Here are 71 books that Good Rich People fans have personally recommended if you like
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I’ve always been a voracious reader of the news and history, consuming everything from Johnny Tremain to Slaughterhouse-Five, from old-fashioned newspapers to online news feeds. I’ve also always loved writing fiction. I aligned my interests in history, the news, and writing in my first novel, The Blood Lie, based on a hate crime in my hometown in the 1920s. Since then, I’ve written two other novels based on true events: Ripped Away and my novel, listed below.
I love the unique and true voices in this alternating-narrator story of two boys in LA who differ by race and neighborhood but end up in the same sixth-grade class, thanks to bussing.
The hilarious dialogue, combined with the sobering elements of grief and bullying, takes this gem way beyond the usual “unlikely friendship” trope.
I delighted in watching these two boys flail and ultimately thrive in the quagmire that is early adolescence.
Charlie isn't looking forward to sixth grade. If he starts sixth grade, chances are he'll finish it, and he'll be older than his older brother ever was. Armstrong isn't looking forward to sixth grade either. He'll have to wake up at five thirty to ride a bus to an all-white school in the Hollywood Hills. When they are assigned seats next to each other, what starts as a rivalry becomes a close friendship.
Set in Los Angeles in the 1970s, Armstrong and Charlie is the hilarious, heartwarming tale of two boys from opposite worlds. Different, yet the same.
I grew up on the set of Little House on the Prairie. Yes, it was a fictional world created by Hollywood, but the foundation and lessons I learned about love, family, and faith have stayed with me. I now travel with the cast of Little House all over the country to engage and share with fans about how my experiences have shaped me. I can’t say enough about these memoirs or the cast members who wrote them. I know every Little House fan will love them too!
Charlotte’s tell-all memoir tells it ALL. This may not be appropriate for young readers, but I was wowed by all the roles she has played over the years, surprised by the numerous love interests with well-known actors and musicians, and inspired by her ability to overcome challenges, big and small, that have shaped her into the woman she is today.
I loved how Charlotte has embraced her past and learned from her mistakes. She is an inspiration to me and many others.
Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show—the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships. Charlotte, with Andy Demsky, reveal a no-holds-barred, heart-breaking, and ultimately joyful account of fifty years in film and television offers a backstage pass to Hollywood’s cocaine-fueled glory years in the 1970s, and includes Charlotte’s celebrated…
Ever since I was a kid, I’ve collected family stories. My late grandmother told me that I had “nose trouble.” I can’t help it. I’m fascinated by the psychic ghosts that both haunt us and light us up. In researching my most recent novel about the generational ripples of family addiction, I read more than 50 books and talked with dozens of addicts in various stages of recovery. All my books, though, feature humans who seek to mend ruptures of the soul and in turn liberate themselves from the troubles that define them. These are my favorite stories to read and to tell.
Oh my gosh, there’s a brilliant chapter in this memoir about a friend divorce that I’ve reread about a dozen times.
With ruthless honesty, Jarrell describes the deep intimacy of her relationship with her best friend from college and her role in sabotaging it. She compares her flaws to those of her father who "swam darkly in his own alcoholic brew.” And yet, despite the rawness of Jarrell’s story, this book beams out hope and light.
While the author ended up marrying an alcoholic, she did “get away” or escape her family legacy. She even credits addiction, or maybe learning to manage it, with putting her and her husband “on a path to saving themselves.”
As featured in the New York Times "Modern Love" column * a Redbook Magazine must-read * Harper's Bazaar * Yahoo! Style, InStyle, Rumpus, Hello Giggles, Bustle, and Southern Living magazine Fall book pick
Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she's put that chapter of her life behind her-until a woman she knows is murdered, and she suddenly sees that it's her mother's choices she's been trying to escape all along. Without preaching or prescribing, I'm the One Who Got Away is a…
I was born and raised in the south. I come from a large, talkative family. All my life, I listened to my family talk. Hearing them was more fun than television. I grew up with country music playing constantly in the background. It was on the radio when I woke up and still playing when I went to bed. My parents read to me, made up bedtime stories, and let me tell them my made-up stories. Let me follow them around with my childish tales, encouraging me. Being an author has always been my number one dream.
Sadie Blue grabbed my attention from the start. I wanted to learn her story. I related to her desire for knowledge. Unlike Sadie, I was educated, but very much like her, I did everything I knew how to learn more.
Sadie’s world of poverty reminds me of family stories that have been the background of my life. And Sadie’s grandma, Gladys, represented so many of the strong women I grew up with. Sadie and Gladys’ world is one I’ve envisioned in my mind while laying on the porch while my aunts and uncles rocked in white wooden rockers, stories of their pasts floating around me, becoming a part of me.
