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As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.
An exciting overview of one of THE big themes of world history, an anthropological essay that draws on urban traditions from five continents. It is really good on the materiality of cities, everything from how they were built and where they get their food to what happens to their garbage. A great balance too between the huge variety of cities and what we today can learn from early urbanism.
"A revelation of the drive and creative flux of the metropolis over time."--Nature
A sweeping history of cities through the millennia--from Mesopotamia to Manhattan--and how they have propelled Homo sapiens to dominance.
Six thousand years ago, there were no cities on the planet. Today, more than half of the world's population lives in urban areas, and that number is growing. Weaving together archeology, history, and contemporary observations, Monica Smith explains the rise of the first urban developments and their connection to our own. She takes readers on a journey through the ancient world of Tell Brak in modern-day Syria; Teotihuacan…
I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.
Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.
Greece and Rome were quintessentially urban societies. Ancient culture, politics and society arose and developed in the context of the polis and the civitas. In modern scholarship, the ancient city has been the subject of intense debates due to the strong association in Western thought between urbanism, capitalism and modernity. In this book, Arjan Zuiderhoek provides a survey of the main issues at stake in these debates, as well as a sketch of the chief characteristics of Greek and Roman cities. He argues that the ancient Greco-Roman city was indeed a highly specific form of urbanism, but that this does…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
Marco Polo at the court of Kublai Kahn tells of the fantastical cities that he has seen on his journey.
Each city, told in a vignette of a page or two, each more amazing than the last is another reflection on the universal city – the way humans come together to build something larger than themselves. And through these views, one comes to see how we construct societies and the bonds that hold us together.
In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'
Michael Corballis is a psychologist and brain scientist. His interests lie in how the mind works, how it maps onto the brain, and how it evolved. Much of his work is published in books and scientific articles, but he has also written books aimed at a general readership. These include Pieces of Mind, The Lopsided Ape,The Recursive Mind, The Wandering Mind, and The Truth about Language.
Much of what we do and think comes from imagination, generated by our minds rather than by the physical world. This includes art, literature, music, religion, even science. Our dreams are spontaneous acts of creativity, and even memory itself can be distorted by the restless mind. Fernandez-Armesto argues that many animals have better memories than we do, because the human system produces spontaneously creative thoughts at the expense of fidelity. That’s why memories are often false. The author is a historian with an interest in how the mind works, and his book is an amazingly comprehensive history of the human imagination.
To imagine-to see what is not there-is the startling ability that has fueled human development and innovation through the centuries. As a species we stand alone in our remarkable capacity to refashion the world after the picture in our minds.
Traversing the realms of science, politics, religion, culture, philosophy and history, Felipe Fernandez-Armesto reveals the thrilling and disquieting tales of our imaginative leaps-from the first Homo sapiens to the present day. Through groundbreaking insights in cognitive science, Fernandez-Armesto explores how and why we have ideas in the first place, providing a tantalizing glimpse into who we are and what we…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
Us humans are social animalspar excellence,although if we scratch the surface there are evolutionary explanations for the simplest of things: why we laugh, dance, and gossip, and why humans across the world tend to have similar numbers of close friends and more distant relationships.
In Thinking Bigtwo Palaeolithic archaeologists and an evolutionary anthropologist combine to present an explanation for how our behaviour evolved to cope with the increasing intellectual demands of growing group sizes, from small groups more characteristic of the apes to the huge, international networks that characterise the modern world.
The importance of what could be seen as the superficial things we do such as holding hands becomes breathtaking in the hands of three inspirational thinkers.
When and how did the brains of our hominin ancestors become human minds? When and why did our capacity for language or art, music and dance evolve? It is the contention of this pathbreaking and provocative book that it was the need for early humans to live in ever-larger social groups, and to maintain social relations over ever-greater distances - the ability to `think big' - that drove the enlargement of the human brain and the development of the human mind. This `social brain hypothesis', put forward by evolutionary psychologists such as Robin Dunbar, one of the authors of this…
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