Here are 100 books that Gridiron Gourmet fans have personally recommended if you like
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I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
The author, R. W. Connell, is a fascinating person, originally a man, who became a woman, in the midst of a very successful career as a student of masculinity. Her work was among the earliest I’ve encountered to deal with that subject. And what a fascinating perspective! In this work, she posits four power-related configurations of masculinity: Hegemonic, complicit, subordinated, and marginalized. Although originally among those who emphasized mainly negative and unitary features of manhood – something I categorically reject – her views have broadened over the years, recognizing considerable diversity in values. This work remains a classic in the field and provides readers with some excellent insights into one influential form of masculinity.
This is an exciting new edition of R.W. Connella s ground--breaking text, which has become a classic work on the nature and construction of masculine identity. Connell argues that there is not one masculinity, but many different masculinities, each associated with different positions of power. In a world gender order that continues to privilege men over women, but also raises difficult issues for men and boys, his account is more pertinent than ever before. In a substantial new introduction and conclusion, Connell discusses the development of masculinity studies in the ten years since the booka s initial publication. He explores…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
This is one of the early books to counter the more common view of a ‘hegemonic masculinity’ that applied to all men. Instead, its 17 chapters provide examples of diverse forms of masculinity – in terms of both ideals and practice – from every continent. I particularly appreciated this book for this reason. It reinforced my sense (and evidence) that masculinities vary from place to place and time to time, and it served as an impetus to write my own book on the subject.
A wide-ranging volume featuring contributions from some of today's leading thinkers and practitioners in the field of men, masculinities and development.
Together, contributors challenge the neglect of the structural dimensions of patriarchal power relations in current development policy and practice, and the failure to adequately engage with the effects of inequitable sex and gender orders on both men's and women's lives.
The book calls for renewed engagement in efforts to challenge and change stereotypes of men, to dismantle the structural barriers to gender equality, and to mobilize men to build new alliances with women's movements and other movements for social…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Masculinities and Femininities in Latin America’s Uneven Developmentprovided further reinforcement for my interest in showing the diversity of masculinities. Paulson’s long history in Latin America and longstanding involvement with gender studies convinced me of her expertise. This was particularly valuable for me, with my limited Latin American experience. Additionally, her discussions of the interactions between notions of masculinity, as perceived and acted out by men with varying degrees of power, was a new way of looking at the issue for me, an eye opener. She clarified some of the dynamics of colonialism as it operates in the present and in that context.
This book forges a new approach to historical and geographical change by asking how gender arrangements and dynamics influence the evolution of institutions and environments. This new theoretical approach is applied via mixed methods and a multi-scale framework to bring together unusually diverse phenomena. Regional trends demonstrated with quantitative data include the massive incorporation of women into paid work, demographic masculinization of the countryside and feminization of cities, rapidly increasing gaps that favor women over men in education and life expectancy, and extraordinarily high levels of violence against men. Case studies in Mexico, Chile and Bolivia explore changes influenced by…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Erotic Triangles returns to a part of the world I know well, though the topic is alien to my own natural resource emphasis. Yet I found it fascinating for its symbolic analyses of West Java’s musical and art worlds – intertwined intimately with the relations between men and women and among men. Its emphasis on triangles was the inspiration for me to structure my own analyses as a harp (another ‘triangle’), within which the strings signify traits that men value in a given culture. Spiller’s analysis inspired my own analogy between the creation of harp music and the clusters of values that influence men’s identities, their personal and cultural ‘songs.’
In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. Every day, men there - be they students, pedicab drivers, civil servants, or businessmen - breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In "Erotic Triangles", Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that…
My newest YA novel, Home Field Advantage, is your typical cliché sports romance between a high school quarterback and aspiring cheer captain…except that they’re both girls. Sports is such a fascinating setting for queer YA to me, because it adds a whole extra social dynamic of being teammates and how that can work for or against you, depending on the culture and who you are. It’s also a great venue for subversion of gender norms, which is always welcome to me! And in general, I really just love protagonists who are really passionate about what they do. If they happen to be queer as well, that’s just a nice bonus!
Lundin writes one of the best explorations of internalized and externalized misogyny I’ve ever read in this contemporary YA about Mara, a lesbian who needs a new sport when she’s bounced off of basketball for a fight and finds herself fighting to join football. She’s soon joined by four other girls (including both her crush and her enemy) aiming to join with her, which pisses her off—why do they have to turn it into some girl power thing when she just genuinely loves the sport? But the way things play out teaches Mara a lot about who’s really on her team.
“What if I played football?” I ask. As soon as it’s out of my mouth, I feel stupid. Even suggesting it feels like I’ve overstepped some kind of invisible line we’ve all agreed not to discuss. We don’t talk about how Mara is different from other girls. We don’t talk about how Mara is gay but no one says so. But when I do stuff like this, I worry it gets harder for us all to ignore what’s right in front of us. I direct my gaze to Quinn. “What do you think?” “I think it’s frickin’ genius,” he says.…
My love of unusual narration probably stems from my rabid consumption of “Choose Your Own Adventure” books in my youth. Why read a book about someone else when the story could be yours? While I’m glad to say that my library has since expanded, I still appreciate the unusual and bizarre viewpoint when I read. Perhaps a self-portrait? In any case, I’ve also used some unique narrative tools in my own writing through the point of view of my fictional WHISPs and also through cryptic journal entries. If you’re looking for something different by way of narration, I’m confident you’ll enjoy these five best books.