"[A] striking debut..."-BUSTLE He's gonna be sorry he ever messed with me and Loretta Lynn. Sadie Blue has been a wife for fifteen days. That's long enough to know she should have never hitched herself to Roy Tupkin, even with the baby. Sadie is desperate to make her own mark on the world, but in remote Appalachia, a ticket out of town is hard to come by and hope often gets stomped out. When a stranger sweeps into Baines Creek and knocks things off kilter, Sadie finds herself with an unexpected lifeline...if she can just figure out how to use…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
There's a good chance you're familiar with his poem “What Teachers Make”, from his other book. But this is the book that has his most poignant and human poems, including “Tony Steinberg: Brave Seventh Grade Viking Warrior”, which has long been one of my partner's favorite poems, and accomplishes in a few minutes of words what many Hollywood movies try and fail to accomplish with a full cast, two hours, and hundreds of millions of dollars: It alternately makes you laugh and cry. Which I say as someone who has seen it performed many times, and it still makes me laugh every time, and still makes me cry every time.
You don't need a classroom to be a teacher, and you don't need to be a teacher to help someone learn a lesson. Taylor Mali's poetry explores this truth in entertaining and plainspoken ways because "the last thing this world needs is another poem" ("The Call to What We Know"). Whether discussing the language of love or the love of language, the poems contained in The Last Time As We Are prove that "He who dares to teach must never cease to learn." Not since Taylor Mali has there been a poet the likes of Taylor Mali-he is a man…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.
New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.
Recounts New York City's transformation from a provincial, Victorian town to a bustling city, focusing on the architectural emergence of the apartment building after the Civil War and its influence.
I’ve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.
Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?
In April 2020, when New York was in lockdown and the epicentre of the pandemic, Renate Aller created the project side walk. She hosted friends and neighbors on her sidewalk or visited them in their street, her camera in self timer mode, recording these masked encounters at a safe 6 feet distance. With voices muted by masks we learn to communicate with our eyes and body language, finding our bearings in a new emotional landscape. These sidewalk visits created a deep sense of community where community had been forced apart. This project is in the spirit of Rainer Maria Rilke:…
I am a former wildland firefighter, so I am passionate about writing about it. I’ve included several personal experiences in my books, and I learned integrity and an outstanding work ethic with the firefighters who trained me in the wildland fire community. I met my husband on another fire crew, so I had to write these fire stories in the romance genre. I have friends who also met their spouses in the world of firefighting, and I loved their romances. While not all wildfire stories in real life may have happy endings, I choose to write these as romances because a happily-ever-after is required for the romance genre.
This author is a former NYC firefighter and a terrific writer. This book is well written, with plenty of action in the firefighting world in New York City and plenty of heat for the slow-burn romance.
The heartfelt emotion this author writes is so realistic that she had me laughing and crying along with her characters. Now and then, I like to read a steamy romance, and this one more than delivers on that score. I’ll read anything this author writes.
He's reckless. She's hiding behind a lie. They seem destined to be, but could easily crash and burn.
As one of New York's Bravest, Dylan Hogan is notorious for his recklessness, but ask him to put his heart on the line and he couldn't be more cautious. After narrowly escaping death, he meets Autumn outside her burning apartment and instantly feels a connection that intrigues and terrifies him. He feels alive for the first time in over a decade, but she seems as adamant about pushing him away as she is about holding him close.
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
Like nothing I'd ever read before. An incredible fusing of the familiar and the fantastic. Much of it takes place in Greenpoint, Brooklyn, during the 2010s, on the same subways and sidewalks I frequented. I interviewed author Geoff Rickly extensively for my book, as his band Thursday is central to its plot. I thought I knew Geoff's story pretty well. Turns out, I had no idea.
This book is surrealist, and it's autofiction. I could tell you how great it is by stressing you don't need to know anything about Geoff or his band to be spellbound by it. But I think the best praise I could give is how it made me consider all the extraordinary things that are happening around me all the time
Geoff Rickly’s debut novel Someone Who Isn’t Me is a feverish journey through the psyche of someone who no longer recognizes himself. When Geoff hears that a drug called ibogaine might be able to save him from his heroin addiction, he goes to a clinic in Mexico to confront the darkest and most destructive versions of himself. In this modern reimagining of the Divine Comedy, survival lurks in the darkest corners of Geoff’s brain, asking, will he make it? Can anyone?
