100 books like Court of Fives

This is more suited to the YA market with an appealing darkness that had me gripped from page one.

An allure of illusions, rich description, and magic. I loved this book! Every sentence was beautiful and intriguing–it was quite unlike anything I’ve ever read before. Add in the mystique of a carnival, and this makes for a remarkable read.

Scarlett was a strong female protagonist, and her desperate need to escape had me reading this long into the night. 

I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.

The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.

This slim novel is actually the second in McGuire’s Wayward Children series, which I wholeheartedly recommend in its entirety. The premise: a school for teenagers who once found secret, magical doors to other worlds when they were younger—and who, for various reasons, are sent back from those worlds to ours again. I particularly loved Jack, the burgeoning mad scientist sister in Down Among the Sticks and Bones, as well as her complicated relationship with her sister, Jill. I’m also a big fan of unique worlds and high-concept premises, and McGuire’s series absolutely checks both of those boxes!

I’m not sure anyone has written with such clarity about the everyday horror of social/cultural alienation better than Shirley Jackson.

I loved reading about the main character, Merricat, and her trips into town to purchase groceries and other common household goods. The pariah-like way she is received by the allegedly typical townsfolk is a theme I—admittedly to a much lesser degree—wanted to include in my own writing.  

January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it. 

One of the main characters in this book, the love interest actually, is on a quest to make the perfect chicken broth. Not art, exactly, but an act of creation. The multiple iterations and the constant tweaking of the recipe comprise a deep dive into an artist’s process as they strive to make the most perfect version of the thing in their head. That thing could be a painting, or a novel, or in this case, broth. This isn’t the main storyline, but it’s a significant side story and an indication of the author’s off-kilter take on space opera. All set in an imaginative world and the creative crucible of a high-end restaurant. Bonus points for the found family and community elements.

It might seem strange that this outrageous and thoroughly enjoyable comedy wound up on my list of workplace comedies.

In the original version of Pride and Prejudice, Elizabeth Bennet was stuck in a Regency-era comedy of manners. Her only choice of life “careers” was “wife.”

Grahame-Smith has taken Austin’s words and turned this classic upside down by giving her a very important job—Zombie Killer.

It’s a hilarious take on the power of women, and, strangely enough, adding a Zombie apocalypse has made some of the characters’ motivations much more understandable.

Elizabeth’s workplace is her small village in England, and, always on call, she has lots of work to do.

I loved this book, and I think Austin would have, too. It’s my kind of humor.

Five marriageable girls, a nervy mother, a sarcastic father, a sensible best friend, and a plethora of good-looking young men in uniform and breeches. What’s not to like?

This novel has everything. The story of two people who fall in love with each other in spite of themselves is still as fresh as paint today, and the supporting cast is fantastic. Austen’s writing is pin-sharp, revolutionary, and addictive.

I’ve read the novel hundreds of times, but I never tire of its wit, romance, and perfect plotting. Whether you love a good romance, enjoy digging around in the dusty corners of Regency fiction, or just like seeing a baddie getting their comeuppance, it is universally acknowledged that this is the book for you.

As a sucker for beautiful writing, this book had me from the first page, and I couldn’t put it down. So many issues that had been part of my childhood culture resonated with me while it also showed me many others from a part of India that I had never even visited. 

Though sweeping in its scope, it drills down into a very human story with all its pain and love. It weaves myth, story, real life, love, loss, and the meaning of family. It was one of the first novels by an Indian woman that transcended cultures, gender, and any preconceived notions.

This is a brilliant book that you will want to read in print—not digitally—because, for every single page of Jane Austen’s classic novel, there is an accompanying page of annotations. This is a great book if you want to dive deeper into Pride and Prejudice. The annotations include pictures of carriages and locations in the novel; historical details that helped me understand property laws, relationships, and societal expectations; definitions and connotations of how words were used in Austen’s time, and much more. It’s written in a very readable style, and you can either read it from start to finish or skip around to your favorite passages.