Here are 100 books that Communal Luxury fans have personally recommended if you like
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I don’t think of myself as a dreamer but, rather, a hard-headed activist scholar. Globally, most of us live under the domination of production for trade. We have ceded co-governance of production—collectively deciding what we produce, how we produce it, and for whom—to the abstract logic of markets operated via money. We face two great challenges reproduced by capitalism—growing socio-political inequities and ecological unsustainability. So, I argue that we must replace monetary values and operating systems with ‘real’, social and ecological, values and production for demand, for the basic needs of humans and the planet. Postcapitalism means moving beyond money to realize our self-value and emancipation.
Holloway deserves his cult following—who else would name a chapter "Start from anguish, from Janus. Start from Not Enough! Start from the hydra that we must slay."
His rolling prose makes reading his non-fiction feel like sitting cross-kneed in front of a wonderous storyteller. Moreover, Hope in Hopeless Times harks on my own arguments, as Holloway writes, "Hope lies in our richness, the joy of our collective creativity... Richness against money: this battle will decide the future of humanity."
Hope lies in our richness, in the joy of our collective creativity. But that richness exists in the peculiar form of money. The fact that we relate to on another through money causes tremendous social pain and destruction and is dragging us through pandemics and war towards extinction.
Richness against money: this battle will decide the future of humanity. If we cannot emancipate richness from money-capital-profit, there is probably no hope. Money seems invincible but the constant expansion of debt shows that its rule is fragile. The fictitious expansion of money through debt is driven by fear, fear of us,…
I don’t think of myself as a dreamer but, rather, a hard-headed activist scholar. Globally, most of us live under the domination of production for trade. We have ceded co-governance of production—collectively deciding what we produce, how we produce it, and for whom—to the abstract logic of markets operated via money. We face two great challenges reproduced by capitalism—growing socio-political inequities and ecological unsustainability. So, I argue that we must replace monetary values and operating systems with ‘real’, social and ecological, values and production for demand, for the basic needs of humans and the planet. Postcapitalism means moving beyond money to realize our self-value and emancipation.
Cleaver by name, cleaver by nature? Certainly, as an analyst following in Marx’s footsteps, Harry Cleaver resembles a nimble knife aspiring to a heavy-duty hatchet.
His ideas are impressive but make easy reading. So much so, he has attracted a great following since the publication of his now classic work Reading Capital Politically(1979).Rupturing the Dialectic(2017) is one of Cleaver’s most recent books. In three parts, he sings the praises of Marx’s work-oriented concept of ‘value’, delves into ‘decoding’ the financial sphere that currently mires us, and argues that "getting rid of money and markets entirely is not only a necessary condition for getting rid of capitalism but also desirable in its own right."
"Rupturing the Dialectic rejects the quietism inherent in all economistic approaches to the current crises within capitalism, and furnishes working people with a clear, concrete, sensible program for how to move forward. This is a fine book, and it is one from which activists will greatly benefit." —David Sherman, author of Sartre and Adorno
"Cleaver's theory of the value of labor to capital, explanation of money as a critical mediator of class conflicts, and discussion of strategies for resistance and transformation are remarkable. Rupturing the Dialectic offers emancipating ways to understand everyday life and financial crises in capitalism today." —Anitra…
I don’t think of myself as a dreamer but, rather, a hard-headed activist scholar. Globally, most of us live under the domination of production for trade. We have ceded co-governance of production—collectively deciding what we produce, how we produce it, and for whom—to the abstract logic of markets operated via money. We face two great challenges reproduced by capitalism—growing socio-political inequities and ecological unsustainability. So, I argue that we must replace monetary values and operating systems with ‘real’, social and ecological, values and production for demand, for the basic needs of humans and the planet. Postcapitalism means moving beyond money to realize our self-value and emancipation.
Terry Leahy has been a permaculture practitioner, advocate, and critic since the 1970s when permaculture was founded in his (and my) home country Australia, by co-originators David Holmgren and Bill Mollison.
