Here are 100 books that Erotic Triangles fans have personally recommended if you like
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I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
The author, R. W. Connell, is a fascinating person, originally a man, who became a woman, in the midst of a very successful career as a student of masculinity. Her work was among the earliest I’ve encountered to deal with that subject. And what a fascinating perspective! In this work, she posits four power-related configurations of masculinity: Hegemonic, complicit, subordinated, and marginalized. Although originally among those who emphasized mainly negative and unitary features of manhood – something I categorically reject – her views have broadened over the years, recognizing considerable diversity in values. This work remains a classic in the field and provides readers with some excellent insights into one influential form of masculinity.
This is an exciting new edition of R.W. Connella s ground--breaking text, which has become a classic work on the nature and construction of masculine identity. Connell argues that there is not one masculinity, but many different masculinities, each associated with different positions of power. In a world gender order that continues to privilege men over women, but also raises difficult issues for men and boys, his account is more pertinent than ever before. In a substantial new introduction and conclusion, Connell discusses the development of masculinity studies in the ten years since the booka s initial publication. He explores…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
This is one of the early books to counter the more common view of a ‘hegemonic masculinity’ that applied to all men. Instead, its 17 chapters provide examples of diverse forms of masculinity – in terms of both ideals and practice – from every continent. I particularly appreciated this book for this reason. It reinforced my sense (and evidence) that masculinities vary from place to place and time to time, and it served as an impetus to write my own book on the subject.
A wide-ranging volume featuring contributions from some of today's leading thinkers and practitioners in the field of men, masculinities and development.
Together, contributors challenge the neglect of the structural dimensions of patriarchal power relations in current development policy and practice, and the failure to adequately engage with the effects of inequitable sex and gender orders on both men's and women's lives.
The book calls for renewed engagement in efforts to challenge and change stereotypes of men, to dismantle the structural barriers to gender equality, and to mobilize men to build new alliances with women's movements and other movements for social…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Masculinities and Femininities in Latin America’s Uneven Developmentprovided further reinforcement for my interest in showing the diversity of masculinities. Paulson’s long history in Latin America and longstanding involvement with gender studies convinced me of her expertise. This was particularly valuable for me, with my limited Latin American experience. Additionally, her discussions of the interactions between notions of masculinity, as perceived and acted out by men with varying degrees of power, was a new way of looking at the issue for me, an eye opener. She clarified some of the dynamics of colonialism as it operates in the present and in that context.
This book forges a new approach to historical and geographical change by asking how gender arrangements and dynamics influence the evolution of institutions and environments. This new theoretical approach is applied via mixed methods and a multi-scale framework to bring together unusually diverse phenomena. Regional trends demonstrated with quantitative data include the massive incorporation of women into paid work, demographic masculinization of the countryside and feminization of cities, rapidly increasing gaps that favor women over men in education and life expectancy, and extraordinarily high levels of violence against men. Case studies in Mexico, Chile and Bolivia explore changes influenced by…
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Gridiron Gourmet likewise returns to a world somewhat familiar to me. Having grown up American, with a father and brother seriously enamored of football, I understood a certain amount about American ideas of sports and manhood. Football (and other men’s sports) had also played an important role in the community of Bushler Bay (on the Olympic Peninsula), where I had lived and conducted ethnographic research among loggers in the 1970s. At that time, folks there had seen football as one important avenue for young men to learn teamwork, competition, and discipline – traits considered key in making a livelihood. Gridiron Gourmetbuilds on my own understanding, adding the current emphasis on foods men consider appropriate and ‘manly’ to eat. Although I had some sense of this preference, this book clarifies common perspectives among American men in much more detail.
On football weekends in the United States, thousands of fans gather in the parking lots outside of stadiums, where they park their trucks, let down the gates, and begin a pregame ritual of drinking and grilling.
Tailgating, which began in the early 1900s as a quaint picnic lunch outside of the stadium, has evolved into a massive public social event with complex menus, extravagant creative fare, and state-of-art grilling equipment. Unlike traditional notions of the home kitchen, the blacktop is a highly masculine culinary environment in which men and the food they cook are often the star attractions.
P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fatewas an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.
I found that this sometimes funny but always emotional and moving account of Ms. Kirkland's life as a ballerina in New York City to be a real triumph. She brings to the pages an honesty that is rarely seen, even in autobiographies. From the illegal drug scene that nearly killed her to the everyday trials of an immensely talented dancer caught between two worlds, this is the stuff that nightmares are made of.
An American ballerina presents a story of the high-pressure world of dance which brought the dancer to a nightmare world of illness, drug addicition, and suicidal despair
I think Mother Goose got it all wrong. I have been creating books and coloring books for LGBTQ families for over two decades. I believe we deserve stories about LGBTQ children that are jubilant and adventurous; that are about love, mystery, time travel, and all the things everyone else treasures in their favorite books without being lesson books about bullying or being “different.” I have closed many children's books as soon as I get to the part where they are beaten up and made fun of for being gender non-conforming. I am also a visual artist and I love well-written books that are beautiful to look at.
This is a perfectly charming story about a boy who is way into ballet and baseball, written in the 1970s, but which still holds up today. And no one ever makes fun of him. Max is not necessarily Queer, but I consider it in the canon of kid’s books that address gender identity.
