Here are 100 books that Aspirational Fascism fans have personally recommended if you like
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I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
Folks familiar with the term “neoliberalism” usually describe it as the economic system that tries to unleash the market by getting the government out of the way. I like Globalists because it shows how unleashing the market demands that government gets in the way—of workers’ rights, movements for equality, and, most ominously, democracy itself. Since it’s impossible to understand fascism without tackling capitalism, a book explaining how we got to today’s market principles is vital.
I see this book as a history of the neoliberal economists who encouraged political leaders to use state violence and repression to unleash free trade and shape the global economy. Globalists tell the story of how modern capitalism developed into today’s vast landscape of inequality that makes a fertile ground for fascism and violent extremism to develop.
George Louis Beer Prize Winner Wallace K. Ferguson Prize Finalist A Marginal Revolution Book of the Year
"A groundbreaking contribution...Intellectual history at its best." -Stephen Wertheim, Foreign Affairs
Neoliberals hate the state. Or do they? In the first intellectual history of neoliberal globalism, Quinn Slobodian follows a group of thinkers from the ashes of the Habsburg Empire to the creation of the World Trade Organization to show that neoliberalism emerged less to shrink government and abolish regulations than to redeploy them at a global level. It was a project that changed the world, but was also undermined time and again…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
These days, the word fascist is pretty quickly pulled out as a handy insult. Orwell warned even back in the 1940s that the term was used so much that it was becoming meaningless. But when I listen to some of the race-obsessed autocratic leaders lurking in today's politics, I’m convinced “fascist” is a tailor-made description rather than an easy epithet.
I love this book because it helped me get past the hesitation with using that word and is, to my mind, the ultimate philosophical dissection of today’s fascism. For philosopher Alberto Toscano and the thinkers he discusses, fascism is a process at the heart of capitalism itself, "a dynamic that [even] precedes its naming."
His book describes the many aspects of fascism from well beyond Europe in the early twentieth century. If we look around, we can see the percolations of this process producing and reproducing "the racial fantasy of…
The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the 'Great Replacement' to campaigns against critical race theory and 'gender ideology', today's global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.
Drawing especially on Black radical and anti-colonial theories of fascism, Toscano makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
I love this book because it’s an inspiring collection of oral histories about community building, protesting, standing up for the oppressed, and sometimes, beating the shit out of racist skinheads. The stories are told by those who had been anti-racist skinheads and punks in Portland back in the 1980s-‘90s.
Portland has long been a very white city—initially because Black people weren’t even allowed in Oregon and later because the Klan had firm control over state and local politics. Over time, more people of color moved in, but the state's white supremacist roots ran deep. In the 1980s, these sprouted racist violence, leading to the brutal beating death of Ethiopian immigrant Mulugeta Seraw.
This book collects the oral histories of the resistance movement galvanized by his death, most of whom were young members of Portland’s punk music scene who, without the support of officials or police, fought back—usually in nonviolent ways.
Portland, Oregon, 1988: the brutal murder of Ethiopian immigrant Mulugeta Seraw by racist skinheads shocked the city.
In response disparate groups quickly came together to organize against white nationalist violence and right-wing organizing throughout the Rose City and the Pacific Northwest.
It Did Happen Here compiles interviews with dozens of people who worked together during the waning decades of the twentieth century to reveal an inspiring collaboration between groups of immigrants, civil rights activists, militant youth, and queer organizers. This oral history focuses on participants in three core groups: the Portland chapters of Anti-Racist Action and Skinheads Against Racial Prejudice,…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
Fascism always holds out a promise of belonging to the tribe, the race, and, most importantly, the nation. Lepore’s very short and beautifully readable history of the US explicitly rejects the right-wing and fascist assumption that the nation and nationalism are theirs.
