps me thinking about how we should restrain ourselves. Humanity can only endure overpopulation by placing people into suspended animation six days a week. Jeff Carid is a rebel and a daybreaker, living a different life each day as he illegally moves through the week. But, when Jeff’s ability to segregate his seven lives deteriorates, the rebels realise they can’t trust him.
I love how Jeff slips from Tuesday-World to Wednesday-World, etc., easing into distinct personalities. This story made me realise different cultures exist in the same place, often never noticing each other, which we see when Jeff looks back with distaste at a previous day’s persona.
In the year 3000 a remedy has been found for the world's overpopulation. For six days out of seven, everyone is kept in hibernation; on the 7th day they emerge - to live for a day. In this way the world can support a population whose one-day-a-week lives span hundreds of years.
I am a lifelong fan of all things post-apocalyptic. Books, movies, television, games – I have enjoyed all of it. I knew I wanted to write post-apocalyptic fiction before I was ten years old. I had to wait almost three decades before life gave me the opportunity to do it. I’ve always been fascinated by the many different ways people can survive these kinds of catastrophes. As dark and visceral as the genre can sometimes be, I will always look for the elements of hope.
This book embodies many of my favorite features of post-apocalyptic fiction—everything from rogue AI and hazardous underground encounters to trekking across devastated hellscapes. The concept of “Sanctuary” and its mythical connotations made a significant impression on me. The idea that there was a safe place, regardless of how bad things got, appealed to my sense of fairness in the universe and reinforced the idea that there is always hope.
The bestselling dystopian novel that inspired the 1970s science-fiction classic starring Michael York, Jenny Agutter, and Richard Jordan.
In 2116, it is against the law to live beyond the age of twenty-one years. When the crystal flower in the palm of your hand turns from red to black, you have reached your Lastday and you must report to a Sleepshop for processing. But the human will to survive is strong—stronger than any mere law.
Logan 3 is a Sandman, an enforcer who hunts down those Runners who refuse to accept Deep Sleep. The day before Logan’s palmflower shifts to black,…
I was an avid reader growing up, but I never saw myself reflected unless it was a book about the Holocaust. Those are crucial stories to tell, but I wanted a Jewish girl going through a wardrobe to a secret land or having magical adventures. So, I decided to write those stories for women and combine them with steamy romance, because I love that, too. All my main characters are Jewish, and I draw from Judaism and Jewish folklore for my worldbuilding and magic systems. It's also important for me to showcase my diverse hometown of Vancouver. To that end, my characters are of varying ethnicities and sexual identities.
Neely has an incredibly interesting magic power as a telepath spiker, but stays under the radar running a Mexican bakery with her uncle. I was swooning as much for her delicious pastries as for the sexy alpha werewolf. It’s great to see a proud Afro-Latina woman take the lead in an urban fantasy, and the authentic cultural touches that Rider brings to her storytelling immerses us fully in her worldbuilding. The author does a great job with Neely’s growth as she becomes more and more confident as a badass, reclaiming the hero status in her own life instead of hiding in the shadows.
My name is Neely and I'm a telepath-spiker. Not only can I read a person's thoughts, I can also spike deadly power straight into their brain.
But don't worry, I have strict rules about that sort of thing.
I'm hiding again. This time in a California desert truck stop town run by Lucas Blacke, a tiger shifter and alpha leader who's as handsome as Lucifer and twice as slippery. I've been running from alphas like him my whole life. They either want to own me or kill me—there is no middle ground.
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
For those who don’t want to read a novel length but want to experience worlds beyond worlds, this book I would recommend, a neat short story where the protagonist uses the multiverse as a form of self-discovery, experiences he would never have in his own life and considers to a change of character.
Might not be a full-blown adventure, but a calmer mundane life experience, relatable while simplifying the multiverse without any complexities.
This set of books helped to form my character and my sense of possibility. I think the same passion for these stories and ideas has led me to study the unconscious and dreams. I also am passionate about the earth and caring for nature; the Elven magic deepened my sense of its sacredness while stretching my mind into the fun of creating magical realms. I think it’s a moral code but also a playful way of thinking and being. Other ways I’ve continued from these works, coupled with my love of language, is an extensive study of the Ancient Futhark, the runes, which have magical power in Tolkien’s Middle Earth.
This book carried a concept of shared thought that enchanted me. Colonists find themselves marooned on a planet of simple technologies. At a certain season, a flower sends pollen through the air that causes special connective telepathy and healing powers. They form a society based on royal families but there’s a group that melds minds which is beautifully depicted. This series raised in me a fascination with the idea of closeness of mind and connection. Amid the challenges of a primitive society blended with increasing amounts of outer, technologically advanced influence as their planet is eventually discovered, the mind is shown to still be the most powerful.
