Here are 100 books that Automating Inequality fans have personally recommended if you like
Automating Inequality.
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I’m a mathematics professor who ended up writing the internationally bestselling novel The Death of Vishnu (along with two follow-ups) and became better known as an author. For the past decade and a half, I’ve been using my storytelling skills to make mathematics more accessible (and enjoyable!) to a broad audience. Being a novelist has helped me look at mathematics in a new light, and realize the subject is not so much about the calculations feared by so many, but rather, about ideas. We can all enjoy such ideas, and thereby learn to understand, appreciate, and even love math.
A primary reason to love math is because of its usefulness. This book shows two sides of math’s applicability, since it is so ubiquitously used in various algorithms.
On the one hand, such usage can be good, because statistical inferences can make our life easier and enrich it. On the other, when these are not properly designed or monitored, it can lead to catastrophic consequences. Mathematics is a powerful force, as powerful as wind or fire, and needs to be harnessed just as carefully.
Cathy O’Neil’s message in this book spoke deeply to me, reminding me that I need to be always vigilant about the subject I love not being deployed carelessly.
'A manual for the 21st-century citizen... accessible, refreshingly critical, relevant and urgent' - Financial Times
'Fascinating and deeply disturbing' - Yuval Noah Harari, Guardian Books of the Year
In this New York Times bestseller, Cathy O'Neil, one of the first champions of algorithmic accountability, sounds an alarm on the mathematical models that pervade modern life -- and threaten to rip apart our social fabric.
We live in the age of the algorithm. Increasingly, the decisions that affect our lives - where we go to school, whether we get a loan, how much we pay for insurance - are being made…
I am a scientist and biologist. Learning about evolution changed my life and put me on a path to studying it as a career. As a child, I was a voracious reader, and as an undergraduate, I read every popular science book on biology I could get my hands on. In retrospect, those books were almost as important to my education as anything I learned in a lab or lecture theatre. When writing for a general audience, I try to convey the same sense of wonder and enthusiasm for science that drives me to this day.
Less about biology specifically and more about the general value of the scientific method and rationalism; I think that this book should be read by everyone. Never smug or condescending, Sagan and Druyan show how easily one can be misled by mystical thinking and illustrate the many dangers of credulity.
From cargo cults to baloney detectors, this book is a primer for life in the modern world and how to recognize and protect against disinformation and one’s own biases. I have more than once bought copies of this book for people who are overly enthused about crystals.
A prescient warning of a future we now inhabit, where fake news stories and Internet conspiracy theories play to a disaffected American populace
“A glorious book . . . A spirited defense of science . . . From the first page to the last, this book is a manifesto for clear thought.”—Los Angeles Times
How can we make intelligent decisions about our increasingly technology-driven lives if we don’t understand the difference between the myths of pseudoscience and the testable hypotheses of science? Pulitzer Prize-winning author and distinguished astronomer Carl Sagan argues that scientific thinking is critical not only to the…
I’ve always loved technology. I like the constant change, the sense of creativity and invention, of how it can act as an incredible force for good and human progress and betterment in the world. I can’t remember a time when I wasn’t tinkering with gadgets—taking radios apart to mend them or learn how they worked; designing electronic circuits for music synthesis; programming computers. But I’ve also always been interested in politics and the complex intersection of technology and public policy. So much so that most of my working life has been spent at this intersection, which is why I love these books—and hope you will too.
I remember first readingFuture Shockafter buying a battered, orange-coloured paperback edition at a bargain price from one of the second-hand bookshops that once saturated London’s Charing Cross Road.
It hadn’t really occurred to me before how much the increasingly rapid technological changes around us might create a sense of shock—‘future shock’— for some people. It changed my thinking about the influence of technology on our world and the impact it has on people, society, economics, and politics.
Even after all these years, many of Alvin Toffler’s insights and ideas remain just as topical today.
NEW YORK TIMES BESTSELLER • The classic work that predicted the anxieties of a world upended by rapidly emerging technologies—and now provides a road map to solving many of our most pressing crises.
“Explosive . . . brilliantly formulated.” —The Wall Street Journal
Future Shock is the classic that changed our view of tomorrow. Its startling insights into accelerating change led a president to ask his advisers for a special report, inspired composers to write symphonies and rock music, gave a powerful new concept to social science, and added a phrase to our language. Published in over fifty countries, Future…
In 1968, I saw an ad that changed my life. It was typical—insulting to women, demeaning. Yet, at that moment, it somehow crystallized so many of my experiences—the sexist slights, the terrible jobs, the sexual harassment, the catcalls, the objectification. I thought, “This is atrocious … and it is not trivial.” I started collecting ads and lecturing on the topic. I made my first film, “Killing Us Softly: Advertising’s Image of Women” in 1979 (and have remade it three times since). Eventually I wrote and made films about alcohol and tobacco advertising. In 2015, I was inducted into the National Women’s Hall of Fame.