This America retells US history from the perspective that the country has not lived up to its promises of equality, but the first step to making that happen is acknowledging its painful history. The book contextualizes the invocations of some of its greatest critics, such as DuBois, Douglass, and Baldwin, in their clear-eyed pronouncements of the United States’ failures of justice and democracy.
Lepore’s hope rests on the belief that a pluralistic, truly democratic United States is possible if Americans own the nation’s failures to live up to its stated standards and commit to the painful work of holding ourselves and the structures of civic life accountable to…
At a time of much despair over the future of liberal democracy, Jill Lepore makes a stirring case for the nation in This America, a follow-up to her much-celebrated history of the United States, These Truths.
With dangerous forms of nationalism on the rise, Lepore, a Harvard historian and New Yorker staff writer, repudiates nationalism here by explaining its long history-and the history of the idea of the nation itself-while calling for a "new Americanism": a generous patriotism that requires an honest reckoning with America's past.
Lepore begins her argument with a primer on the origins of nations, explaining how…
I’m an unusual law professor. I’ve taught constitutional law and economic analysis of law in a career spanning over three decades at two very different law schools. Most scholars view these fields as disconnected. My work, including several books and dozens of articles, demonstrates otherwise. This combined expertise helped me understand why our longstanding constitutional democracy is facing an existential crisis, why popular reform proposals won’t work, and what we must do to succeed. I wrote Parliamentary America for citizens seeking genuine solutions. My five-book list includes brilliant works cutting across myriad divides and embracing wide-ranging methodologies to ensure all citizens appreciate the importance of producing a truly thriving democracy.
I hope readers internalize this book's message: grappling with past threats to our democracy is vital in facing down future threats carrying a greater likelihood of success.
Maddow’s impressively researched book recounts the period of U.S. history corresponding to the rise of Nazism in Germany and the spread of European fascism. Her laudable goal is ensuring more citizens know the story of leading American figures—captains of industry, Congressmen, and Governors—sympathetic to Nazism and willing to undermine vital democratic norms, embrace anti-Semitism, and engage in coordinated violence to bring fascism to the U.S., and of those unsung heroes who refused to let them succeed.
Maddow rightly views education as vital to ensuring that past isn’t prologue.
#1 NEW YORK TIMES BESTSELLER • Rachel Maddow traces the fight to preserve American democracy back to World War II, when a handful of committed public servants and brave private citizens thwarted far-right plotters trying to steer our nation toward an alliance with the Nazis.
“A ripping read—well rendered, fast-paced and delivered with the same punch and assurance that she brings to a broadcast. . . . The parallels to the present day are strong, even startling.”—The New York Times (Editors’ Choice)
Inspired by her research for the hit podcast Ultra, Rachel Maddow charts the rise of a wild American…
As a child, I read stories of courageous women and men who risked their lives for their faith, for their freedom, or for the freedom of others. Many of these stories were dark and brutal. History taught me that governments are capable of atrocities that defy understanding. Fiction stories led me to envision dark futures. But I do not enjoy stories that discourage or depress. Instead, I believe stories should display hope, faithfulness, and sacrifice. I admire the heroes of our history and I seek fiction that speaks these same truths. We need stories that inspire us to stand up, to speak out against injustice, no matter the consequences.
What leads people to join a movement? What causes a group to sacrifice freedom for power, victory, and equality? How does oppression begin?
When Ben is unable to answer a student’s question, “Why did the German people not stop the Nazis?” he devises an experiment. Would American students surrender their individuality and follow his leadership blindly? What follows quickly spirals out of control. The students and their teacher are forced to confront how a movement transforms those who become caught in its current. And some students are forced to learn the cost of daring to speak against the majority.
When Ben shows his pupils a film about the Nazis' persecution of the Jews, they can't believe it could happen. So he introduces a new disciplinary system in an attempt to shown them how powerful group pressure can be. But things get out of hand.
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
The ever-contentious debate about Heidegger’s filiations with Nazism was re-enlivened with the appearance of the so-called “Black Notebooks” in 2014.