In this pithy tome, Leahy draws as much on lively quotes from interviewees as delivering on all the basic principles, periods, strategies, visions, and permutations of permaculture across the world.The Politics of Permaculture delves into the deep rifts and rips within this socio-environmental movement to show how and why the short history of its eco-material approach to sustainable futures has so much to teach any anti-capitalist seeking postcapitalist paths and paradises.
'Inspiring. [...] Crammed with lively interviews and grounded examples' Ashish Kothari, founder of Kalpavriksh
Permaculture is an environmental movement that makes us reevaluate what it means to be sustainable. Through innovative agriculture and settlement design, the movement creates new communities that are harmonious with nature. It has grown from humble origins on a farm in 1970s Australia and flourished into a worldwide movement that confronts industrial capitalism.
The Politics of Permaculture is one of the first books to unpack the theory and practice of this social movement that looks to challenge the status quo. Drawing upon the rich seam of…
I don’t think of myself as a dreamer but, rather, a hard-headed activist scholar. Globally, most of us live under the domination of production for trade. We have ceded co-governance of production—collectively deciding what we produce, how we produce it, and for whom—to the abstract logic of markets operated via money. We face two great challenges reproduced by capitalism—growing socio-political inequities and ecological unsustainability. So, I argue that we must replace monetary values and operating systems with ‘real’, social and ecological, values and production for demand, for the basic needs of humans and the planet. Postcapitalism means moving beyond money to realize our self-value and emancipation.
This amazing, super scrapbook of text, photos, and other images richly chronicles more than two centuries of resistance and protests in the land we now call Australia.
Since the 1788 invasion, radicals, refugees, resisters, and revolutionaries have included First Nations peoples, the oldest continuing living culture in the world, who had covered the entire continent before capitalist settlement. Creatively and constructively engaged in campaigns and interventions in the outdated politicking of unrepresentative political parties, over 500 such instances are detailed in this book.
One of several exciting cultural works produced by McIntyre, he both records and analyzes struggles and strategies for diverse forms of emancipation pointing beyond capitalism.
This book reveals Australia’s radical past through more than 500 tales of Indigenous resistance, convict revolts and escapes, picket line hijinks, student occupations, creative direct action, street art, media pranks, urban interventions, squatting, blockades, banner drops, guerilla theatre, and billboard liberation. Twelve key Australian activists and pranksters are interviewed regarding their opposition to racism, nuclear power, war, economic exploitation, and religious conservatism via humor and creativity. Featuring more than 300 spectacular images How to Make Trouble and Influence People is an inspiring, and at times hilarious, record of resistance that will appeal to readers everywhere.
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.
If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.
A Telegraph, Sunday Times, Economist and TLS Book of the Year
'One of the best history books you will read this decade' History Today
An exhilarating reappraisal of one of the most dramatic years in European history, from the acclaimed author of The Sleepwalkers
There can be few more exciting or frightening moments in European history than the spring of 1848. Almost as if by magic, in city after city, from Palermo to Paris to Venice, huge crowds gathered, sometimes peaceful and sometimes violent, and the political order that had held sway since the defeat of Napoleon simply collapsed.
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.
But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.
When this book and its companion volume, Image of the People, appeared in 1973, they were taken as a challenge to the way art was usually written about. "This book," said the Times, "is a product of that school of art history whose history is as well read as its art, and whilst it covers only a small area of time and place, Clark's approach and style are such that it throws up enough ideas and pleasures to illuminate far beyond its rather special circumstances. It is suffused with wit and pathetic irony."
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This is an eye-witness account of the French Revolution of 1848 by a major participant. It offers a fascinating, acerbic picture of the major actors, the revolutionary “days,” and Tocqueville’s unhappy experience as Foreign Minister. It vividly conveys a sense of both the fears of the propertied classes and the limitations of radicals who could only play at revolution, mimicking the roles and gestures of 1789-’94.
But what I find most compelling is Tocqueville’s preoccupation with questions that are central to our understanding of the failures of democratic politics, then and now. How is it that in the space of two generations, democratic revolutions twice culminated in Napoleonic dictatorship? Why do so many democratic governments, including ours, appear to be moving in the same direction now?
