Here are 100 books that City of Women fans have personally recommended if you like
City of Women.
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I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I read this book the summer before I returned to university to complete my B.A. Thompson’s book convinced me that one of my first loves, the study of history, was where I wanted to be.
It is a ground-breaking study of people overlooked, ignored, and condescended to by historians, whose lives were changed by early forms of industrialization in late 18th and early 19th-century England. Thompson treats these people as active agents in shaping their worlds socially, economically, and politically, and he takes their role in “making class” and political activism seriously.
It is also beautifully written, and the depth of his research sets a high standard for subsequent generations of historians.
Fifty years since first publication, E. P. Thompson's revolutionary account of working-class culture and ideals is published in Penguin Modern Classics, with a new introduction by historian Michael Kenny
This classic and imaginative account of working-class society in its formative years, 1780 to 1832, revolutionized our understanding of English social history. E. P. Thompson shows how the working class took part in its own making and re-creates the whole-life experience of people who suffered loss of status and freedom, who underwent degradation, and who yet created a cultured and political consciousness of great vitality.
I was an award-winning New York City newspaper reporter who developed a perspective on how to understand cities from the bottom up, not from the top down, of planners and politicians. I am now a well-known expert on urbanism and speak all over the world on the subject.
While her Death and Life illustrates how cities work, this book helps explain how the economy of a city really works.
Jacobs uses very simple language to make urban economies understandable: her contrast between Manchester and Birmingham shows how one city fails and the other flourishes; her illustration of how the manufacturing of bras emerged from the earlier corset illustrates her observations about new work added to old; she illustrates how Rochester, N.Y. went from a diverse economy of many technological advancements to one all-consuming Kodak dependent making the city totally dependant on one company.
All her illustrations reflect how new small things turn into big economic systems and the importance of diversity in an economy.
In this book, Jane Jacobs, building on the work of her debut, The Death and Life of Great American Cities, investigates the delicate way cities balance the interplay between the domestic production of goods and the ever-changing tide of imports. Using case studies of developing cities in the ancient, pre-agricultural world, and contemporary cities on the decline, like the financially irresponsible New York City of the mid-sixties, Jacobs identifies the main drivers of urban prosperity and growth, often via counterintuitive and revelatory lessons.
There are as many ways of thinking about cities as there are people who live in them, and by the end of this century, it is clear we will all be living in cities of one size or another. Cities are in effect the crucibles where all technological and cultural change takes place. They are the drivers of prosperity while also the harbingers of chaos, decline, and war. What makes them fascinating is that as soon as we begin to peel back the layers that compose the city, our understanding of them begins to change: they metamorphose into different conceptions where there is no agreement as to what they are or what they might become.
Mumford’s book provides one of the widest templates of the way cities have evolved since pre-history, contrasting how culture and technologies are critical to the way cities grow and change. His idea that cities grow organically can be contrasted with what all our authors in this quintet of books are asking.
This book gives a great overview of how cities have developed. Read it first, dip into it, and use it as a reference, but only read it if you know nothing about cities. If you know about cities, dip into it and use it to understand the other books in this list.
WINNER OF THE NATIONAL BOOK AWARD. A definitive classic, Lewis Mumford's massive historical study brings together a wide array of evidence — from the earliest group habitats to medieval towns to the modern centers of commerce — to show how the urban form has changed throughout human civilization. Mumford explores the factors that made Greek cities uniques and offers a controversial view of the Roman city concept. He explains how the role of monasticism influenced Christian towns and how mercanitile capitalism shapes the modern city today. The City in History remains a powerfully influential work, one that has shaped the…
There are as many ways of thinking about cities as there are people who live in them, and by the end of this century, it is clear we will all be living in cities of one size or another. Cities are in effect the crucibles where all technological and cultural change takes place. They are the drivers of prosperity while also the harbingers of chaos, decline, and war. What makes them fascinating is that as soon as we begin to peel back the layers that compose the city, our understanding of them begins to change: they metamorphose into different conceptions where there is no agreement as to what they are or what they might become.
Glaeser argues that cities are man’s greatest achievement. Where else can you find the conditions where the progress we have made in urban society come together to provide the kinds of civilization that we have evolved through cultural and scientific progress that appear most clearly in large cities? Technology is key to the 21st-century city in Glaeser’s celebration that he calls the Triumph of the Cities, and this history is reflected in Hall’s book, which follows.
This is a wonderful rapid read, and it complements Jane Jacobs's book below. It brings Jane Jacob's book up to date, but this implies Jane’s book is old fashioned–it isn’t–it is just that her work is over 60 years old, and the examples pertain back to the 1950s and 1960s.
Understanding the modern city and the powerful forces within it is the life's work of Harvard urban economist Edward Glaeser, who at forty is hailed as one of the world's most exciting urban thinkers. Travelling from city to city, speaking to planners and politicians across the world, he uncovers questions large and small whose answers are both counterintuitive and deeply significant. Should New Orleans be rebuilt? Why can't my nephew afford an apartment in New York? Is London the new financial capital of the world? Is my job headed to Bangalore? In Triumph of the City, Glaeser takes us around…
I became interested in cities through my research on culture in Asia. I came to appreciate how much cities generate culture - and are the exchange points for different ideas. I’ve hosted a podcast on urban history, edited a book (Cityscapes in History: Creating the Urban Experience), and written about urban space for various magazines and websites.