As a parent, a former educator, and a children’s museum administrator, my passions have always centered around children and encouraging them to believe in themselves. I wrote my book to empower my own grandchildren with a growth mindset, which, in simple terms, means to believe in our own abilities, accept challenges, learn from our mistakes, and persevere. It is the belief that our abilities and talents are malleable as opposed to the view that we are either good at something or we are not. Adapting a growth mindset has been valuable in my own life, as well – it’s not just for kids. Please take a look at these books to give yourself and the kids in your life a healthy new perspective.
Giraffes Can't Dance has stayed with me since my first reading. The enchanting rhythm and rhyme, along with the truth and silliness of Gerald’s experiences, are universal - every child and adult can relate to his disappointment. Learning to keep going and embrace his own strengths is a valuable gift that we all need to learn.
Gerald was a tall giraffe whose neck was long and slim, But his knees were awfully bandy and his legs were rather thin . . .
Gerald the giraffe longs to go to the great Jungle Dance, but how can he join in when he doesn't know how to tango or two-step? Everyone knows that giraffes can't dance . . . or can they?
A funny, touching and triumphant story about being yourself and finding your own tune, with joyful illustrations from Guy Parker Rees. This chunky board book edition is perfect for little hands.
I am an ex-lawyer, ex-army officer, and ex-Hollywood film editor who loves stories about females in danger who dig deep to solve problems and survive. I can’t claim to be an expert, but I marvel at the breadth of female styles–from delicate, feminine, and sweet to brave, adventuresome, and tough. I have edited films about various women characters, from Charlize Theron’s killer in Monster to Cate Blanchett’s spiritual medium in The Gift and Diane Lane’s brave romantic survivor in Under the Tuscan Sun. I have three successful step granddaughters: an accountant, a lawyer, and one getting a PhD in computer studies. Smart, talented, and interesting women people in my life.
I loved eight-year-old Viva’s struggle to connect with her entrancing but erratic mother, Charlotte. Viva is desperate to get away, partly because she’s afraid of becoming her mother. I was entranced with their endless, joyful, though stress-filled, hours together. I was delighted to see Viva find herself in her talent for dance.
And I was heartsick that Viva’s success paralleled Charlotte’s descent into drink as she faced the reality of her own failures as an artist. I rooted desperately for Viva to avoid her mother’s mistakes and take control of her life.
Winner, Independent Publisher Book Awards, Silver Medal - Literary Fiction
Featured on PBS NewsHour
Named by Good Morning America, New York Post, and Los Angeles Daily News as one of the Best Books of Spring 2023
A deeply moving debut novel from the award-winning author of Yes, Yes, Cherries ("Funny, brave, and amazing"-Lorrie Moore) that explores the relationship complexities between mothers and daughters, the desire to escape, and the longing to connect. Viva has always found ways to manage her mother's impulsive, eccentric and addictive personality. She's had to-for her entire life,…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
This book shares my Andean setting and love of dance, so I am already rooting for it. I am immediately connected with the main character as she twirls down the path. I can relate to the wolf as well; I know how language barriers can cause misunderstandings. A clever twist to a beloved classic. The art is full of energy and captures the joy in the dance moves.
A 2024 Anna Dewdney Read-Together Award Honor Book
An irresistible rhythm tugs at Moni's heart as she dances down the path to la casa de Abuela. But Moni's corazón skips a beat when she spies a strange set of ears - setting her own orejas on alert. Lobo must be near!
In this modern interpretation of a classic fairytale, readers tango along with Moni as she sways to the music that follows her through the woods. In a clearing, Moni stumbles upon Lobo . . . playing a bandoneón? Moni can't help from tap-tap-tapping to the tune, but when the…
I’m an artist with an analytical mind. I love art and stories but I also love systems and processes. Ever since taking a class at art school about making pop-ups, I’ve been in love with paper engineering. It’s been the perfect synthesis of all my loves. There’s something fascinating about transforming an everyday object (paper) into something unexpected. Combined that with a great story and you have a magical experience! I like focusing my work on books for young readers (board books - picture books) because it gives adults and kids an opportunity to interact with each other and build memories.
I grew up loving animation and was captivated by how putting drawings together could create an illusion of life.
This wordless picture book somehow captures that awe with its interactive tabs. By flipping the tabs throughout the book, the characters move and feel like they are being animated.
I love that the story is a dance between Flora and her flamingo friend, literally and figuratively, as they have a disagreement. Everything about this book is well thought out—the interactive mechanisms really enhance the story. Additionally, the drawings are just so beautiful. It’s simply fantastic!
In this innovative wordless picture book with interactive flaps, Flora and her graceful flamingo friend explore the trials and joys of friendship through an elaborate synchronized dance. With a twist, a turn, and even a flop, these unlikely friends learn at last how to dance together in perfect harmony. Full of humor and heart, this stunning performance (and splashy ending!) will have readers clapping for more of this fun flamingo story!
For more feathery fun with the flamingo girls, pick up more preschool wordless books like Flora and the Penguin, Flora and the Peacocks, Flora and the Chicks, Flora and…
