Here are 100 books that Bette Davis Black and White fans have personally recommended if you like
Bette Davis Black and White.
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I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When I first read this book over twenty years ago, I thought, finally, someone who sees what I see in classic Hollywood films—dynamic and exciting women. She traces American women onscreen: from the flappers of the 1920s (It girl Clara Bow) to the European goddesses Greta Garbo and Marlene Dietrich to the sultry Mae West in the 1930s, to the fast-talking Dames Barbara Stanwyck, Katharine Hepburn, Carole Lombard, and to Marilyn Monroe and her postwar millionaire-seeking pals.
Her multi-decade analysis contemplates what changed in the 1970s-80s; as American women earned greater equity in real life, their onscreen representation paled compared to their pre-WWII sisters. A quarter into the twenty-first century, female star-driven Hollywood films remain an anomaly. Read this book to find out why it was the inverse more than ninety years ago.
A revolutionary classic of feminist cinema criticism, Molly Haskell's From Reverence to Rape remains as insightful, searing, and relevant as it was the day it was first published. Ranging across time and genres from the golden age of Hollywood to films of the late twentieth century, Haskell analyzes images of women in movies, the relationship between these images and the status of women in society, the stars who fit these images or defied them, and the attitudes of their directors. This new edition features both a new foreword by New York Times film critic Manohla Dargis and a new introduction…
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When you think of Method acting—which actors come to mind? Marlon Brando, James Dean, Robert De Niro…in other words, all men? This is where Keri Walsh’s landmark book comes in, challenging the cultural presumption that Method acting is a male craft.
This book is a revelation for both my teaching and research. Walsh argues that actresses like Kim Stanley, Shelley Winters, and Jane Fonda developed a feminist Method of acting that synthesized with second-wave feminism. Even more striking is their omission from American cinema histories because Walsh underscores how critics praised these women and their films, won Oscars, and/or they were popular with audiences in their contemporary moment.
This book sets the historical record straight by showing that Method acting was equally the domain of Hollywood women and men.
Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film.
While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method-the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning…
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When I read this book, I was relieved—at long last, a book that underscored the behind-the-scenes contributions of working women in the 1930s and 1940s. J.E. Smyth’s fascinating study brings to light new dimensions to screen legends Bette Davis, Katharine Hepburn, and fashion designer Edith Head, but also women less known to the greater public—the intrepid editors like Barbara McLean and Margaret Booth, three-time Screenwriter Guild president Mary J. McCall, and producers like Joan Harrison and Virginia Van Upp.
I like how this book provides a counter-history to the male-dominated narratives of Hollywood. Smyth shows that women found other ways outside of directing to leave their mark on Hollywood in the twentieth century.
Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, two women supervised all studio feature output and could order retakes on any director's work, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and…
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
In my teen years, I was a voracious reader of star biographies. I still love them, and the late Cari Beauchamp’s book is a page-turning, spellbinding biography that details the life of pioneering screenwriter Frances Marion, the highest-paid screenwriter in Hollywood for nearly three decades.
Beauchamp also introduces readers to the early Hollywood sisterhood network that furnished Marion and other powerful women in American film at the time (Mary Pickford, Adela Rogers St. John, Hedda Hopper). I recommend this book as a historical backdrop for understanding the current gender parity issues plaguing Hollywood.
Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s. Frances Marion was Hollywood's highest paid screenwriter--male or female--or almost three decades, wrote almost 200 produced films and won Academy Awards for writing "The Big House" and "The Champ."
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
This book grew out of the labor of love both scholarly and personal. It brings together three generations of scholars and diverse, interdisciplinary approaches to this complex and still largely misunderstood and underappreciated Black queer writer and theorist of 20th-century US identity. Michele Elam’s introduction deftly reevaluates and situates Baldwin as a 20th-century master for contemporary readers here and now, while the essays collected here provide cutting-edge scholarship and much nuance and fresh insight. Theoretically rich and with several exquisitely written essays, it touches upon all of the major aspects of the writer’s fascinating life and works.
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance.
In this heartwarming second-chance romance, a woman returns home and discovers that, when it comes to finding love, there's no place like home.
Since leaving her North Carolina town and the boy who broke her heart, Dakota Jones has focused on making it big as a journalist. But when a mistake in her personal life gets splashed across the tabloids and causes her to lose her job, she has no choice but to return home until she can figure out what to do next.
Dexter Roberts never forgot Dakota, and he's always regretted the way things ended between them. Now…
I have spent close to thirty years researching and teaching about questions of inequality and change. Most of my focus has been on the Global South, with a particular focus on India. I've written about intersecting class, gender, and caste inequalities. I've pursued this research agenda through extensive field research on labor politics, democratization, and the politics of economic reform in India. My interest stems from my background. I am originally from India and have lived and travelled extensively in the Middle East and Southeast Asia. I'm an author, public speaker, and consultant and have been a professor for three decades at the University of Michigan, Rutgers University, The University of Washington, and Oberlin College.
This is a brilliant book about race, gender, and politics in the United States. While there is a lot of work on racial inequality this book stands out in its focus on the ways in which culture shapes our politics and responses to inequality. It does so by centering Black women. It is also very timely and analyzes the way in which public figures like Michelle Obama and Condoleeza Rice have shaped the American political imagination.
WINNER OF THE W.E.B. DUBOIS DISTINGUISHED BOOK AWARD, GIVEN BY THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS
A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women
From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women-and Blackness more broadly-are understood in our political imagination and often become the subjects of public controversy.
Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they…
I’ve been fascinated by the Civil Rights Movement in the Deep South in the 1950s and 60s for many years. Keen to understand not just events in that timeframe, I also needed to understand how those entrenched and diametrically opposed positions had occurred. What triggered the responses of water cannon, German shepherd dogs, and Billy clubs to seemingly peaceful students marching or seated in a particular section of a café? Over a period of seventeen years, I amassed a private collection of books, magazines, newspapers, over two hundred in all, along with material from various state-run Departments of Archives of History, further amplifying my fascination and providing fodder for my book.
This was the book, which truly drew me into the world of the Civil Rights struggle in America, a personalized account by Myrlie Ever’s of her life (and that of their children), with her civil rights worker husband and father, until his untimely assassination in 1963.
It is a very personal and moving account of their family life, their passion, and pursuit of the American Dream of equal rights for their family, set against the backdrop of a deeply segregated social order of their time in the Deep South.
I found this book compelling, enlightening, and touching.
In 1967, when this brave book was first published, Myrlie Evers said, ""Somewhere in Mississippi lives the man who murdered my husband.""Medgar Evers died in a horrifying act of political violence. Among both blacks and whites the killing of this Mississippi civil rights leader intensified the menacing moods of unrest and discontent generated during the civil rights era. His death seemed to usher in a succession of political shootings--Evers, then John Kennedy, then Martin Luther King, Jr., then Robert Kennedy.
At thirty-seven while field secretary for the NAACP, Evers was gunned down in Jackson, Mississippi, during the summer of 1963.…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended.
I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally. Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.
The forces that shaped the institution of slavery in the American South endured, albeit in altered form, long after slavery was abolished. Toiling in sweltering Virginia tobacco factories or in the kitchens of white families in Chicago, black women felt a stultifying combination of racial discrimination and sexual prejudice. And yet, in their efforts to sustain family ties, they shared a common purpose with wives and mothers of all classes. In labour of Love, labour of Sorrow , historian Jacqueline Jones offers a powerful account of the changing role of black women, lending a voice to an unsung struggle from…
