Fans pick 84 books like Don't Let Go

This book is so much more than a police procedural set in the South with a Black female detective as its protagonist. Snowden writes Southern Gothic stories with all the wonderful emotional obsessions and foreboding suspense that anchor that genre. As the child of a serial killer, Detective Raven Burns witnessed many of her father’s deadly attacks, including the murder of Raven’s mother. Haunted by her past, Raven struggles with both real life and personal demons to secure justice for victims in the present.

All Her Little Secrets brings the office thriller into the 21st century. Gone is the stereotypical white male protagonist. Ellice Littlejohn is a woman and an Ivy-educated Black lawyer with a harrowing back story full of poverty, abuse, and addiction. This novel doesn’t shy away from tackling institutionalized corporate racism, but make no mistake: it’s a thriller through and through. It’s wildly entertaining to follow Ellice in a climactic chase scene through office cubicles that are almost as adrenaline-spiked as Vertical Run.

A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.

Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.

This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.

Jane Austen meets Agatha Christie in Julie Klassen’s Shadows of Swanford Abbey. Rebecca is bidden by her recluse brother to get his manuscript published by an author residing at the abbey. A mysterious death occurs for which Rebecca is a suspect. Even worse, the man she used to care for is the presiding magistrate. Klassen is always faithful in detailing Regency elements in every single area of her work from the clothing, jury procedures, customs, architecture, etc. The mystery was seamlessly woven into the history.

This 90s manga series is one of the first proper murder mystery manga. While it’s aged a bit and not a honkaku that readers can solve, it borrows a bit from some famous Japanese honkaku novels and might be a good introduction to Japanese murder mystery fiction. Despite the homages, this is distinctively its own story.

As is commonly done in Japanese mysteries, most involve a seemingly impossible murder in a remote location with a long list of shady suspects. While teenage detective Kindaichi Hajime tries to solve the case, more murders happen. The stories are creative, and the solutions are, too—this series often has more macabre moments but is often sympathetic to the killers.

This book is full of rule-breakers, but not in the way you’d think. Rhea and her friends try to combat gentrification in their South L.A. neighborhood in the most unconventional way imaginable by inventing a fake gang; however, they are soon blamed for a very real murder.

I lived in West Baltimore for a time and saw the effects of gentrification taking over my neighborhood even in the short two years that I was there, so this book really resonated with me on a personal level. The premise reminded me of those memes of people claiming to shoot out the windows every few months to keep the rent low. While it’s a joke, there is a very real fear behind it, and this is a complex issue that Adia tackles with such a fresh voice and nuanced approach.

I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place). 

Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there. 

I learned more about 1660s England reading this book than I ever did… show more.

This book is so original. We follow an old man, a retired serial killer, on his journey to read his own newly published true crime story. He stumbles on the book while doing his security rounds and can't resist picking it up, and over the next week finds himself more and more obsessed with reading it, growing fears that he will be discovered after twenty years, and with the author, his only surviving victim- who was a child at the time and is now an adult twenty years later. 

I enjoyed this book, it's original in the sense that the killer is an ordinary, cranky old bastard that no one likes. He's just a guy, who doesn't stand out, hasn't been good at anything all his life, a mediocre man that falls into the crowd. The only thing he's ever been able to succeed at was being The Nothing Man,… show more.

Hidden Treasure is the thirteenth novel in the long-running Josie Prescott Antiques Mysteries series.

This novel is a great addition to the series that features not only an antique dealing main character but shows her business growing and transforming. I specifically enjoyed this novel because the mystery is centered on an older woman who has a zest for life despite her age—and I like how Josie encourages and helps her.

The novel’s fast-paced and twisty, including one particularly surprising and fun detail near the end. I highly recommended this series to lovers of cozy as well as traditional mysteries with an antique dealer as the main character. 

Camilla is the so-called Queen of Nordic Noir. I got way into her books during the pandemic, which is to say I read every single one of them right after the other while I had a fever. The great thing about the Scandinavians is that they describe truly horrible happenings matter-of-factly.

I love Camilla’s books because she also adds another tension – my favorite kind of tension – the “when will the protagonists kiss?”. I will endure the most gruesome crime scenes because I’m invested in a relationship, and her series pays this off over and over.