Here are 100 books that Charlotte Gray fans have personally recommended if you like
Charlotte Gray.
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My reading is almost entirely influenced by my own family’s extraordinary history. My mother and father-in-law were both illegitimate. Both suffered for the fact and my father-in-law was 11 years old when he first found out and was reunited with his mother, albeit on a second-class basis compared to his half siblings. My mother trained bomb aimers. My father flew Lancaster bombers and was just 19 years old in the skies above wartime Berlin. My own books combine history, my personal experiences, and my family’s past to weave wartime stories exploring the strains that those conflicts imposed on friendships.
An abiding theme within my own book is that love and friendship can supplant racial and cultural differences, and this book, set in a village in France during the 2nd World War, highlights a growing and reluctant friendship between an occupier and the occupied.
The hatred that invasion induces causes any fraternisation to be labelled ‘collaboration.’ Sometimes it is. Sometimes, it is just people caught out of context seeking comfort and normality.
It is easy for those whose countries have never been occupied to scoff at the behaviour of those who had to live in the atmosphere and the reality of a hostile invasion. Let’s hope we never have to find out firsthand.
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" falls…
Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.
On finishing my book, I wanted to write a companion novel, based this time in Paris. My inspiration for the lead character in that book was Marie-Madeleine Fourcade, an extraordinary woman who led the Alliance network in France, operating on behalf of SIS, as MI6 was then known. Her handler Sir Kenneth Cohen described her as the ‘textbook beautiful spy,’ but her intelligence and courage marked her out even more. Marie-Madeleine lived a life on the run, operating under the radar via a string of false identities, and even escaping imprisonment. Lynne Olsen’s riveting account tells the story of Marie-Madeleine’s terrifying existence in Nazi-occupied France, and of a heartbreaking love affair.
NEW YORK TIMES BESTSELLER • The little-known true story of Marie-Madeleine Fourcade, the woman who headed the largest spy network in occupied France during World War II, from the bestselling author of Citizens of London and Last Hope Island
“Brava to Lynne Olson for a biography that should challenge any outdated assumptions about who deserves to be called a hero.”—The Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WASHINGTON POST
In 1941 a thirty-one-year-old Frenchwoman, a young mother born to privilege and known for her beauty and glamour, became the leader of a…
Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.
If ever another film should be made about an SOE agent in occupied France, it should tell the story of Nancy Wake, a brash, fearless Australian who caused havoc for the Nazis as ‘White Mouse’, the nominal leader of a huge Maquis network. I came upon Nancy’s file at the National Archives, and her SOE training report sums up this extraordinary woman: "She is tough, stubborn and plucky, with plenty of initiative. She has a strong personality, is jolly and sociable, but capable of being rather difficult." Those who came up against her would certainly have agreed, including her handlers. This book is a fantastic description of Nancy’s sometimes reckless bravery and incredible achievements inside enemy territory.
'Of all the variously talented women SOE sent to France, Nancy Wake was perhaps the most formidable' -Sebastian Faulks
This is the incredible true story of the greatest spy you've never heard of-as told to the author by the woman herself.
At the outbreak of World War Two, Nancy Wake's glamorous life in the South of France seemed far removed from the fighting. But when her husband was called up for military service, Nancy felt she had just as much of a duty to fight for freedom. By 1943, her fearless undercover work even in the face of personal tragedy…
As a teacher, I spent forty years at the chalkface before finally achieving my ambition to be a published writer. My first novel was about a child migrant to Australia; my second about a little girl on the kinder transport. I wanted to write about strong women in world war two. All three of the mothers in my stories are separated from their children and have to make some tough decisions. I hope my readers will remember them for their courage and tenacity and that they’ll enjoy reading about them as much as I’ve enjoyed creating them.
I’m fascinated by the way the code breakers at Bletchley helped to shorten the war. In Pam, McGurl has created a strong woman, who makes key choices, sometimes at the expense of her own happiness, to support the war effort. But what I really enjoyed was the time slip nature of the novel, where Pam is contrasted to her granddaughter Julia, a modern woman, who, when let down by the men around her, becomes empowered by her own freedom. It’s interesting to see how women’s roles have changed between the 1940s and today.