We all need to understand more about how the world ticks, who is in control, and why they act as they do. And we need to salute those of courage who refuse to go along with the flow in a craven or unthinking way. I was an MP for 18 years and a government minister at the Department for Transport with a portfolio that included rail, bus, active travel, and then at the Home Office as Crime Prevention minister. After leaving Parliament, I became managing director of The Big Lemon, an environmentally friendly bus and coach company in Brighton. I now act as an advisor to the Campaign for Better Transport, am a regular columnist and broadcaster, and undertake consultancy and lecturing work.
Have you ever sat on the top deck of a bus and stared hard at someone on the pavement below. It is surprising how often that person will then look up at you. How does this work? Rupert Sheldrake’s book delves deeply into such matters, ones for which there must be scientific explanations but which the traditional conservative scientist in a white coat dismisses without looking into the matter. Too many scientists, it seems, prefer the comfort of the status quo. We haven’t really moved on much from when Galileo was rubbished for suggesting the earth goes around the sun. Rupert Sheldrake reveals more about the human than we knew before.
Explores Rupert Sheldrake’s more than 25 years of research into telepathy, staring and intention, precognition, and animal premonitions
• Shows that unexplained human abilities--such as the sense of being stared at and phone telepathy--are not paranormal but normal, part of our biological nature
• Draws on more than 5,000 case histories, 4,000 questionnaire responses, and the results of experiments carried out with more than 20,000 people
• Reveals that our minds and intentions extend beyond our brains into the world around us and even into the future
Nearly everyone has experienced the feeling of being watched or had their stare…
I’m still in love with good sci-fi and fantasy after 30 years, but folk can get most terribly sniffy about it: ‘Lack of character’, ‘leaden exposition’, the list of accusations rolls on (sadly, a chunk of today’s SFF earns it). But. Every so often a work pops up that looks to the unwary book clubber like a ‘proper novel’; beneath its sexy but abstract cover and pared-back blurb lies a world of adventure that’s like LSD in an innocent mug of tea. Some writers just refuse to accept that speculation (about time and/ or space) needs to sacrifice truth. I’ve picked a few books that stand out to me for this reason – debate their merits with gusto, preferably over a good Martini at 2am.
Harkaway has serious literary pedigree but is determined to put exactly what he damn well likes in his books. Gnomon is labyrinthine, its characters sizzle with personality and it is set in researched, vibrant worlds that reek of authenticity, from antiquity to modern-day Greece. It’s also, partly, set in a dystopian, ultra-surveillance future (an arch glance at the political developments of recent years) and shamelessly combines mysticism, time-bending, and no shortage of sharks. Its rejection of convention but adherence to good, thoughtful writing is one hell of a ride.
'Gnomon is an extraordinary novel, and one I can't stop thinking about some weeks after I read it. It is deeply troubling, magnificently strange, and an exhilarating read.' Emily St. John Mandel, author of Station Eleven
'The best thing he's ever written ... It is an astonishing piece of construction, complex and witty ... It is a magnificent achievement ... He's never written a bad book, but this is the one that'll see him mentioned in the same breath as William Gibson and David Mitchell ... This book seriously just destroyed me with joy.'…
I’m a writer who grew up reading anything she could get her hands on, and the local library and I were besties. If most writers can point to a particular book that made them fall in love with stories, then I must be one promiscuous reader. Because I’m happy to date just about any genre, and I don’t even keep to one at a time—you name it, I’ve loved it. But the ex I’ll return to over and over is romance in all its forms. And on a chilly night, nothing beats a spooky romance, so light a candle, huddle under a blanket, and get cozy with one of my favorites!
Rejoice, for Mary Stewart’s wonderful books are finally available on Kindle! If Victoria Holt was fun but derivative, Mary Stewart knew how to do a fresh take on the imperiled-heroine-in-a-creepy-setting for the 20th century. And out of all her books,Touch Not the Cat was my favorite for its supernatural, telepathic element. (You can trace the echoes of this telepathy directly to my book because, baby, that’s what inspired them.) Just writing this paragraph makes me want to drop everything and go have a re-read. Enjoy.
'A comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors.' Harriet Evans
Ashley Court: the tumbledown ancestral home of the Ashley family, all blessed with 'the gift' of being able to speak to each other without words. When Bryony Ashley's father dies under mysterious circumstances, his final words a cryptic warning to her, Bryony returns from abroad to uncover Ashley Court's secrets. What did her father's message mean? What lies at the centre of the overgrown maze in the gardens? And who is trying to prevent Bryony from discovering the truth?