I read this classic, published in 1957 when I was in high school. It was perhaps the first critique of advertising, and I found it fascinating.
Packard identified eight “compelling needs” that advertisers promise products will fulfill. Years later, I recognized how some of these needs were used to sell addictive products.
Although he didn’t address the objectification of women, he opened my eyes to the manipulative power of advertisers and the subconscious meaning of ads.
"One of the best books around for demystifying the deliberately mysterious arts of advertising."--Salon
"Fascinating, entertaining and thought-stimulating."--The New York Times Book Review
"A brisk, authoritative and frightening report on how manufacturers, fundraisers and politicians are attempting to turn the American mind into a kind of catatonic dough that will buy, give or vote at their command--The New Yorker
Originally published in 1957 and now back in print to celebrate its fiftieth anniversary, The Hidden Persuaders is Vance Packard’s pioneering and prescient work revealing how advertisers use psychological methods to tap into our unconscious desires in order to "persuade" us…
I’m a historian of Latin America and a professor at California State University, Los Angeles. I write about Chile’s labor and social history in the twentieth century. As a historian, I am especially interested in understanding how working people relate with public institutions and authorities, what they expect from the state, and how they have organized and expanded social and economic rights. While my research centers in Chile and Latin America, I also look to place regional debates in a transnational framework and see how ideas and people have moved across borders. I like books that bring working people’s diverse voices and experiences.
It is difficult to find an accessible and comprehensible history of the welfare state in the United States. But this book does exactly that. Premilla Nadasen writes an engaging overview of the welfare rights movement and the role played by radical Black feminist organizations. By analyzing the primary campaigns of the movement for welfare reform throughout the 1960s and 1970s, the reader gets a complete picture of the main actors involved and their political demands.
The welfare rights movement was an interracial protest movement of poor women on AFDC who demanded reform of welfare policy, greater respect and dignity, and financial support to properly raise and care for their children. In short, they pushed for a right to welfare. Lasting from the early 1960s to the mid 1970s, the welfare rights movement crossed political boundaries, fighting simultaneously for women's rights, economic justice, and black women's empowerment through welfare assistance. Its members challenged stereotypes, engaged in Congressional debates, and developed a sophisticated political analysis that combined race, class, gender, and culture, and crafted a distinctive, feminist,…
Ever since I first visited a prison during college and was shocked by its horrific conditions, I’ve been fascinated with America’s punitiveness—our tolerance for harsh, dehumanizing punishments. I pursued a Ph.D. in criminology in order to better understand the politics of crime and justice. I am constantly searching for “political space” within which to pursue meaningful criminal justice reform without provoking a punitive backlash. I was previously an associate professor of sociology at the University of Massachusetts Boston, and I am now a lecturer in criminology at the National University of Ireland Maynooth.
The Color of Welfare is a classic text on the history of American social policy.
The American welfare state was created by President Franklin D. Roosevelt’s New Deal in the wake of the Great Depression. Quadagno explains how Roosevelt compromised with conservative southern members of Congress in order to enact the New Deal into law. These consequences shaped early anti-poverty policies in ways that disproportionately excluded African Americans by design.
Quadagno then traces how this legacy of racially discriminatory social policymaking continued through President Johnson’s War on Poverty in the 1960s. The Color of Welfare taught me why the American welfare state is so underdeveloped compared to the nations of Western Europe and why it is characterized by so many racial disparities.
From Reconstruction to Lyndon Johnson and beyond, Jill Quadagno reveals how American social policy has continuously foundered on issues of race. She draws on extensive primary research to show how social programmes became entwined with the civil rights movement and subsequently suffered by association at the hands of a white backlash.
I am an anthropologist of development who has conducted ethnographic research in India, Indonesia, and more recently, Australia. Throughout my career I have grappled with questions of how power works in development, particularly in and through processes of self-making. I seek new theoretical tools to examine these questions, but always grounded in the realities of the everyday. I came of age when post-development critiques were dominant, but both my idealism and cynicism have been tempered by working alongside local development actors. In my work I try to give readers a sympathetic portrait of their lives, beliefs, and hopes, and how these shape practices, relationships, and consequences of ‘development’.