Ann Leckie is not an author known for standard narration or gender roles, but she is known for great science fiction. Which is why I was astounded and delighted by her fantasy novel, The Raven Tower. Told in the second person, just when you think you know who is spinning the tale…well, I won’t give anything away except to say this is an amazing book filled with gods and rituals, tradition and sacrifice, that will keep you guessing right to the end.
A usurper has claimed the throne. Invaders amass at the borders. And they have made their alliances with enemy gods...
For centuries the kingdom of Iraden has been protected by a god known as the Raven. But in their hour of need, the Raven speaks nothing to its people. It is into this unrest that the warrior Eolo - aide to the true heir to the throne - arrives. In seeking to help his master reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
For those of us who grew up thinking we were the weaker sex/gender, this is a must-read book. When the deck is not stacked in favour of upper-body strength and short bursts of speed, and when factors such as height and weight are controlled (as the latter is, for example, in wrestling competition), women may actually be the stronger sex. I was particularly intrigued—no, annoyed—to read about sports that became segregated by sex only after women proved their superiority (for example, skeet shooting and rifle shooting).
Can women be equal to men as long as men are physically stronger? And are men, in fact, stronger? These are key questions that Colette Dowling, author of the bestselling The Cinderella Complex, raises in her provocative new book. The myth of female frailty, with its roots in nineteenth-century medicine and misogyny, has had a damaging effect on women's health, social status, and physical safety. It is Dowling's controversial thesis that women succumb to societal pressures to appear weak in order to seem more "feminine." The Frailty Myth presents new evidence that girls are weaned from the use of their…
Science fiction and Fantasy have always been about exploring new ideas in novel ways—right from the beginning, Mary Shelley saw the story of Frankenstein as a chance to explore ideas of liberation and equality that, at the time, were too uncomfortable for mainstream stories. Since then many writers have found success by mashing up sf with other literary genres to discover the boundaries—and the gray areas—between them. In my latest book I explore the deep connection between horror (the fear of the unknown) and sf (the drive toward wonder). Some of my most cherished books have similarly charted these murky borderlands.
This science fiction and mystery story is about an astronaut from a world without men crashes on Earth and blows all our minds… except we’re also reading a story about a woman living in our 1970s, and a parallel Earth where WWII never happened… it gets a little confusing, in a really fun way.
Russ uses this engaging, sometimes funny, sometimes tragic multiverse story to explore topics of sex essentialism and gender fluidity in a way that still feels bracing and mind-expanding today.
You could say this is as much a philosophical treatise as a novel but that makes it sound like it isn’t any fun, when in fact it’s a blast. If you’re open to a far-out read you will not be disappointed.
A landmark book in the fields of science fiction and feminism.
Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other's worlds each woman's preconceptions on gender and what it means to be a woman are challenged.
Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
Reading this book is like listening to your incredibly knowledgeable historian friend talk about medieval society over drinks. Janega’s turns of phrase and sharp observations make me laugh, and at the same time, I feel my mind soak up knowledge like a sponge.
This book is about what medieval people thought and why, going back to the philosophies and influences of ancient Greece and Rome. It tackles medieval beauty standards, sexual practices, family life, and work life. It addresses fart jokes and eyeliner, as well as ideas about biology and class disparities. We see women farming, ruling, weaving, brewing, and writing.
Janega argues that it is through seeing the past truly that we can "imagine new futures," making the necessary changes for "a more equitable world."
What makes for the ideal woman? How should she look, love and be? In this vibrant, high-spirited history, medievalist Eleanor Janega turns to the Middle Ages, the era that bridged the ancient world and modern society, to unfurl its suppositions about women and reveal what's shifted over time-and what hasn't.
Enshrined medieval thinkers, almost always male, subscribed to a blend of classical Greek and Roman philosophy and Christian theology for their concepts of the sexes. For the height of female attractiveness, they chose the mythical Helen of Troy, whose imagined pear shape, small breasts, and golden hair served as beauty's…
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
This book features a young Helen of Sparta’s adventures with her siblings, who are notable figures of their own in myths and legends. I’m a sucker for those mythological connections I first discovered in Goddess of Yesterday, and this is also very similar to it in that it might be marketed as a children’s book. Still, the themes and events are intense, and they hold up amazingly.
I love this version of Helen. She’s adventurous, smart, and stubborn. Helen is so often portrayed as a vain villain or an unwitting scapegoat, so it’s really refreshing to read something that acknowledges that she was more than just a pretty face. She was the princess of Sparta. She was raised to be tough, tactical, and warlike.
Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero.
The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta…