The latest unforgettable timeslip novel from the USA Today bestselling author of The Secret of the Chateau.
Will love lead her to a devastating choice?
1942. Three years into the war, Pam turns down her hard-won place at Oxford University to become a codebreaker at Bletchley Park. There, she meets two young men, both keen to impress her, and Pam finds herself falling hard for one of them. But as the country's future becomes more uncertain by the day, a tragic turn of events casts doubt on her choice - and Pam's loyalty is pushed to its limits...
As a teacher, I spent forty years at the chalkface before finally achieving my ambition to be a published writer. My first novel was about a child migrant to Australia; my second about a little girl on the kinder transport. I wanted to write about strong women in world war two. All three of the mothers in my stories are separated from their children and have to make some tough decisions. I hope my readers will remember them for their courage and tenacity and that they’ll enjoy reading about them as much as I’ve enjoyed creating them.
Although strictly this was set in the run-up to World War two, rather than the war itself, I thought this was a fascinating insight into how a young German girl, infatuated with Hitler and the Nazis, gradually learns to see things from a different point of view when she falls in love with a Jewish boy. It’s a novel for our time, showing how easily ‘ordinary people’ can be sucked into extreme views.
Shortlisted for the RSL Christopher Bland Prize and the RNA Historical Romantic Novel Award 2021
'A compelling tale of forbidden love set in 1930's Leipzig' Independent
'Terrifying, yet tender. I loved it' Irish Examiner
'Heart-breaking, thought-provoking story' Adele Parks
'I nearly drowned and Walter rescued me. That changes everything.'
Leipzig, 1930s Germany
Hetty Heinrich is a perfect German child. Her father is an SS officer, her brother in the Luftwaffe, herself a member of the BDM. She believes resolutely in her country, and the man who runs it.
Until Walter changes everything. Blond-haired, blue-eyed, perfect in every way Walter. The…
As a teacher, I spent forty years at the chalkface before finally achieving my ambition to be a published writer. My first novel was about a child migrant to Australia; my second about a little girl on the kinder transport. I wanted to write about strong women in world war two. All three of the mothers in my stories are separated from their children and have to make some tough decisions. I hope my readers will remember them for their courage and tenacity and that they’ll enjoy reading about them as much as I’ve enjoyed creating them.
I’m always intrigued by the stories older people have to tell about their war time experiences. I’m so glad I spoke to my own father about the war before he died, and I try to recognise this in my own novels. Suzanne shows us so well how a seemingly frail and elderly woman can hide a multitude of secrets, and Eva’s story is fascinating and beautifully told.
'Expect a tale of love, courage and being brave in the most dangerous of times' Woman's Way You can pay a terrible price for keeping a promise...
Evelyn Taylor-Clarke sits in her chair at Forest Lawns Care Home in the heart of the English countryside, surrounded by residents with minds not as sharp as hers. It would be easy to dismiss Evelyn as a muddled old woman, but her lipstick is applied perfectly, and her buttons done up correctly. Because Evelyn is a woman with secrets and Evelyn remembers everything. She can never forget the promise she made to the…
When I was given a First World War soldier’s wallet containing family souvenirs—a handwritten letter, a wedding photograph—I realised that it represented the story of my grandmother’s first marriage to a young man who died in the battle of the Somme in 1916. Brought up with my mother’s version of the story, I set out to find what truths I could. What I discovered is that there's no such thing as truth, only versions of what happened, and I wove these into a fictional narrative that tries to capture the experiences of families traumatized by war and explores how they made their peace despite the conflicts and tragedies they experienced.
