100 books like Bones of the Master

As a travel writer, author, broadcaster, speaker, and producer, I’ve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel.  I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.  

I found myself giving up a high-flying life and successful IT career at age 38 to live my dream in the African bush, getting to know wild elephant families intimately and ultimately helping to save them from the actions of corrupt officials, unethical sport-hunters, poachers, and land claimants. It took plenty of tenacity and endurance to make a difference. Books have long been an important influence in my life, as they are for so many. I want to share a different insight and inspire you to ponder which books changed you. Here are five books that helped shape my life, and the thought-provoking reasons why.

I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself. 

After writing and editing fifty books and being the recipient of a dozen national and international literary awards, it’s obvious that I’m not so much a travel writer as a writer who travels a lot and is sometimes compelled to share what he discovers, or fails to discover, along the way. I’m not one of those “lonely tourists with their empty eyes / Longing to be filled with monuments,” that poet P.K. Page describes. I constantly ask myself: “What compels you to abandon the safety and comforts of home for the three Ds of travel: Danger, Discomfort, and Disease?” Itchy feet, insatiable curiosity, or the desire to step outside the ego and the routines of daily life? All of the above. I avoid the Cook’s Tour, travel light, and live on the cheap. 

I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.

I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.

I started solo travelling as soon as I left school, and since then I’ve spent many years doing so. I came of age while cycling, kayaking, hiking and skiing across distant lands. The bittersweetness of being alone on the road has become a source of constant fascination for me. The on-again-off-again loneliness creates a state of mind where you’re that much more willing to throw yourself in at the deep end, to meet strangers, and to look, listen and learn. At its very best, solo travel writing seamlessly encompasses two journeys: the physical journey in a foreign land, and the psychological journey within the author.

I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.

I’ve been a street musician, set up kindergartens, worked in special needs education, and run wood-fired showers in a field for meditation retreats. I’m also associate professor of sociology at the National University of Ireland Maynooth. I became a Buddhist partly out of interest in a very different culture and started wondering how Buddhism got from Asia to the West. I think about this through my own experience of teaching meditation, being an activist for 35 years, living in five countries, and learning ten languages: what do you have to do to make an idea come alive in a different culture? 

I got involved in Zen Buddhism in 1966 because Shunryu Suzuki was a Zen Buddhist and the San Francisco Zen Center which he founded was where I went to meditate with others free of any heavy trips, not pushing a rigid belief system, just learning to include stillness and silence in our lives so that we can feel and hear what the cosmos has to say to us.