Here are 67 books that Breathing Space fans have personally recommended if you like
Breathing Space.
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My journey into art began as a serendipitous discovery that unfolded through curiosity. As a “can’t-be-tamed” creative, I understand the tug-of-war artists feel – craving to learn skills and create “quality” pieces, while also thumbing the snooze-fest of sticking to one thing. Been there, done that, got the paint-splattered t-shirt. This has ignited a passion for encouraging others to find their own creative voice, as I've navigated the same path while building a multifaceted career in watercolor, gouache, line drawing, urban sketching, brush lettering, and calligraphy…need I go on? The thing is, I will because there is still so much to be explored.
I can't recommend this book highly enough, and here's why: it completely shattered my misconceptions about originality in the creative process. Kleon's candid and approachable narrative made me realize that all art is, in some form, a reinterpretation or recombination of what already exists.
This book came into my life at a pivotal moment, just when I was grappling with the dreaded "impostor syndrome" and the paralyzing belief that everything I created needed to be unprecedented. Kleon's perspective is liberating. He argues that embracing influences and integrating them into your work is not only acceptable but essential for creativity.
When asked to talk to students at Broome Community College in upstate New York in the spring of 2011, Austin Kleon wrote a simple list often things he wished he'd heard when he was their age: 'Steal like an artist; Don't wait until you know who you are to start making things; Write the book you want to read; Use your hands; Side projects are important; Do good work and put it where people can see it; Geography is no longer our master; Be nice (the world is a small town.); Be boring (it's the only way to get work…
Dennis E. Hensley, Ph.D., is the author of 64 books on such topics as motivation, financial management, theology, futurism, professional writing, literary analysis, and time management. Dr. Hensley served as a sergeant in the U.S. Army and was awarded six medals for two tours in Vietnam. He and his wife Rose have been married for 49 years and have two grown married children and four grandkids. Dr. Hensley was a college professor for 21 years and has been a trainer for Wells Fargo Bank, Brotherhood Mutual Insurance Co., Vera Bradley Corp., North American Van Lines, and Lincoln Life Insurance Co., among many others.
Michael Nesmith was famous for being a member of “The Monkees,” but his family was rich before that success. His mother, Bette Nesmith, a secretary, and amateur artist, invented Liquid Paper in 1958. She sold her company to Gillette in 1979 for $49,500,000. This book chronicles the amazing achievement of hundreds of people just like Bette. Some became famous (Orville Wright, Levi Strauss, Fred, and Donald Trump, Helen Keller), whereas others were outshone by their creations. The author explains the thought processes, work systems, promotional efforts, and production demands behind each creative person’s journey from idea to finished product. Superb drawings enhance the explanations of machines, bridges, tunnels, and skyscrapers.
“Among the many rewards of America the Ingenious, Kevin Baker’s survey of Yankee know-how, is stumbling on its buried nuggets. . . . Baker examines a wide range of the achievements that have made, and still make, America great again—and again.” —The Wall Street Journal
All made in America: The skyscraper and subway car. The telephone and telegraph. The safety elevator and safety pin. Plus the microprocessor, amusement park, MRI, supermarket, Pennsylvania rifle, and Tennessee Valley Authority. Not to mention the city of Chicago or jazz or that magnificent Golden Gate Bridge.
I’m fascinated with the relationship between personal growth and professional performance. Why is it in the same environment, doing the same work, some people can excel while others struggle? Most chalk it up to external circumstances that can’t be controlled. Others focus on tactics. But I’ve learned top-performers are masters at the human side of their work–the way they think, lead and serve–and that’s what gives them their edge. All of my work centers around infusing hard skills with improved soft skills, and getting better results in the process. That’s the stuff I find delicious, and it’s what I speak and write about.
There’s no shortage of books on management, but many rely too much on conjecture. This book pulls in hard data derived from Gallup's in-depth research, research I respect so much I reference it in my work. It offers a fresh perspective on what separates great managers from the pack.
I especially appreciated the way it focuses on employees' strengths. Any leadership approach that encourages managers to adapt to individuals is one I can get behind.