Alexis de Tocqueville's Souvenirs was his extraordinarily lucid and trenchant analysis of the 1848 revolution in France. Despite its bravura passages and stylistic flourishes, however, it was not intended for publication. Written just before Louis-Napoleon Bonaparte's 1851 coup prompted the great theorist of democracy to retire from political life, it was initially conceived simply as an exercise in candid personal reflection. In Recollections: The French Revolution of 1848 and Its Aftermath, renowned historian Olivier Zunz and award-winning translator Arthur Goldhammer offer an entirely new translation of Tocqueville's compelling book.
The book has an interesting publishing history. Yielding to pressure from…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This novel is both the story of an unconsummated love affair and an account of the experience and imaginative life of the generation of young people who came to maturity around 1840 and whose lives were either broken or redirected by the revolution of 1848.
Flaubert takes great care to establish a counterpoint between the collapse of political ideals in 1848 and the collapse of the dreams of the individual characters. But Sentimental Education can also be considered as a work of history that brings the past to life and, in the end, offers a deep and, in some ways, sympathetic picture of the inability of individuals to shape history or their own lives, in a world ruled by elemental forces that elude understanding.
A fresh and vivid translation of Flaubert's influential bildungsroman
Gustave Flaubert conceived Sentimental Education, his final complete novel, as the history of his own generation, one that failed to fulfill the promise of the Revolution of 1848. Published a few months before the start of the 1870 Franco-Prussian War, it offers both a sweeping panorama of French society over three decades and an intimate bildungsroman of a young man from a small town who arrives in Paris when protests against the monarchy are increasing.
The novel's protagonist, Frederic Moreau, alternates between aimlessness and ambition as he searches for a meaningful…
I have been fascinated by the history of the French Revolution ever since my father took me to visit Napoleon’s tomb in Paris when I was four years old and tried to explain to me who he was and what he had done. For more than forty years, I have been teaching and writing about this inexhaustible subject. The Revolution’s ideals of liberty and equality still speak to us, and the vivid personalities who clashed over them, ranging from Lafayette and Robespierre to the abolitionist priest Henri Grégoire and the ill-fated Marie Antoinette, bring the subject alive. Oh, and did I mention that one of the perks of being a historian of the French Revolution is that you get to make regular trips to Paris?
Half of the people who experienced the French Revolution were women, and the recognition of their role in these events is one of the biggest transformations in historians’ perspectives of the past half-century. Dominque Godineau’s thoroughly documented book depicts the everyday lives of women in the revolutionary era and the activists who paved the way for modern feminist movements.
During the French Revolution, hundreds of domestic and working-class women of Paris were interrogated, examined, accused, denounced, arrested, and imprisoned for their rebellious and often hostile behavior. Here, for the first time in English translation, Dominique Godineau offers an illuminating account of these female revolutionaries. As nurturing and tender as they are belligerent and contentious, these are not singular female heroines but the collective common women who struggled for bare subsistence by working in factories, in shops, on the streets, and on the home front while still finding time to participate in national assemblies, activist gatherings, and public demonstrations in…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
In A Girl’s StoryAnnieErnaux – the author of many memoirs about her parents, her lower-class background, and her sexual life – revisits the summer when she was 18 and a summer camp counselor. For the first time away from home, she was so eager for love that she ended up pursuing a man who dumped and humiliated her. Ernaux has a unique way to find lost time again. She scrutinizes the past with such a precise scalpel that it allows us to identify with the lost young girl and to share her confusion and shame.
'I too wanted to forget that girl. Really forget her, that is, stop yearning to write about her. Stop thinking that I have to write about this girl and her desire and madness, her idiocy and pride, her hunger and her blood that ceased to flow. I have never managed to do so.' In A Girl's Story, her latest book, Annie Ernaux revisits the summer of 1958, spent working as a holiday camp instructor in Normandy, and recounts the first night she spent with a man. When he moves on, she realizes she has submitted her will to his and…