The Night Watch is a chilling, atmospheric book that shows us the lives of a group of Londoners through the air raids of the 1940s. The story is told backwards from a point shortly after the war and reveals the motivations and characters of the story slowly, painfully, and with great care. A group of lesbian women, a woman entangled with a married man, and a young man punished for his part in a desperate pact: their personal stories are played out against a backdrop of fear and destruction. Perhaps my favourite of all Sarah Water’s fabulous novels, The Night Watch is so intricately and cleverly constructed it takes your breath away.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.
Jamila Gavin is best known for Coram Boy, which enjoyed huge success and went on to become a stage production. Her latest book is an incredibly moving story of four schoolfriends who go on to take very different and equally demanding roles during World War Two. The character of Noor is based on the real-life SOE agent Noor Inayat Khan, an Indian princess who served as a wireless operator in Nazi-occupied Paris. This is a beautifully written, emotionally engaging story of women barely in their twenties, and a harrowing insight into life in Paris for Jewish families and those working to help them.
A stunning and heartbreaking new novel from Jamila Gavin, the bestselling and award-winning author of Coram Boy and The Wheel of Surya.
England, 1937.
Gwen, Noor, Dodo and Vera are four very different teenage girls, with something in common. Their parents are all abroad, leaving them in their English boarding school, where they soon form an intense friendship. The four friends think that no matter what, they will always have each other. Then the war comes.
The girls find themselves flung to different corners of the war, from the flying planes in the Air Transport Auxiliary to going undercover in…
I love history and stories. Over the years I realized stories are part history and part character. I still don’t know in which ratio, but a story without characters or history is boring. A world, any world, needs history as much as characters because the story develops from their interaction. As a writer I always ask why. It’s the quintessential question. Any character is there for a reason that must be linked to history in some form. It’s cheap to say, “they’re there because it suits the plot.” And all of these books give us both history and character(s). And then some.
In history class, we only learned about the abstracts of World War II, and then only from the criminal’s side, with very few lessons being dedicated to the other victims. Not only does this book allow you into the French Resistance against Nazi occupation, its main character is a woman! It’s obviously fiction, and the ending is still the fall of Nazi Germany, but you sweat along with the characters. It’s wonderful to see a completely ruthless female warrior take the fight to a vile enemy. Especially for me as a German, it was a great read.
In his own bestselling tradition of Eye of the Needle and The Key to Rebecca, Ken Follett delivers a breathtaking novel of suspense set in the most dangerous days of World War II.
D-Day is approaching. They don't know where or when, but the Germans know it'll be soon, and for Felicity "Flick" Clariet, the stakes have never been higher. A senior agent in the ranks of the Special Operations Executive (SOE) responsible for sabotage, Flick has survived to become one of Britain's most effective operatives in Northern France. She knows that the Germans' ability to thwart the Allied attack…
When I say I enjoy stories of ordinary people in extraordinary situations, I’m talking about characters who don’t have law enforcement or Special Forces training, who aren’t martial arts experts, KGB agents, or CIA officers. I like those characters too, but they typically engage my head, not my heart. Thrown into dangerous situations, “ordinary” individuals can show tremendous courage and quick-wittedness. I can easily put myself in their shoes and empathize with their plight, which gives me a real stake in the story’s outcome. If a story is well-written, the creative ways characters respond and the strengths they discover within themselves make them true heroes to me.
In the early days of World War II, a Paris-based film producer tries to carry on working as usual and ignore the Nazi occupiers. Given the chance to give some minor aid to the British secret service, he agrees, and with each step, he’s drawn deeper and deeper into danger. His best–and only—weapon is his wits. Maybe at first he doesn’t think he’s taking much of a risk. But, with hindsight, I know how precarious his situation is, and I’m silently begging him not to do it! Furst’s riveting spy tales are what first attracted me to stories about ordinary people in extraordinary situations.
Paris 1940. The civilised, upper-class life of film producer Jean Casson ends with the German occupation of the city. Out of money and almost out of luck, Casson attempts to work with a German film company but finds himself drawn into the dark world of espionage and double agents. More used to evading jealous husbands than the secret police, Casson becomes a reluctant spy, torn between honour, patriotism, love and survival.