Gallup presents the remarkable findings of its revolutionary study of more than 80,000 managers in First, Break All the Rules, revealing what the world's greatest managers do differently. With vital performance and career lessons and ideas for how to apply them, it is a must-read for managers at every level.
Included with this re-release of First, Break All the Rules: updated meta-analytic research and access to the Clifton StrengthsFinder assessment, which reveals people's top themes of talent, and to Gallup's Q12 employee engagement survey, the most effective measure of employee engagement and its impact on business outcomes.
We all want peace. We all want a life of joy and meaning. We want to feel blissfully comfortable in our own skin, moving through the world with grace and ease. But how many of us are actively taking the steps to create such a life?
I’ve become passionate about telling parents how to raise happy, resilient, creative, confident, entrepreneurial children who are doing something that gives them joy. So many young people are unhappy; parents don’t understand how to help. They think their children should follow their path, but that no longer works for many. For the last 10 years, I’ve been speaking to parent groups; I was an Advisor to EQ Generation, an after-school program that gives children the skills to succeed; on the Advisory Board of MUSE School, preparing young people with passion-based learning; and on the Board of Spark the Journey, mentoring low-income high school students to achieve college and career success.
I loved reading about grit–that “passion plus perseverance toward long-term goals” is the key to success–by Angela Duckworth, who pioneered the concept. I particularly loved reading the section in her book, Parenting for Grit, which supports the parenting style of every parent I interviewed who raised entrepreneurial children.
Rather than Permissive Parenting or Authoritarian Parenting, she supports what she calls Wise Parenting, when there’s a “carefully struck balance between affection and respect on the one hand and firmly enforced expectations on the other.”
In this must-read for anyone seeking to succeed, pioneering psychologist Angela Duckworth takes us on an eye-opening journey to discover the true qualities that lead to outstanding achievement. Winningly personal, insightful and powerful, Grit is a book about what goes through your head when you fall down, and how that - not talent or luck - makes all the difference.
I am an adoptive parent and I often use stories to help my children to understand and process emotive topics. While we were going through the adoption process, I couldn’t find any stories that adequately explained why some children can’t stay with their birth families, so I decided to create my own! I found the waiting during the adoption process quite unbearable and put every spare minute to good use, reading books by adoptees and birth parents, so that I could understand the experiences of the people affected most by adoption. These autobiographies were a tough, emotional read at times, but they all changed me for the better.
As soon as I heard about Anna Anderson, I knew I had to read it. Anna is in the unique position of being adopted as a child, then becoming a birth mother, and finally adopting children herself. It did not disappoint. Anna talks openly about how her adoptive parents treat her, and her feelings towards them as a result of their very different parenting approaches. Anna shares her emotions in such a way that you can’t help but reflect on your own parenting, and it has made me think carefully about how the things I say could affect my son’s self-esteem.
The ‘Survival Without Roots’ memoir trilogy portrays the melting pot of emotions experienced by many adoptees associated with their lack of identity, as they spend a lifetime wondering …
'Is there anyone out there who looks like me, talks like me and thinks like me?'
As an adoptee, a birth mother and an adoptive parent, Anna Anderson tells her story with compassion, humility and grace arising from her first-hand experience of all ‘three faces’ of adoption.
Book One is set in the ‘50s and ‘60s and captures her first eighteen years after being adopted as a baby and transported to…
I have always enjoyed looking at art, and love it when I can help others to enjoy it too. Curators and academics are incredibly knowledgeable, but sometimes theory gets in the way, and academic precision can lead to turgid texts. I’d rather write in a way that is as simple as possible – without being condescending – and so help people to understand art more fully. That’s why I love it when exhibitions bring art together in new ways, encouraging us to look afresh at familiar images, or startling us with something we haven’t seen before.
Some artists, I think, have been unjustly neglected. In 1936, 168 years after it was founded, Laura Knight was the first woman to be elected as a full member of the Royal Academy of Art. In 1965 she was the first woman to have a solo exhibition at the same august institution, and yet today her name is little known. Why is that? Quite simply because she was a woman. Not only that, but her work valued the traditional craft of naturalistic representation precisely when abstraction, and then other forms of art beyond painting, became popular. Last year’s exhibition, the most comprehensive staged so far, together with the superbly written and illustrated catalogue, should go a long way to set the record straight. I think she was a great artist!
