Here are 11 books that Indigo Voss fans have personally recommended if you like
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Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Probably my favourite book, this is BS Johnson’s most fun novel. It’s about a man who decides the world is in debt to him, and sets out to redress the balance, often murderously. Johnson doesn’t so much break the fourth wall as grind it up for pudding. Christie Malry’s Own Double-Entry is very dark, very funny, and a small masterpiece.
Christie Malry is a simple person. Born into a family without money, he realised early along in the game that the best way to come by money was to place himself next to it. So he took a job as a very junior bank clerk in a very stuffy bank. It was at the bank that Christie discovered the principles of double-entry book keeping, from which he evolved his Great Idea. For every offence Christy henceforth received at the hands of a society with which he was clearly out of step, a debit must be noted; after which, society would…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
A unicorn believes she’s the last of her kind and undertakes a quest to find where the others have gone. This might be my favorite book!
It plays with the fantasy genre in a way that few books can. It seamlessly mixes the whimsical with the mundane and it gives us memorable characters who are unique twists on old tropes.
What I love most about this book is seeing life through the eyes of the unicorn protagonist. She’s a timeless creature—unaging, unchanging—who finds navigating a mortal world to be puzzling, inconvenient, and, at times, terrifying.
Can you imagine being immortal and suddenly being forced to confront your own impossible mortality? Read this book and you will.
Experience one of the most enduring classics of the twentieth century and the book that The Atlantic has called “one of the best fantasy novels ever.”
The unicorn lived in a lilac wood, and she lived all alone...
...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects…
Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers…
To me, a good story is where things happen. I like fast-paced action, grand adventures, snarky banter, and happy endings. I especially like books that don’t take themselves too seriously. Being an author of non-stop action adventure, offbeat science fiction and fantasy books, I write easy-to-read, compelling stories with just as much conflict and danger while maintaining an overarching atmosphere of levity and hope. Suburban mom by day and author by night, I love to live vicariously through my characters. They don’t have to vacuum all day long and are almost always guaranteed to survive any fantastical or thrilling incidents, no matter how treacherous I write them.
This book was action-packed and hilarious! Such a whimsical and fun adventure about an "orphan" boy who discovers he's got incredible (if unorthodox) powers and a much more prestigious lineage than he ever knew about. A common premise but with a refreshing execution. I also found the narrative highly entertaining with its breaking the fourth wall. It gave a personal insight into the author’s excellent sense of humor. This was my first Brandon Sanderson read. I'm off to read Skyward next. I'm sure I will love it too.
Experience the action-packed first book in #1 New York Times bestselling author Brandon Sanderson's laugh-out-loud middle-grade fantasy series like never before—now in paperback with all new covers!
AN ANCIENT RIVALRY REAWAKENS.
Everything I'd known about the world was a lie.
On my thirteenth birthday, I, Alcatraz Smedry (yes, I got named after a prison, don’t ask) received my inheritance: a bag of sand. And then I accidentally destroyed my foster parents’ kitchen. It’s not my fault, things just break around me, I swear!
I thought the sand was a joke until evil Librarians came to steal it. You’re probably thinking,…
I’m an artist with an analytical mind. I love art and stories but I also love systems and processes. Ever since taking a class at art school about making pop-ups, I’ve been in love with paper engineering. It’s been the perfect synthesis of all my loves. There’s something fascinating about transforming an everyday object (paper) into something unexpected. Combined that with a great story and you have a magical experience! I like focusing my work on books for young readers (board books - picture books) because it gives adults and kids an opportunity to interact with each other and build memories.
Without using any physically interactive mechanisms, this book still engages!
It breaks the fourth wall and the narrator asks you directly to do certain tasks—tap the dot, tilt the book to the left, shake the book, etc. When reading this book with my kids, I’ve never heard so many giggles. It is also a great way to help teach my kids colors, actions, and directions. Reading this book becomes a form of play!
PRESS HERE, MIX IT UP!, LET'S PLAY!, and SAY ZOOP! Collect all four interactive books from Herve Tullet!
Press the yellow dot on the cover of this interactive children's book, follow the instructions within, and embark upon a magical journey! Each page of this surprising touch book instructs the reader to push the button, shake it up, tilt the book, and who knows what will happen next! Children and adults alike will giggle with delight as the dots multiply, change direction, and grow in size! Especially remarkable because the adventure occurs on the flat surface of the simple, printed page,…
I’m a psychologist by profession and I’m fascinated by the way personalities develop and change with life events. In novels, I’m drawn towards wounded characters who are searching for something to make them feel whole. Common issues I see in my psychotherapy work include imposter syndrome, low self-esteem, feelings of not being good enough. Many people try to hide their vulnerability behind a mask, faking confidence or bravado, or pretending to be something they’re not. But these fictional characters take it up a level, one small step at a time, until the lies build and they end up in a web of deceit with no way out.