This book is about the city of New Orleans, and how it came to be, as an outpost of 3 empires in turn (the French, the Spanish, and the nascent United States). Its cultural mix gave it a rich identity, but also practical issues - whose legal system would be followed? What language should be used? This legacy created a particular urban environment, and Dawdy’s work brings out the most fascinating stories in how this city came to be.
"Building the Devil's Empire" is the first comprehensive history of New Orleans' early years, tracing the town's development from its origins in 1718 to its revolt against Spanish rule in 1768. Shannon Lee Dawdy's picaresque account of New Orleans' wild youth features a cast of strong-willed captives, thin-skinned nobles, sharp-tongued women, and carousing travelers. But she also widens her lens to reveal the port city's global significance, examining its role in the French Empire and the Caribbean, and she concludes that by exemplifying a kind of rogue colonialism - where governments, outlaws, and capitalism become entwined - New Orleans should…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
This book is very dear to me because of the author’s breadth of vision, the creativity with which she approached it, and the radical possibilities for women’s lives and gender relations in the late eighteenth and early nineteenth centuries that she uncovered.
Taylor demonstrates the importance of radical utopianism in challenging traditional notions of gender relations and marriage and introduces us to fascinating women who were part of that process. Her book shows us how new possibilities were considered for society and makes us realize that women’s marginalization in more mainstream socialist parties was not inevitable. Taylor’s writing is elegant and moving.
A new edition of Barbara Taylor's classic book, with a new introduction.
In the early nineteenth century, radicals all over Europe and America began to conceive of a 'New Moral World', and struggled to create their own utopias, with collective family life, communal property, free love and birth control. In Britain, the visionary ideals of the Utopian Socialist, Robert Owen, attracted thousands of followers, who for more than a quarter of a century attempted to put theory into practice in their own local societies, at rousing public meetings, in trade unions and in their new Communities of Mutual Association.
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
This book places First Nations and Métis women at the heart of fur trade society and shows that they played crucial roles as workers and wives, mothers, and daughters. Van Kirk creates striking portraits of women whose relationships with fur traders made them important linchpins between their Indigenous and Métis communities and white fur trade society.
The book takes an innovative approach to studying the fur trade in early Canada. Van Kirk also shows how these women’s lives were deeply affected by changes in the fur trade and the coming of settler society to Western Canada.
Sexual encounters between Indian women and the fur traders of the North West and Hudson's Bay Companies are generally thought to have been casual and illicit in nature. This illuminating book reveals instead that Indian–white marriages, sanctioned "after the custom of the country," resulted in many warm and enduring family unions. These were profoundly altered by the coming of the white women in the 1820s and 1830s.
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended.
I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally. Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.
The forces that shaped the institution of slavery in the American South endured, albeit in altered form, long after slavery was abolished. Toiling in sweltering Virginia tobacco factories or in the kitchens of white families in Chicago, black women felt a stultifying combination of racial discrimination and sexual prejudice. And yet, in their efforts to sustain family ties, they shared a common purpose with wives and mothers of all classes. In labour of Love, labour of Sorrow , historian Jacqueline Jones offers a powerful account of the changing role of black women, lending a voice to an unsung struggle from…
I’m Mary Sisson, award-winning writer blah-blah-blah, and when I need to pry myself off the feeds before my head explodes, I reach for a particular sort of book: story-driven with a lot of adventure, a dash of humor, another of romance, andset in a well-developed, immersive fictional world. While all of these titles can be read alone (I hate books that were clearly written to sell a sequel—600 pages of filler ending with a cliffhanger? No thank you!)they all also form parts of series, because when my head is about to shoot right off my neck, it helps me to know that I have the remedy at hand. Enjoy!
Katie Chandler has moved to New York City hoping for a life of glamour and excitement, only to find herself lonely, frustrated, and deeply baffled that those jaded New Yorkers keep ignoring all the weird things that keep happening. Then she discovers that the average New Yorker can’t see what she sees—she is the rare true mundane, completely unaffected by all magic, including magical camouflage. Her special abilities lead her to a new job for a magical company, and the book leads the reader into a delightful series of adventures that hilariously combine wizardry and enchantment with corporate intrigue and the tropes of Chick Lit.
“A totally captivating, hilarious, and clever look on the magical kingdom of Manhattan, where kissing frogs has never been this fun.”—Melissa de la Cruz, author of The Au Pairs
Katie Chandler had always heard that New York is a weird and wonderful place, but this small-town Texas gal had no idea how weird until she moved there. Everywhere she goes, she sees something worth gawking at and Katie is afraid she’s a little too normal to make a splash in the big city. Working for an ogre of a boss doesn’t help.
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
