The best children’s poetry books that also appeal to adults

After writing 14 children’s books about art appreciation, I decided to try my hand at children’s poetry. When I read this collection of haiku by Jack Prelutsky, it was a revelation. Each poem is a first-person description of an animal, full of rich, unexpected language. By writing in first-person, Prelutsky broke one of haiku’s cardinal rules. But it worked—and inspired me to write my own collection in the first person as well. Here’s one of my favorites poems in his book:

Raucously we caw.
Your straw men do not fool us.
We burgle your corn.

This anthology of concrete poems (also known as shape poems) is a direct influence on my own book. For anyone who loves concrete poetry, or wants to know more about it, A Poke in the Eye is indispensable. Each poem is by a different poet, and each approaches the form in their own way, which got me excited about trying it myself. I do have to say, while I love the mixed collage-style illustrations by Chris Raschka, it made me want to create my own concrete poetry book without supporting illustrations. In my mind, a concrete poem is its own illustration.

When I first became interested in children’s poetry, I found a seven-book series by James Stevenson—all self-illustrated, and all with titles containing the word “corn.” I loved everything about them, including his loose pen-and-ink illustrations washed with watercolor. His style seems effortless, with unique and relatable observations on everyday scenes or objects. A lot of poetry feels like it’s trying too hard. Stevenson taught me the power of not letting the effort show. Here’s a perfect example:

There’s a yellow chair
at the junkyard gate.
Sometimes an old guy sits there
just to make sure
nobody swipes a crane.

As an example of just how inventive poetry can be, this book is hard to top. The subject of each poem is a fictitious animal created by combining two dissimilar words that share common sounds. For example, umbrella + elephant = umbrellaphant. The rhythm in Prelutsky’s poems is always smooth, making them fun to read out loud. This book makes me want to drop everything and play with words, which for me is the essence of poetry. Here’s an excerpt from "The Ballpoint Penguins":

The Ballpoint Penguins do not think,
they simply write with endless ink.
They write of ice, they write of snow,
for that is all they seem to know.

I love wordplay, and Douglas Florian is a master. His poems are short, fun, and well-crafted. He also illustrates his books, in a style that is sketchy, childlike, and textural. When I need a bit of lighthearted inspiration for my own poetry, Florian always delivers. He has written dozens of books, but his book about summer called Summersaults captures the essence of his style. Here’s a delicious sample:

"A Summery"

June: We seeded.
July: We weeded.
August: We eated.