A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century.
Laura Knight (1877-1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as…
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of…
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
Here’s another PI series set in Boston, and while Carlotta Carlyle is nowhere near as well-known as Spenser, Linda Barnes is every bit as readable as Robert Parker. In her first outing (an Edgar Award nominee for Best Novel), ex-cabbie and ex-cop Carlyle takes on a missing person case that has her tangling with IRA gunrunners.A Trouble of Fools is my pick because it brings the ‘80s Boston I remember to life, and because of the light, humorous voice Barnes lends the proceedings.
This award-winning debut mystery introduces a Boston PI who’s “one of the most sparkling, most irresistible heroines ever to grace the pages of a whodunit” (Chicago Sun-Times).
Six-foot-tall, redheaded ex-cop and Boston-based private eye Carlotta Carlyle is “the genuine article: a straightforward, funny, thoroughly American mystery heroine” (New York Post).
Let go from the Beantown police force for insubordination, Carlotta Carlyle is ready for business. Her first client is the genteel and elderly Margaret Devens, whose brother, Eugene, one of the last in a handful of Boston’s aging Irish cabbies, has suddenly vanished.
I was a child of the Cold War. When the 20th Century ended, many of my peers and I thought we’d put the specter of annihilation behind us. As much as I’ve always been a fan of all things post-apocalyptic, I must acknowledge that we now face new threats that are just as much of our own making as the nuclear nightmare was. When I think about the future, I don’t see or foresee a dark and dismal end. I envision a bright future that will be a lot harder to achieve than we ever thought. I look forward to creating heroes and heroines who can make that future possible.
As much as I enjoy the imagery and metaphors associated with large-scale devastation, I also like to imagine how we mere mortals could survive what we have caused. This author takes the time to depict a very humane post-apocalyptic struggle in ways that I still admire. Once you get past the pain and suffering, there’s a lot of hope and optimism on these pages.
Five years after a "limited" nuclear war, two survivors journey across America. They — and you — will discover what is left of our way of life: the depth of the devastation — and the hopes of a new society desperately struggling to be born.
From Edward Kennedy to Playboy magazine, readers have praised Warday as an absorbing, suspenseful novel — and an important book for every American to read.
"A first-rate novel, as real as snapshots of tomorrow. And as scary." — New York Daily News
"Haunting … horrifying … engrossing … an all too believable look at what…
Like most writers, I am extremely interested in the “what if” factor. What if food ingredients could make a person feel specific emotions? What if drinking from a spring in the woods could give you a superpower? What if fairies really do take care of and grow all plants and trees in the world? I love to read and write about ordinary people, living everyday life, who encounter threads of magic. Influenced by reading books in the genre of “magical realism,” I love to explore how a dab of magic can be used in realistic fiction to emotionally affect the characters and story arc.
So, this book was made into two movies, the first in 1981 and the other in 2002, but I first experienced this story by reading the book when I was a young girl in sixth grade in 1978. I remember reading the epilogue over and over again—it broke my heart to think how the greed of one man could ruin something so magical. I pondered whether it was a blessing or a curse to live forever, and the town of Treegap felt like it could exist in any wooded place. Whenever I find myself in a thick forest, I still search for springs that bubble up from the ground, taking me right back to those emotions when reading this great classic.
Winnie Foster is in the woods, thinking of running away from home, when she sees a boy drinking from a spring. Winnie wants a drink too, but before she can take a sip, she is kidnapped by the boy, Jesse Tuck, and his family. She learns that the Tuck family are blessed with - or doomed to - eternal life since drinking from the spring, and they wander from place to place trying to live as inconspicuously as they can. Now Winnie knows their secret. But what does immortality really mean? And can the Tucks help her understand before it's…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Curious about what life was like in the Chicago speakeasies of the 1920s—especially for Black chorus women?
Follow ambitious, yet vulnerable, Honoree Palcour, as she envelops you in her past. Like to feel like what it was like to be alive in an earlier era? You won’t be disappointed by this exciting and well-written tale!