Akhil Gupta asks why so many people in India suffer extreme poverty, and yet invite so little reaction.
His answer is structural violence. State inaction, or ineffective action, are part of the conditions that let people die from poverty.
The brilliance in Akhil Gupta’s work is inviting us to look at the state not as a coherent and unified entity, but as operating through multiple levels, agencies, and departments.
As someone interested in local development actors, I find his ethnographic accounts of low-level government offices and officials particularly compelling.
By showing everyday practices in these offices, and fine-grained encounters between officials and welfare recipients, Gupta shows how state indifference is produced, and challenged, in ways that shape life and death.
Red Tape presents a major new theory of the state developed by the renowned anthropologist Akhil Gupta. Seeking to understand the chronic and widespread poverty in India, the world's fourth largest economy, Gupta conceives of the relation between the state in India and the poor as one of structural violence. Every year this violence kills between two and three million people, especially women and girls, and lower-caste and indigenous peoples. Yet India's poor are not disenfranchised; they actively participate in the democratic project. Nor is the state indifferent to the plight of the poor; it sponsors many poverty amelioration programs.…
I'm an economic anthropologist and teach classes and conduct research in this area. Economic anthropology is different from economics in that it questions many of the things that economics takes for granted. For example, most economists assume that allocating goods through the market by buying and selling is the best way to organize human communities. Economic anthropologists have shown, in contrast, that many societies have been organized according to other exchange principles. In fact, some of the oldest communities in the world, such as Sumer and Babylon, based their economies around elaborate systems of redistribution, in which every citizen was guaranteed food shares.
We often think that unemployed people are lazy or lack ambition.
Ferguson shows how in certain parts of the world the problem is not indolence but the fact that there are simply not enough jobs for all those who need employment or would like to work. With the acceleration of automation, offshoring, and artificial intelligence this situation could become far worse and ultimately create a great deal of social and political instability.
Ferguson documents how a number of states around the world have adopted universal basic income programs, in which poor people are provided funds by the government with no work requirements or other strings attached. The book shows how changing our thinking about the morality attached to work might actually create more stable societies.
In Give a Man a Fish James Ferguson examines the rise of social welfare programs in southern Africa, in which states make cash payments to their low income citizens. More than thirty percent of South Africa's population receive such payments, even as pundits elsewhere proclaim the neoliberal death of the welfare state. These programs' successes at reducing poverty under conditions of mass unemployment, Ferguson argues, provide an opportunity for rethinking contemporary capitalism and for developing new forms of political mobilization. Interested in an emerging "politics of distribution," Ferguson shows how new demands for direct income payments (including so-called "basic income")…
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
This beautiful book opens with the line, “Every day Mr. McInnis tells us to imagine our future.” Unfortunately, for Brittany, she can’t envision a future that holds anything good. Her mother is in an abusive and controlling relationship and her grandmother suffers from dementia. I love that this book shows a positive teacher, a mom who, despite her own bad choices, truly loves her children, and a family willing to go to bat for one another. Extra points for the intergenerational storyline of a grandmother who lives with the family.
A girl wishes for a better life for herself, her mom, and her baby brother and musters the courage to make it happen in this moving and emotionally satisfying story for readers of Kate DiCamillo and Lynda Mullaly Hunt.
“Once You Know This reminds me of a flower blooming in the crack of a sidewalk. It’s important, and it’s special. Just read it.”—Ali Benjamin, New York Times bestselling author of The Thing About Jellyfish
Eleven-year-old Brittany knows there has to be a better world out there. Lately, though, it sure doesn’t feel like it. She and her best friend, Marisol,…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
Flann O’Brien is famous for his ingenious novels, At Swim-Two-Birds andThe Third Policeman, but I regard his funniest book as this short fictional memoir about life in the far West of Ireland. Originally published in Gaelic in 1941, it is a mock-pastoral farce about the customs of the remotest region in the country, where it rains all the time, but O’Brien is actually satirising the lack of mutual understanding between the local inhabitants and the modern outside world. The narrator’s adventures begin immediately after he is born and include (among many other absurdities) catastrophic pigs and the quest to climb a mountain to find an eternal fountain of whisky.
The Poor Mouth relates the story of one Bonaparte O'Coonassa, born in a cabin in a fictitious village called Corkadoragha in western Ireland equally renowned for its beauty and the abject poverty of its residents. Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on the Irish, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.