We’re straight in the story from page one, experiencing the intensity of the toxic relationship Louise has with her new best friend – a woman she’s only known ten days. Louise has a complex personality, her low self-esteem leading to constant self-assessment. But boy, how she changes! I liked the way the author breaks the fourth wall by directing comments to the reader, the foreshadowing allowing us to know what’s coming before the characters. Not my usual choice, as the novel is set in America with a cast under 30, but I enjoyed the build in tension as I waited for Louise to be caught out.
One of the Best Books of the Year: Janet Maslin, The New York Times Vulture NPR
"Social Creature is a wicked original with echoes of the greats (Patricia Highsmith, Gillian Flynn)." —Janet Maslin, The New York Times
For readers of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City.
They go through both bottles of champagne right there on the High Line, with nothing but the stars over them... They drink and Lavinia tells Louise about all the places they will go together, when they finish…
One of my favorite childhood pictures, circa 1967, shows me in the Batman costume I got for Christmas. And one of my sharpest memories from that time was seeing the Batmobile at a local auto show. Yes, I was a Batman fanatic, thanks to both the TV show and the comics. That passion faded somewhat as I grew older—I can’t rattle off the names of all the villains or discourse on the styles of the different artists and writers who have told his story. But having the chance to write What Is the Story of Batmantaught me a lot—and helped me feel like a kid again.
While I wanted to know the history of Batman and all the facts and figures, I needed to know Batman’s larger cultural impact, and Brooker’s book helps provide it. He explores the different incarnations of Batman, from the comic-book page to the big screen. Brooker looks at the 1950s hysteria against comic books that targeted Batman, among others; the “camp” Batman of the 1960s TV show; and the Batman of films, from the 1989 Tim Burton version through the 1990s. Now all Brooker needs to do is update the book to include Christopher Nolan’s take on The Dark Knight!
An academic monograph that traces the various ways in which Batman has been interpreted over the years - by wartime film producers, gay teenagers, pop artists, Internet fan communities, and so on. Written from both an academic and a fan's perspective, is examines how a character can be a brand and a myth at the same time. The book draws on substantial research from the DC Comics archives, as well as interviews with DC editors and writers. Also included is a comprehensive Batman iconography, listing examples of how Batman has been used as a reference in other TV shows, movies,…
I’m an emeritus professor of modern American diplomatic history at the University of California, having previously taught at Oberlin, Caltech, and Yale. I’ve also been chairman of the Division of Space History at the Smithsonian’s National Air & Space Museum, where I was the Curator of Military Space. I’ve been fascinated—and concerned—about nuclear weapons and nuclear war since I was 12, when I saw the movie On the Beach. Then, as now, nuclear weapons and the (currently-increasing) danger of nuclear war are the most important things on the planet.
Although this book is something of a rival to my own and borrows heavily from my book—but with attribution—it is deserving of the Pulitzer Prize it received for its sympathetic portrayal of its main character.
The primary author, Marty Sherwin, was my dissertation advisor; he and I argued for many years, until his death, over the truth about Oppenheimer. Although I yield to no one in my response and admiration for Marty, my book is right.
Physicist and polymath, 'father of the atom bomb' J. Robert Oppenheimer was the most famous scientist of his generation. Already a notable young physicist before WWII, during the race to split the atom, 'Oppie' galvanized an extraordinary team of international scientists while keeping the FBI at bay. As the man who more than any other inaugurated the atomic age, he became one of the iconic figures of the last century, the embodiment of his own observation that 'physicists have known sin'.
Years later, haunted by Hiroshima and Nagasaki, Oppenheimer became a staunch opponent of plans to develop the hydrogen bomb.…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like a…
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
What can I say about Annihilation? It’s a novel where the reader isn’t quite sure what is going on, nor can any two readers agree on what they just read and that’s the amazing part about it.
Hypnosis, genetic deviation, and something utterly alien make this such an intense read. And that suspense is heightened because there is a level of mystery and weirdness in Jeff VanderMeer’s world, where things aren’t quite grounded in the reality that we are used to.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
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