Fans pick 100 books like Arthur's Eyes

I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.

Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.

I’m a Sibert Honor author and write books for kids and teens about nature. Part biography, part science adventure, my books introduce readers to real scientists and the unexpected twists and turns of their discoveries. The more I research the more I discover hidden connections to our natural world that humble me and fill me with gratitude. I do my best to share these connections with readers in an accurate, truthful way to help them find their own “ah-ha” moments in life. I want them to say, “I can do this, too!”

I'm mainly known as an author of fiction for young readers, but animal awareness is an important part of my life and I decided to write about it.  I’ve been vegetarian for many years, and vegan for the last four: I decided long ago that no animal was going to die so that I could eat it. From early childhood, I loved animal stories, and as I grew older it baffled me that we care for our pets while thinking of other creatures as food. I spend a lot of my time campaigning for animals – for better treatment of farm animals, against bloodsports like fox-hunting and shooting, and for better awareness of the natural world and how we must look after it. 

As an internationally respected discipline expert, I guide parents in how to get more compliance than defiance from their little ones. I coined the phrase “The Dance of Non-Compliance” between parent and child. In order to change the dance, the parent will usually have to change his/her dance step first. It is often impossible during the heat of the moment, to teach ‘the lesson’ to the child due to the agitated emotional state of both parent and child. A well-executed picture book, appropriately written and illustrated for young children's developmental thinking ability, can open the door for a meaningful discussion regarding their misbehavior and feelings.

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

Dance has always been an important part of my life. I specialized in dance in college (Denison University) and graduate school (MFA, University of Michigan) and danced professionally for twelve years. As a dance educator, I’ve taught in colleges, conservatories, schools, and community centers, teaching toddlers, senior adults, and every age in between. I’ve authored two books for teachers, three picture books, articles in journals, and verses for children’s magazines. I share my passion for dance by writing and teaching, and visiting schools, libraries, and book festivals. I believe that every child should have the opportunity to participate in the arts; they are essential and transformational forces in our lives.

I’ve always written funny, rhyming poems so, when I began reading picture books to my kids, I decided to give writing one a try. I now have seven published books (six are in rhyme). I love creating humorous, alliterative stanzas – I think that’s what makes rhyming picture books so much fun to read aloud! Here's an example from my book Cock-a-Doodle Oops: “I know that I’m quiet, but I’d like to try it. Here goes said a shy little sheep. / Her cock-a-doodle baaaa didn’t travel too faaaa. In fact, she made barely a peep.” I hope you enjoy reading the books I’ve listed and other humorous, rhyming picture books!

Many people are intimidated by poetry. For a big part of my life, I was too. So much of the poetry I had been exposed to was either indecipherable or irrelevant to me. Then I discovered some poems that I loved—accessible poems about subjects I related to. I started collecting poetry books, by both adult and children’s poets. Eventually, I was inspired to write poetry of my own. Today, I’m a poetry advocate, recommending my favorites to anyone who shows interest. The satisfaction I get from poetry boils down to this: When I read a good poem, I think to myself, “Wow, I didn’t know words could do that.”

When I was a child, I saw a grasshopper doing the sidestroke in the ocean and it sparked my interest in animal behavior. Though I still don’t know if all grasshoppers do the sidestroke, I’ve learned a lot about animal adaptations since then. And I’ve learned a lot about what motivates young readers from my years as a reading specialist and a classroom teacher. I’ve put that knowledge to work in my two popular books: Who Has These Feet? and Who Has This Tail?