However, unless one closely heeds the existential verbiage of Heidegger’s commitment to Nazism, one risks tilting at windmills; hence, succumbing to a plethora of misconceptions and misunderstandings.
This invaluable collection of original texts – which, in addition to Heidegger political speeches of 1933-34, contains the indispensable Der Spiegel interview, “Only a God Can Save Us!” – has taken on an entirely new meaning and importance in light of the “Black Notebooks’” publication.
This anthology is a significant contribution to the debate over the relevance of Martin Heidegger's Nazi ties to the interpretation and evaluation of his philosophical work. Included are a selection of basic documents by Heidegger, essays and letters by Heidegger's colleagues that offer contemporary context and testimony, and interpretive evaluations by Heidegger's heirs and critics in France and Germany.In his new introduction, "Note on a Missing Text," Richard Wolin uses the absence from this edition of an interview with Jacques Derrida as a springboard for examining questions about the nature of authorship and personal responsibility that are at the heart…
I’m a professor of Classics at Rutgers University, where I’ve taught since 2000; before that, I spent a decade on the faculty of Bryn Mawr College. For three years I served on the staff of the American Academy in Rome, a somewhat frenetic experience that prompted me to shift my focus from ancient Roman history to the history of the city of Rome. Since 2010 I’ve been managing a private family archive in Rome, that of the papal Boncompagni Ludovisi, which covers the period from the early 1400s to the 1940s. Now completely digitized, the archive has much new material to offer, not least on the era of Mussolini, including resistance to his regime.
The raised-arm salute is the most distinctive gesture of 20th-century Fascism and Nazism; in the 21st century, it still thoroughly shocks when spotted. Its origin? Though the so-called “Roman salute” has been widely supposed to date back to classical antiquity, Winkler in a meticulous study demonstrates that it is a modern creation, an anachronism that first consistently cropped up in theatrical contexts (stage and early motion pictures) in the 1890s. Though nonsensical from a historical point of view, “it does make political and ideological sense”, argues Winkler, “to all those who see in the Romans a model for power and might and for glorious conquest of others.” More generally, the book is essential reading on the origins and evolution of Mussolini’s theatricality.
The raised-arm salute was the most popular symbol of Fascism, Nazism, and related political ideologies in the twentieth century and is said to have derived from an ancient Roman custom. Although modern historians and others employ it as a matter of course, the term “Roman salute” is a misnomer. The true origins of this salute can be traced back to the popular culture of the late nineteenth and early twentieth centuries that dealt with ancient Rome: historical plays and films. The visual culture of stage and screen from the 1890s to the 1920s was chiefly responsible for the wide familiarity…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
Jay Geller is a professor of history and Judaic studies and has published five books on the experience of the Jews in twentieth-century Germany. He has worked with secondary school teachers, religious communities, and museums to develop programs on the Holocaust, Nazism, and dangers of intolerance and radicalism. He is a graduate of Princeton University and Yale University.
It is important for Americans to understand why millions of Germans who were not violent antisemites and racists voted for the Nazis. Looking at the case of a typical German town, Allen shows that economics, culture wars, and fear for the future motivated middle-class Germans to vote for an extremist party – not because of its racism, but despite its racism.
BE SURE YOU ARE BUYING THE CORRECT BOOK. THE ISBN FOR THE NEWEST PAPERBACK EDITION OF THE NAZI SEIZURE OF POWER IS 978-1626548725. IT IS PUBLISHED BY ECHO POINT BOOKS & MEDIA.
William Sheridan Allen's research provides an intimate, comprehensive study of the mechanics of revolution and an analysis of the Nazi Party's subversion of democracy. Beginning at the end of the Weimar Republic, Allen examines the entire period of the Nazi Revolution within a single locality.
Tackling one of the 20th century's greatest dilemmas, Allen demonstrates how this dictatorship subtly surmounted democracy and how the Nazi seizure of power…
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