100 books like Beachbum Berry's Potions of the Caribbean

William T. Boothby’s bartending guide was published 29 years after the first cocktail recipe book written in 1862 by American barman/impresario Jerry Thomas. In my opinion, Cocktail Boothby’s offers a more mature vision of cocktail culture in the 19th and early 20th century’s Golden Age, serving as a boozy time machine back to the era when many classic cocktails – the Manhattan, the Martini, the Mint Julep, to name a few – were born. Along with a thorough compendium of recipes, the book includes Boothby’s “Valuable Suggestions” to bartenders (“Do not serve a frosted glass to a gentleman who wears a mustache”) and his “Ten Commandments” of bartending, as well as a selection of old advertisements and various handwritten recipes. The author’s celebration of, as he calls it, “the art of mixology”, never fails to delight me.

Harry Craddock was a master behind the bar, and The Savoy Cocktail Book may be the most thorough chronicle of classic recipes from the Prohibition era. With the 18th Amendment, Americans had only two choices if they wanted a drink in a bar: go to an illegal speakeasy or head to places beyond the grip of the teetotalers. One of these spots was the American Bar in London’s Savoy Hotel, so named because it was one of the first bars where one could sip “American” cocktails. The no-nonsense layout and massive breadth of the recipes make this a must-have for both the layman and the professional. Among Harry Craddock’s words of wisdom is this nugget: “Shake the shaker as hard as you can: don’t just rock it: you are trying to wake it up, not send it to sleep!” I follow this advice with every drink I shake.

I had the distinct pleasure of visiting Tony Conigliaro’s Drink Factory laboratory in London where I found a mad scientist’s lair filled with complex, technical equipment, dry erase boards covered in formulas, and shelves of esoteric, bottled ingredients. While The Cocktail Lab finds a logical home in the era of molecular mixology, it is far more than that, showcasing its author as part chemist, part bartender, and part magician. First and foremost, the book captures what Conigliaro calls his “love affair with liquids”. The book’s cocktails – many of which I have tasted – are sensory experiences that capture not only flavors, but aromas, textures, and even memories. While modernizing many classic recipes, Conigliaro simultaneously pushes the definition of what a cocktail is and can be. For me, The Cocktail Lab celebrates the ever-evolving possibilities of liquid pleasure in the modern world and how a cocktail can be a transformative… show more.

Now that you’re in the mood for a good classic cocktail, this book will teach you how to make one.

Death & Co: Modern Classic Cocktails is the bible for the modern craft cocktail movement. Written by the creators of the legendary New York City bar Death & Co, which is on my bucket list of bars to visit, the book teaches you everything you need to know to make a good cocktail, from which flavors pair well together, when to shake and when to stir, and how to come up with your own new cocktail.

The book contains 500 recipes and gorgeous photos that will make you want to take up mixology in your spare time. 

Although I captain my own lake boat, I knew very little about ancient nautical sailing and warfare when I began writing Fire on Dark Water. Benerson Little’s book, The Sea Rover’s Practice, taught me about different types of crafts, weapons, battle tactics, sea villains, ship routines, sailor superstitions, methods of stealth attack, treatment of prisoners, and even the types of food eaten on board ship throughout 1630 – 1730. It was a very valuable resource.

Set in a fictional town on Colombia’s Caribbean coast during the 1950’s “violencia,” this novella portrays the seemingly mundane life of an anonymous retired military officer and his wife. The aging couple struggles against poverty, government corruption, and an overwhelming feeling of insignificance. As the colonel’s life loses meaning, he eventually realizes that he has nothing left but the rooster that he is readying for a cockfight. I read this novella after training with the Colombian Navy in Cartagena, and it took me only a few pages to realize that García Márquez is a genius.

This book was mandatory reading for most of us going to the Caribbean in secondary school.

For that reason, it may elicit a groan from those who have less than pleasant memories of school-enforced reading. But for me, it really was the first time I remember reading a book set in my home country of Barbados.

It’s a heart-warming coming-of-age story that takes you back and makes you wish for the good old days.

Curtis reaches to bestselling author Robert Lewis Stevenson’s Treasure Island (1883) for the song identified with sailors and pirates:

Fifteen men on the dead man's chest—
...Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest—
...Yo-ho-ho, and a bottle of rum!

Whiskey and gin are sidelined as rum takes first prize in this chronicle of Caribbean and South Seas pirates and privateers, sugar barons, and rum drinks from grog to the daiquiri and Cuba Libre (my Key West favorite).

This ten-cocktail capsule of New World history reshuffles history classroom categories to join recent accounts of turbulent times seen through commodities (Bananas, Cod, Salt), but a Bottle of Rum is the most fun, by far!

Former Olympian and U.S. Army helicopter pilot, Charity is another heroine who is as comfortable under sail as she is behind the collective of an AH-64 Apache. An operative used for dangerous tactical ‘kill’ missions, Charity battles her demons borne out of captivity and torture in Afghanistan, to keep her aggression under control.

An emotionally tormented loner, Charity kicks some serious ass.

Smith traces the historical arc of rum from local colonial consumption to becoming a major export by the nineteenth century.

I am amazed at how much history Smith captures by focusing his study on one type of alcohol. With his attention to how European and African drinking habits shaped rum consumption, he demonstrates how rum cut across gender, class, and race relations.

With their knowledge of distillation and introduction of resources new to the Americas, Europeans increased alcohol’s potency. Alcohol took on political as well as economic significance when colonial officials used alcohol revenue to govern. Without displacing fermented drinks, distilled liquor introduced new dynamics in the production and consumption of alcohol.

I love that he emphasizes how common consumption spurred taverns and other drinking establishments, which facilitated socialization that frequently contravened social norms, such as elite men who conversed with poor and working-class women and African and mulatto drinkers… show more.